I'm Gonna Sing When the Spirit
Says Sing—arr. James M. DesJardins.
This piece combines musical elements of
traditional African-American spirituals and
Protestant church music. Inspirational and
great fun to sing, with optional claps and hand
moves, singers will ride on the energy and
excitement of the driving bass line in the highly
rhythmic piano accompaniment.
10872487 SA . . . . . . . . . . . . . . . . . . . . . . 2.50
It Is Well with My Soul—
Philip P. Bliss/arr. Brent Wells. A compelling
selection for advanced choirs, this a cappella
setting of one of the most beloved hymns in
the repertory explores the full range of choral
expression, from a reflective opening to a
soaring climax.
11613851 SSAA . . . . . . . . . . . . . . . . . . . 2.95
Keep Yo' Lamps—
arr. Rosephanye Powell. A traditional field
shout, singers will enjoy learning this spiritual
presented with care and authenticity. Percussive
part writing supports the powerful melody,
creating a driving rhythm that will keep audiences
on the edge of their seats. It's a wonderful
programming option at any time of year.
10067917 SSAA . . . . . . . . . . . . . . . . . . . 2.65
Keep Your Lamps!—arr. Andre Thomas.
This exciting spiritual, with accompaniment
for high, medium, and low conga drums, is an
unusually appealing number suitable for a wide
variety of uses, from smaller choirs to massed
choir performances.
3303462 SSA with piano . . . . . . . . . . . . 2.75
Let There Be Peace on Earth—
arr. Craig Courtney. Few songs ever
composed have had the breadth of appeal as
this iconic text and melody. The cry for "peace
on earth" is undoubtedly a timeless one, and
this setting unites vocalists and instrumentalists
of all ages. Revisit this melody in your church
or concert hall with this monumental setting
during the Christmas season, at memorial
services, or at patriotic events for a completely
unforgettable experience.
10667384 SSAA . . . . . . . . . . . . . . . . . . . 2.75
Lord of the Small—Dan Forrest.
This tender hymn of praise reminds us that
in the end we are all weak and broken and
that the Heavenly Father deals lovingly and
mercifully with all of His children. Written in
memory of little Erin Buenger, who lost her
battle to cancer at the age of 10, this beautiful
anthem will challenge your congregation to
live life in all circumstances to the glory of God
- just as she did. A fitting tribute for memorial
services and services of remembrance.
10293855 SSA. . . . . . . . . . . . . . . . . . . . . 2.35
Nothin' Gonna Stumble My Feet—
Greg Gilpin. Brimming with dynamic contrasts,
rhythmic nuances and textual percussiveness,
this spirital is an absolute thrill to sing and hear.
"When I go to walk that golden street, nothin'
gonna stumble, stumble my feet!"
10274237 SSA. . . . . . . . . . . . . . . . . . . . . 2.65
O Be Joyful (Jubilate Deo)
(Jubilate Deo)—John Leavitt.
This joyful a cappella setting opens and closes
with lively extended statements of the Latin
text, Jubilate Deo, Alleluia, set in close four-
part writing with occasional call-and-response.
The contrasting center section moves slightly
more slowly with English text adapted from
Psalm 100. It is a memorable choice for
concerts or worship.
11620743 SSAA . . . . . . . . . . . . . . . . . . . 2.50
O Love—Elaine Hagenberg.
This beautiful setting of George Matheson's
familiar hymn text functions perfectly in both
sacred or secular settings. Here, O Love
is given a fresh new melody with equally
refreshing and gorgeous harmonies. You
will not want to miss this for use as a sacred
meditation in a worship service or in a concert
setting as a tribute to the glory of love itself.
Simply stunning!
10954544 SSAA . . . . . . . . . . . . . . . . . . . 2.50
Offertory—John Ness Beck.
John Ness Beck's original setting of Micah
6:6-8 has become a staple in the choral
library, with its smooth voice leading and full,
lush harmony. This beautiful, contemplative
anthem, is available in a variety of voicings.
A fine choice.
10341953 SSA. . . . . . . . . . . . . . . . . . . . . 2.35
Order My Steps (In Your Word)—
Glenn Burleigh/arr. Jack Schrader.
Nominated for Song of the Year for the 1995
Dove Awards and recorded by the Brooklyn
Tabernacle Choir, this choral setting will give
your choir the opportunity to sing an authentic
gospel piece in an easy-to-learn setting with
tight harmonies. This is a passionate prayer for
guidance and a captivating, hypnotic statement
your choir will want to sing again and again!
10603889 SSA. . . . . . . . . . . . . . . . . . . . . 3.25
Peace Like a River
(with Amazing Grace)—arr. Joel Raney.
The traditional spiritual is partnered with
Amazing Grace and complemented with a
rollicking gospel-style four-hand piano part.
The result is a wonderful arrangement that is
both fun and meaningful - a perfect choice for
both worship and concert settings.
10669636 SSA. . . . . . . . . . . . . . . . . . . . . 2.95
Sanctus—Michael John Trotta.
The final installment of the Missa Brevis, this
peaceful work features opportunities for unison
singing and the development of independent
part singing. With conservative ranges and
opportunities to focus on pure vowels and text
accentuation, this is an elegant addition to any
concert or service. Combine with Trotta's other
Latin works Kyrie, Gloria and Agnus Dei to
create the full Missa Brevis.
10990284 SA . . . . . . . . . . . . . . . . . . . . . . 2.50
Shalom—Dan Forrest.
This tender and comforting work "passes
the peace" as its simple yet elegant melody
washes over the listener, gently unfolding its
text with increasing texture: "Peace I leave with
you, my peace I give to you, not as the world
gives; do not be afraid." The Hebrew word
"shalom" forms the refrains, and whispers of
the word "peace" further paint the spirit and
promise of the text. With piano and optional
violin, this piece is equally at home in worship
or concert settings.
11314188 SSA. . . . . . . . . . . . . . . . . . . . . 2.75
Singabahambayo—
arr. Victor C. Johnson.
Fun to sing and surprisingly rehearsal-friendly,
this South African musical celebration of freedom
and hope is sure to have instant appeal. Lending
itself to simple stage choreography and with an
exciting, driving beat throughout, it will enthrall
choirs and audiences alike.
11348337 SSA. . . . . . . . . . . . . . . . . . . . . 3.20
Then Sings My Soul
(How Great Thou Art)—
arr. Mary McDonald.
With altered melody and lush harmonies, this
fresh treatment awakens a new breadth and
splendor into this timeless hymn, giving rise
to the greatness that it invokes in worshiping
God, our Creator. The gorgeous orchestration
by Michael Lawrence is a true complement to
Mary's splendid choral writing.
10750789 SSA. . . . . . . . . . . . . . . . . . . . . 3.25
This Little Light of Mine—
arr. Sonny Willis.
A dynamite closer for treble choirs, this
gospel-style arrangement of a traditional
spiritual is easily learned and can work
effectively for concerts, festivals, or services.
The driving piano accompaniment and call-
and-response sections will make this piece
a favorite among your singers. Kick it up a
notch by adding handclaps, movement, bass
guitar, and drum set.
11614311 SA or Two-Part. . . . . . . . . . . . 3.25
Total Praise—
Richard Smallwood/arr. Joel Raney.
This contemporary gospel song has become
widely known for its simple message and
powerful impact. Paired with Holy, Holy,
Holy, this setting is an accessible quick-study
version, maintaining all the gospel harmonies
that make it a worship sensation.
11567249 SSA. . . . . . . . . . . . . . . . . . . . . 2.95
Wade in the Water—arr. Dan Davison.
Written specifically with young developing
choirs in mind, this exciting spiritual
arrangement features comfortable vocal
ranges and easy-to-learn two-part harmonies.
This rhythmic setting abounds with solo
opportunities for a variety of voice types and
presents outstanding teaching opportunities for
style and historical context. Equally appropriate
for the concert stage or worship service.
10990226 SA . . . . . . . . . . . . . . . . . . . . . . 2.50
The Windows of Heaven—
Craig Courtney.
Imagery of God's light shining through the
windows of heaven flow throughout this
exquisite Pamela Stewart text, masterfully set
to music by Craig Courtney. Available in SATB,
SSAA, and TTBB voicings.
11621084 SSAA . . . . . . . . . . . . . . . . . . . 2.75
The Word Was God—
Rosephanye Powell.
What an impact this august anthem will have
on both choir and listeners! Its rhythmic
structure develops from the superb interplay
between the voices, and the layering of sound
upon sound creates a musical tapestry. Written
in an almost spiritual style, but definitely not a
spiritual, this will make a stunning choice for
larger church choirs!
10055030 SSAA . . . . . . . . . . . . . . . . . . . 2.95
You Are My Refuge—
Michael John Trotta.
This stunningly expressive work was
commissioned by a number of high school
choir programs forced to cancel concerts
due to the COVID-19 outbreak. Inspiring and
reflective, the rich harmonies capture both a
sense of poignancy and hope. An optional
descant soars above the choir, adding a sense
of expansiveness: "Your voice brings hope!"
11393186 SA with
Piano Accompaniment . . . . . . 3.10
Order Toll free! Call 1.800.345.6296 | jwpepper.com | [email protected]
77
