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Multicultural & World Music | Folksongs
Viva La Musica!—David Brunner. Viva
La Musica! is a wonderful theme for any
concert. This exuberant work opens with
a strong, bold, unison exclamation, vividly
expressing the text and musical idea.
10345063 SATB. . . . . . . . . . . . ME 2.10
10495645 SSAA. . . . . . . . . . . . ME 2.50
10494424E SSAA ePrint . . . . . . ME 3.50
Vuelie—Christophe Beck & Frode
Fjellheim. Inspired by the traditional Sami
joik, this arrangement, as sung by Cantus
in the Disney movie "Frozen," is a winner.
Perfect for a pops concert or a concert
looking for a special multicultural addition.
A pronunciation guide is provided.
10542729 SSAA. . . . . . . . . . . . . .M 2.15
Wana Baraka—arr. Glenn Eernisse.
This setting of the traditional Kenyan folk
song begins with the primary melody
and is joined by optional percussion, Orff
instruments, and two optional melodic parts.
The song layers into an uplifting chorus. A
teacher resource featuring song teaching
steps, colorful classroom visuals, and score
and parts for djembe and xylophone is
available separately.
11619579 Unison/Two-Part. . . ME 2.40
Wana Baraka—arr. Shawn L. Kirchner.
This upbeat Kenyan folk song is a popular
choice for concert and festival choirs. The
arrangement builds with great excitement,
leading to an extensive rhythmic play on the
word "alleluya."
3298859 SSATBB . . . . . . . . . . .M 2.90
3303468 SSA . . . . . . . . . . . . . . .M 2.05
10054840 TTBB . . . . . . . . . . . . . .M 2.20
Wangol—Sten Kallman. Your students
will like this! It's a popular folk song from
Haiti about a country in change. Wangol is
a voodoo spirit and he is addressed in the
song: "Wangol, you are leaving. When will
I see you again? The country is changing."
The words express the hope of the Haitian
people for change and a brighter future
for their country, while the music is easy
to sing, with a great groove and style,
complete with rhythmic percussion and
pronunciation guide.
10356999 SATB. . . . . . . . . . . . ME 3.00
Wangolo—arr. Ruth Morris Gray. Young
choirs will enjoy this traditional Haitian folk
song arranged with engaging, repetitive
choral lines and body percussion. Perform
a cappella, or use the optional piano
accompaniment and added percussion for
djembe. Call-and-response lines present
the opportunity to include soloists, and
there is optional choreography that will have
everyone movin'!
11347559 Three-Part Mixed . . ME 2.05
11347561 Two-Part . . . . . . . . . ME 2.05
11347560 TTB . . . . . . . . . . . . . ME 2.05
11347562 P/A CD . . . . . . . . . . . . 29.99
Welcome Song (Hevenu Shalom
Aleichem)—arr. Dave & Jean Perry.
Partnering an original text and melody with
the traditional Hebrew folk song Hevenu
Shalom Aleichem, this song of welcome
is a joyful celebration of unity and peace.
Using both English and Hebrew text,
the memorable melody and engaging
harmonies are full of energy, supported by
a vibrant, dance-like piano accompaniment.
It's an ideal opening selection for concerts
at any time of year.
11620381 SATB. . . . . . . . . . . . ME 3.15
11620382 Three-Part Mixed . . ME 3.15
11620383 Two-Part . . . . . . . . . ME 3.15
Yenyere Guma—arr. Theresa Pritchard
& Eugenio Fabela. A popular Afro-Cuban
folk song is arranged in a way that is fun
to sing and very accessible. With authentic
percussion parts and a pronunciation
recording, your treble singers are sure to
steal the show with their performance of
this work!
11559663 SSA w/ Percussion. . .M 2.15
Yo le Canto Todo el Dia (I Sing to You
All Day Long)—David L. Brunner. If you're
looking for something different in a "music"
song, consider this original inspired by the
native music of Venezuela. Full of infectious
rhythms and playful melodies, with some
very effective hand claps, it conveys
a positive message through charming
Spanish lyrics which are great fun to sing.
3197829 SATB. . . . . . . . . . . . . .M 2.50
3092178 SA . . . . . . . . . . . . . . . .M 2.50
10309011 TTB . . . . . . . . . . . . . . .M 2.50
Yo Vivo Cantando! (I Live to Sing)—Jerry
Estes. Lend a Latin-American flair to your
concert with this exuberant original piece
about the joys of singing. The title phrase
is the only Spanish text. The combination
of catchy melodies that are easy to learn,
lively rhythms, and limited ranges result
in a terrific opener that can also fill a
multicultural slot on your program.
11561615 Three-Part Mixed . . ME 2.75
10348673 Unison . . . . . . . . . . . ME 2.75
10348675 P/A CD . . . . . . . . . . . . 26.95
Yuki Ya Kon Kon (Falling Snow)—arr.
Mary Donnelly & George L.O. Strid. An
arrangement of a Japanese folk song with
additional music and featuring lyrics by
Robert Louis Stevenson, this gentle piece
beautifully captures the serene imagery
of winter's snowfall. An optional flute part
adds a delicate, airy quality, enhancing the
song's light, wintry feel.
11616716 Two-Part
w/ opt. Flute. . . . . . . ME 2.50
Zum Gali Gali—arr. Victor C. Johnson.
When developing choirs delve into this
fresh a cappella setting of the Israeli folk
song, they can be assured of enjoying a
successful rehearsal and performance
experience! The only accompanying
instruments are hand drums and finger
cymbals, which add authentic flavor and
texture. Fun to sing and perform! A helpful
Learning Resource Page is included for
connection to the National standards.
10906228 Three-Part Mixed . . ME 2.75
11566953 Two-Part . . . . . . . . . ME 2.75
11566954 TB . . . . . . . . . . . . . . ME 2.75
Folksongs
Ah, Poor Bird—arr. Ruth Elaine Schram.
This traditional English canon is presented
with haunting musicality. Set as a round,
singers are introduced to harmony in a
manner that is easy to execute and includes
comfortable ranges and familiar rhythms.
This is a perfect educational piece for
teaching minor keys, counting rhythms, and
harmony. To enhance your performance,
optional cello and oboe parts are included
as well!
11393870 SAB . . . . . . . . . . . . . . . E 2.95
11393869 Two-Part . . . . . . . . . . . E 2.75
Aiken Drum—arr. Blake Richter. This
popular Scottish folk song and nursery
rhyme features a simple refrain and
additional lyrics by the arranger that offer a
message of hope. The hilarious depiction of
the man in the moon whose body was made
of food presents numerous opportunities to
work on diction, rhythmic accuracy, and
performance practice. An absolute charmer
for young choirs!
11347938 SA . . . . . . . . . . . . . . . .M 3.10
Ar Hyd y Nos (All Through the Night)—
arr. Katie Jenkins. Sing this beautiful
arrangement of a traditional Welsh folk
song a cappella or with harp or piano
accompaniment. Serene and peaceful,
this setting of the English text has just one
phrase in Welsh. Consider programming
with harp, as it is the national instrument of
Wales and makes a perfect pairing with the
choral lines.
11620618 SATB . . . . . . . . . . . ME 2.65
11620619 SA . . . . . . . . . . . . . . ME 2.65
At the River—Aaron Copland. Powerful
and rhythmic, this number also serves
as a classic example and introduction to
contemporary craftsmanship.
154088 SATB. . . . . . . . . . . . ME 2.15
4904736 SA or Two-Part . . . . ME 2.15
3274586 Unison . . . . . . . . . . . ME 2.15
153999 SSA . . . . . . . . . . . . . ME 1.95
4960480 TTBB . . . . . . . . . . . . ME 2.65
Aura Lee—arr. Bryan Sharpe. Flexibly set
for either SAB or SATB developing choirs,
this tender arrangement of the beloved
American folk song has a gently flowing
piano part that undergirds the harmonic
structure throughout. Conservative ranges
and sensitive part writing allow all singers to
experience success, and the flexibility of the
setting allows for smaller choirs with fewer
tenors or basses to perform this beautifully.
11596663 SA(T)B, opt. Tenor . ME 2.80
Bandyrowe—arr. Susan Brumfield. "Way
up yonder above the moon, a bluebird sits
in a silver spoon. Kitty alone and I..." This
Irish nonsense song is a whirling, twirling
kaleidoscope of sound - an excellent
showcase for young treble choirs! "To me
tat, me tear, me ditt'n o-dill, Kitty alone
and I."
11000948 Two-Part or SA . . . . ME 2.50
10508727 SSA . . . . . . . . . . . . . ME 2.60
Bill Grogan's Goat—arr. Jordan Ricks.
Capturing the humor and charm of the
Appalachian folk song, this arrangement
features energetic rhythms, contrasting
styles, and a lighthearted spirit. Perfect for
young singers, each part is given a chance
to sing the melody and accessible harmony.
Easy to learn, and so much fun to sing!
11609567 TT . . . . . . . . . . . . . . . . E 2.15
Black Is the Color of My True Love's
Hair—arr. Derric Johnson. As performed
by the Voices of Liberty at the America
Pavilion at Disney's Epcot theme park,
this hauntingly beautiful arrangement
of the classic folk song showcases rich
harmonies, emotional depth, and a
standout tenor soloist. Ideal for concerts
and festivals, this piece highlights both
individual artistry and ensemble blend.
11611287 SATB divisi . . . . . . . . .M 2.75
Bound for the Promised Land—arr.
Douglas E. Wagner. Sturdy and robust, this
setting of the American folk tune features
comfortable vocal ranges, a supportive
piano accompaniment and an optional
snare drum, evoking an early American
march-like feel. It includes unison sections
that transition into accessible harmonies,
making them easy to learn and intuitive for
performers.
11593347 TBB . . . . . . . . . . . . . ME 2.75
Bright Morning Stars—arr. Jay Althouse.
"Bright morning stars are rising...Day is
breaking in my soul..." This Appalachian
folksong, arranged for a cappella voices,
has a contemplative, spiritual quality.
Opening and closing with a trio, it's a
wonderful example of the old-time American
music style.
10069050 SATB. . . . . . . . . . . . ME 2.05
11195166 SAB . . . . . . . . . . . . . ME 2.05
10069051 SSAA. . . . . . . . . . . . ME 2.05
Bright Morning Stars—arr. Shawn
Kirchner. A perennial festival favorite, this
tender Appalachian folk melody is given
an artistic setting and wonderful piano
accompaniment all the while maintaining
the traditional folk flavor of the song. Not to
be missed!
10001321 SATB. . . . . . . . . . . . . .M 2.90
10340148 SSAA. . . . . . . . . . . . . .M 2.20
10513252 TTBB . . . . . . . . . . . . . .M 2.20
Bright Morning Stars—arr. Alice Parker.
Alice Parker has created a setting of this
beautiful American song that is simple,
authentic, and warm. A good chance to
feature a soloist, with accompanimental
choral parts beneath.
10994189 SATB. . . . . . . . . . . . ME 2.80
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