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2025-26 Editors' Choice New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
Adult General Liturgical Anthems
For the Fruit of All Creation—arr. Michael
John Trotta. A familiar Welsh folk hymn
is set in a majestic arrangement with
organ accompaniment and a hymn
text from Fred Pratt Green. There's an
optional a cappella verse and a soaring
climactic final refrain that elevate the
worship experience. A reproducible
congregational vocal sheet is included.
11616220 SATB . . . . . . . . . . . . . . . .3.50
Gloria (from "Trinity")—Marianne
Forman. The fifth movement of the work
"Trinity," this stand-alone anthem is an
exuberant dance of praise exalting Father,
Son, and Spirit. It quotes O God Our Help
in Ages Past with eventual congregational
involvement. Your choir will love the
singable lines, energetic rhythms, and
delightful polyphony! The complete work
(c. 25 min,) a five-movement meditation
on God's care for His children through the
three Persons of the Trinity, is suitable for
sacred concert performances or special
services of praise such as Trinity Sunday.
Optional string quartet/quintet/ensemble
parts are available for each movement.
11594025 SATB Gloria . . . . . . . . . .2.95
God Be in My Head—arr. Howard Helvey.
This a cappella setting of a familiar sacred
text provides a beautiful moment for
personal reflection. With careful attention to
detail and voice leading, this piece may be
sung with or without a soloist or keyboard.
Multiple length options are provided. With
expressive phrasing, it may be sung as a
benediction.
11568356 SATB . . . . . . . . . . . . . . . .2.35
Great God of Love—Daniel Partridge. This
setting is a pairing of an original text with an
original hymn tune,
ABUNDANT GRACE. The
stately musical setting resonates with the
text's themes of trust, Christian life, hope,
and God's love. It is scored for SATB choir,
descant, and organ, with additional parts
for oboe and horn in F. A hymn sheet is
included for the congregation to join.
11594347 SATB . . . . . . . . . . . . . . . .2.95
Hosanna in excelsis (after Pachelbel's
Canon)—arr. Mack Wilberg. Pachelbel's
Canon is given new life in this stunning
arrangement for mixed choir and organ.
With simple text, "Hosanna in excelsis,"
the glorious harmonies are the focal point
of this anthem suitable for any time of year.
The octavo includes an accompaniment for
organ, and the orchestration is available for
rental from the publisher.
11578281 SSAATTBB with Organ .3.95
I Was Glad—James Biery. This piece
conveys the joy of gathering and offers a
text taken from Psalms 95, 96, 98, 100,
and 122, making it the perfect anthem for
a celebratory occasion. The middle part of
the anthem features the use of imitation, in
which half the choir sings a melody that is
echoed by the other half.
11582627 SATB w/Organ . . . . . . . .2.60
I Will Lift My Eyes—Michael John Trotta.
The resounding harmonies in this a cappella
setting are carefully crafted with optional
tenor notes for flexible SATB or SAB choirs.
With an uplifting message based on Psalm
121, the straightforward setting allows your
choir to sing expressively. Equally useful for
concerts or services, this beautiful original
work utilizes closer harmonies and cluster
cadences to effectively portray the text.
11538288 SAB or SATB, opt. Tenor 2.95
I Will Sing with All My Soul—Tom
Trenney. A soaring setting of scriptural
songs of praise from Psalms and
Chronicles, this work pours out a heart of
worship with jubilant celebration. It may be
accompanied by piano (in the choral score)
or organ (available separately); add the
optional brass quartet and timpani for an
even stronger festival feel.
11594027 SATB . . . . . . . . . . . . . . . .2.50
In Christ—Casey McKinley. The text of
this hymn of unity reminds us that there
is no division for those who believe in the
Lord. Beautifully written for SATB choir,
piano, guitar, and solo instrument, it is well
suited to the feast of Christ the King and
liturgies with themes of discipleship and
ecumenism.
11594349 SATB . . . . . . . . . . . . . . . .3.25
In Quiet Peace—Tristino Ali. Tender
words by the composer reflect on the
calm found when spending time alone
with God. With accessibly written and
primarily stepwise parts, the composer
achieves a remarkably warm harmonic
texture, reaching a powerful climax at the
words "alone with God I am set free."
11592371 SATB . . . . . . . . . . . . . . . .3.95
It Is Well with My Soul—Philip P. Bliss/
arr. Brent Wells. A compelling selection for
advanced choirs, this a cappella setting
of one of the most beloved hymns in the
repertory explores the full range of choral
expression, from a reflective opening to a
soaring climax.
11596483 SATB divisi
or SSAATTBB. . . . . . . . .2.95
11613851 SSAA. . . . . . . . . . . . . . . .2.95
Jesu, dulcis memoria—Jeremy S. Bakken.
This beautiful a cappella composition
is based on a much used Latin text by
Bernard of Clairvaux (1090-1153). The
text in English is also provided in the
score. The setting features accessible
and solid part-writing.
11618255 SSATB . . . . . . . . . . . . . .2.90
Jubilate Deo—Michael John Trotta.
Designed to be flexible for either SAB or
SATB choirs with optional tenor notes,
this exquisite a cappella setting of a
Latin translation of Psalm 100 utilizes
close harmonies and cluster cadences to
effectively portray the text. Carefully chosen
harmonies and modulations will help your
choir sing expressively and beautifully.
11593209 SAB or SA(T)B,
opt. Tenor . . . . . . . . . . . .3.05
Justitiae Domini—Michael John Trotta.
Beautiful a cappella harmonies on a Latin
text from Psalm 19 are a wonderful way to
develop part independence and musical
sensitivity. Opening simply, the harmonies
build in accessible counterpoint before a
contrasting homophonic middle section.
Lyrical and expressive, this piece is suitable
for concerts, festivals, and services.
11593212 SATB . . . . . . . . . . . . . . . .3.05
11415267 SSA . . . . . . . . . . . . . . . . .2.90
Look at the Birds (from "Trinity")—
Marianne Forman. The second movement
of the work "Trinity," this stand-alone
anthem is a vivid and soaring tone poem
that paints birds in flight while asking us to
consider the Father's care for all creation.
Gentle syncopations and a picturesque
piano part make this a highly memorable
piece. The complete work (c. 25 min.), a
five-movement meditation on God's care
for His children through the three persons
of the Trinity, is suitable for sacred concert
performances and special services of praise
such as Trinity Sunday. Optional string
quartet/quintet/ensemble parts are available
for each movement.
11594032 SATB . . . . . . . . . . . . . . . .2.75
Love, Come Down—Ralph Vaughan
Williams, Karen Marrolli. Love is the
common thread in this refreshing pairing of
original music and text with the traditional
Come Down, O Love Divine text and the
DOWN AMPNEY tune. Lilting syncopation,
well-crafted vocals, pretty harmonies, and a
brief a cappella passage combine to breathe
calm into our stress-filled lives. Appropriate
for general worship or Pentecost.
11512112 SATB . . . . . . . . . . . . . . . .2.65
11593419 SSA . . . . . . . . . . . . . . . . .2.65
My Heart Is Ready, O God—J.Christopher
Pardini. This outstanding choral anthem is
especially appropriate for ordination and
dedications. Though the piece employs a
lush, sophisticated harmonic language and
features a high degree of independence
among voice parts, the melody is attractive
and tuneful and always at the forefront of
the sweeping musical texture.
11594355 SATB & Organ . . . . . . . .2.95
A New Jerusalem Arise—Kyle Pederson/
ed. Dan Forrest. This striking adaptation
foretells a future free from tears, hatred, and
injustice and provides a vision of a renewed
and redeemed earth: "A New Jerusalem
arise, a new creation come alive, into the
dawning after dark, arise!" A combination
of varied musical influences is skillfully
woven together for choir, piano, and
optional instruments including cello, organ,
handbells, and drum as well as optional
congregational involvement (congregational
handout included).
11395414 SATB . . . . . . . . . . . . . . . .2.75
11594020 SSAA. . . . . . . . . . . . . . . .2.75
11395415 Handbell Part . . . . . . . . .3.95
11395416 Instrumental Parts Cello,
Drum & Organ. . . . . . . .19.95
Nunc dimittis—Paul Smith. From the
VOCES8 Foundation Choral Series, this
setting of the Nunc dimittis text is written
with smooth, subtle lines and gently rising
and falling phrases. Tranquil and serene,
this setting is a great contrast to the
Magnificat and an accessible and impactful
experience for singers and listeners alike.
11618193 SATB . . . . . . . . . . . . . . . .3.00
O Be Joyful—G.F. Handel/arr. James
Biery. From the chorus ending Act I
of Handel's "Acis and Galatea," this
arrangement is transposed down a whole
step down from the original C major. The
"happy we" text has been replaced with
words from the Psalms. It is appropriate for
any festive liturgy or concert and features
an accompaniment for piano or organ.
11582624 SATB w/Organ . . . . . . . .2.60
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