116
2025-26 Editors' Choice New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
Madrigals
Madrigals
Alle Psallite—arr. Douglas E. Wagner.
Arranged as a joyful processional, this 14th-
century Latin motet can be sung completely
a cappella or accompanied by hand drum
and tambourine. This short work includes
an optional repeating section that may
be sung as many times as necessary. A
perfect concert opener at any time of year.
11561733 SATB. . . . . . . . . . . . ME 2.75
Fa Una Canzona—Orazio Vecchi/arr. John
Leavitt. This well-known Italian madrigal by
Orazio Vecchi is offered in two voicings,
enabling singers to be successful while
staying true to the style of the period.
11513571 SATB. . . . . . . . . . . . . .M 2.15
11513572 SAB . . . . . . . . . . . . . . .M 2.15
Il est bel et bon—Pierre Passereau/arr.
David Das. This classic French chanson
is skillfully arranged for three-part mixed
choirs. Independent vocal lines, staccato
and legato phrasing, and the a cappella
setting provide wonderful learning
opportunities for developing choirs.
11204563 SAB . . . . . . . . . . . . . ME 2.30
Il est bel et bon—Pierre Passereau/arr.
Russell Robinson. This classic French
madrigal is a teaching staple and concert
highlight. Perfect for teaching precision
and independence of line, this polyphonic
Renaissance piece can be performed
a cappella or with the optional piano
accompaniment in the style of a lute. In
French throughout, and it's just fun to sing!
11510882 SAB . . . . . . . . . . . . . ME 2.15
11611367 SSA . . . . . . . . . . . . . ME 2.25
Je Le Vous Dirai! (Do Not Dare I Say
It)—Pierre Certon/arr. John Leavitt.
Introduce your students to the famous
sixteenth-century French chanson with
this excellent edition by John Leavitt.
French and English texts are included,
with a detailed pronunciation guide.
Also available for mixed or treble choirs,
a cappella, this belongs in every choral
library! Highly recommended!
1995869 SATB. . . . . . . . . . . . ME 2.35
10278566 SSA . . . . . . . . . . . . . ME 2.35
L'innamorato—Giovanni Giacomo
Gastoldi/arr. Andrew Parr. Preserving the
harmonic structure and feel of Gastoldi's
original madrigal, this arrangement is
perfect for developing choirs looking to sing
music from the Renaissance. Conservative
ranges, optional accompaniment for piano
and flute, and pronunciation guides for the
Italian text maintain accessibility, while the
spirited vocal writing makes this selection
so much fun to sing!
11608610 Three-Part Mixed . . ME 2.50
Madrigal Remix—arr. Kirby Shaw.
A fresh take on a couple of standard choral
repertoire selections! Two beloved madrigals,
Fa Una Canzona and Sing We and Chant It!,
are reimagined with piano, bass, and drums
accompaniment. Lively rhythms in a modern
setting breathe new life into these songs
you'll want your singers to learn.
11413700 Three-Part Mixed . . ME 2.20
11413701 Two-Part . . . . . . . . . ME 2.20
Sing We and Chant It—Thomas Morley/
arr. Russell Robinson. Introduce your choir
to a cappella madrigal singing with this
wonderful Thomas Morley classic designed
especially for young singers by Russell
Robinson. This edition sounds full and
captures all the spirit and joy of madrigal
singing. Suitable for large choirs as well as
small groups, you can add this work to your
choral library and use it year after year. An
excellent teaching piece, it is a standard at
contest and festival time, too.
3252707 SATB. . . . . . . . . . . . ME 2.25
1861459 Three-Part Mixed . . ME 2.05
3252715 SSA . . . . . . . . . . . . . ME 2.25
10515720 TTBB . . . . . . . . . . . . ME 1.90
Tanzen und springen (Dancing and
Leaping)—Hans Leo Hassler/arr. John
Leavitt. This little balletto, originally composed
for five-part mixed voices, is arranged for
either four-part mixed or three-part treble. The
German text of this spirited a cappella work,
alternating with "fa la la," sings beautifully and
is not difficult to learn. An English paraphrase
is included in the score.
3301498 SATB. . . . . . . . . . . . ME 2.50
11620685 SSA . . . . . . . . . . . . . ME 2.50
Three Madrigals—Emma Lou Diemer.
With text taken from Shakespeare's
"Twelfth Night," "Measure For Measure"
and "Much Ado About Nothing," this three-
movement work by Emma Lou Diemer is
well-conceived for more experienced
choral groups. It is consistently a
"conductor's choice" for festival choirs
year after year.
1254432 SATB. . . . . . . . . . . . . .M 2.15
10062938 Two-Part . . . . . . . . . . .M 2.25
Two di Lasso Motets—Orlando di
Lasso/arr. Greg Gilpin. These two
short Renaissance gems have been
carefully arranged for developing choirs:
Inimici Autem and Alleluia, Laus et
Gloria. Special care has been given to
retain the beautiful chord structure and
progression of the original four-part work,
and teaching opportunities abound. Latin
pronunciation and translation guides are
included, along with performance notes
from the arranger.
10366701 SAB . . . . . . . . . . . . . ME 2.75
11561616 SSA . . . . . . . . . . . . . ME 2.75
10366702 P/A CD . . . . . . . . . . . . 26.95
Two Madrigals for the Developing
SAB Choir—Thomas Morley & Robert
Johnson/arr. Kevin Padworski. Madrigal
singing has long been a staple of the
choral repertoire, particularly for the
development of independent singers
with the use of polyphonic harmony. And,
they're fun to sing! Here are two madrigals
for the price of one, arranged in a simpler
three-part setting for younger or smaller
choirs: Do You Not Know? by Thomas
Morley and Full Fathom Five by Robert
Johnson.
11513842 SAB . . . . . . . . . . . . . . .M 2.30
Two Madrigals for the Developing
SAB Choir (Volume 2)—Thomas
Ravenscroft & Johann Stephani/arr.
Kevin T. Padworski. Madrigals have
many teaching moments, and they're fun
to sing! Like volume one, these pieces are
especially written to develop independent
singers with polyphony and a cappella
singing. This set includes We Be Three
Poor Mariners by Thomas Ravenscroft
and The Cuckoo Has Fallen to His Death
by Johann Stephani.
11620691 SAB . . . . . . . . . . . . . ME 2.75
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Good Timber—Susan LaBarr.
11567949 TBB . . . . . . . . . . . . . . . . . .ME 2.90
The River—Susan LaBarr.
11372829 TTBB. . . . . . . . . . . . . . . . . . M 3.10
The Wellerman—arr. Jacob Narverud.
11561093 TB . . . . . . . . . . . . . . . . . . .ME 2.75
Dies Irae—Ryan Main.
10950171 TB . . . . . . . . . . . . . . . . . . .ME 2.95
Come Travel with Me—Scott Farthing.
3281565 TTB . . . . . . . . . . . . . . . . . .ME 3.20
Bella Ciao—arr. Christi Jones.
11198019 TB opt. a Cappella . . . . . .ME 2.25
Yonder Come Day—
arr. Adam Podd & Matt Podd.
11545135 TTB opt. A Cappella. . . . .ME 2.50
The Journey—arr. Joseph M. Martin.
11539737 TB . . . . . . . . . . . . . . . . . . .ME 2.35
Ad Astra (To the Stars...)—
Jacob Narverud.
11370919 TBB . . . . . . . . . . . . . . . . . . . M 2.75
Dover Beach (Tales From the North)—
Meredith Tompkins & Ashley Dame.
11501683 TB . . . . . . . . . . . . . . . . . . . . E 2.75
Omnia Vincit Amor—
Michael John Trotta.
10871930 TB opt. piano accomp.. . .ME 2.50
Convidando Esta la Noche—
Juan Garcia de Zespedes/
arr. Eugene Rogers.
10911583 TTBB. . . . . . . . . . . . . . . . .ME 2.80
Wade in the Water—arr. Dan Davison.
10715332 TB . . . . . . . . . . . . . . . . . . .ME 2.75
Vive la Compagnie—
arr. Audrey Snyder.
11166231 TB . . . . . . . . . . . . . . . . . . .ME 2.35
O Love—Elaine Hagenberg.
10954546 TTBB. . . . . . . . . . . . . . . . . . M 2.50
Storage
Mobile Choral Folio Cabinet -
4 Columns, No Doors
10953070 Cherry . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1788.00
10953073 Evening Tigris . . . . . . . . . . . . . . . . . . . . . . . . . 1788.00
10953074 Fusion Maple . . . . . . . . . . . . . . . . . . . . . . . . . 1788.00
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10953077 Pebble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1788.00
10953078 Wenger Maple . . . . . . . . . . . . . . . . . . . . . . . 1788.00
10953080 Oyster . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1788.00
