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Light Concert & Novelty Selections
Light Concert &
Novelty Selections
All Star (as an English Madrigal)—Greg
Camp/arr. Nathan Howe. This arrangement
turns the 1999 Smash Mouth hit into
an English madrigal. Using wonderful
harmonic progressions and a tune that most
will recognize from the "Shrek" movies, this
a cappella piece is a fun way to introduce
the genre to young singers and a novel
change of pace for more experienced
singers. Very clever!
10981030 SATB. . . . . . . . . . . . ME 2.25
11171685 SAB . . . . . . . . . . . . . ME 2.25
11171686 SSA . . . . . . . . . . . . . ME 2.25
11171688 TBB . . . . . . . . . . . . . ME 2.25
Animal Imagination—Tom Shelton.
Here's a cute original with a great piano
accompaniment and an exceptionally
imaginative text. This piece is a wonderful
addition to the repertoire for young voices!
10483579 Unison . . . . . . . . . . . ME 2.75
Beethoven's Fifth (Symphony No. 5 in C
Minor)—Ludwig van Beethoven/arr.
Tom Anderson. Beethoven's "greatest
hit" is reimagined with a funky twist that
your singers will love! Its iconic hook
springboards into a rhythmic groove,
complete with clapping, snapping, and
vocal syllables that imitate a rock band.
The performance track is a must-use for
this novelty nod to one of the greatest
composers of all time!
11564447 Three-Part Mixed . . ME 2.30
11564448 P/A CD . . . . . . . . . . . . 29.99
Boardwalk by the Sea (an original
partner song with "By the Sea")—
Jill Gallina. Atteridge and Carroll's fun
summertime song from the early 1900s By
the Sea is partnered with an original melody
that tells of all the fun that can be found on
the boardwalk. Easily learned, it features a
traditional partner song setting where both
melodies are sung independently and then
combined for simple two-part harmony.
Optionally, you can feature soloists and use
the simple choreography provided. .
11592581 Two-Part . . . . . . . . . . . E 2.50
The Broomstick Flew All Around—Mark
Burrows. Based on the old Appalachian folk
tune The Green Grass Grew All Around,
this hilarious Halloween adaptation
will have your audience in stitches! A
cumulative song, each verse incorporates
a new element to the text such as
witches, hats, cats, and rats each with
an associated sound effect. You'll want to
check out the various accompaniment track
options because this instrumentation is not
to be missed!
11561825 Two-Part . . . . . . . . . . . E 3.20
Cake by the Ocean (as an English
Madrigal)—arr. Nathan Howe. Continuing
the success of choral pop titles sung "as
an English madrigal," we bring you this
arrangement using the hit DNCE tune!
This is a fantastic way to teach the genre,
have fun in rehearsals, and create a
crowd pleaser for any concert. Make sure
you check out Wannabe (as an English
Madrigal) and All Star (as an English
Madrigal) to add to your library as well!
11559682 SATB. . . . . . . . . . . . . .M 2.50
Calico Cat—Andy Beck. "Black as the
midnight, and white as the snow; gold
as the sunshine, my cat of calico." This
folk song styled original features easy-
to-sing harmonic patterns and a tongue
twisting patter text that tells the tale of the
whimsically colorful cat. Cued notes offer
a three-part texture in this novelty piece
that explores diction and precision in a
delightful package!
10996689 Two-Part or SSA. . . . . E 2.05
10997480
P/A CD-
Piano Trax #11 . . . . . 44.99
A Choir's Guide to Surviving Music
Theory—Aaron Gage. A novelty piece
perfect for learning and performance,
this brings musical terminology to life -
literally! Each term is not only explained
but demonstrated in real time, making it a
dynamic and interactive way to reinforce
musical concepts. Inviting theatrical
elements, movement, and expressive
delivery, it's a joyful and memorable way to
build musicality while having a blast!
11617242 Three-Part Mixed . . ME 2.95
11617240 Two-Part . . . . . . . . . ME 2.95
11617241 Three-Part Treble . ME 2.95
Cottleston Pie—Andrew Bruhn. Text from
A.A. Milne's Winnie the Pooh inspired this
playful musical setting for two-part voices.
A whimsical waltz, this fanciful setting is full
of teaching moments with rhythmic interplay
between parts, style changes, and harmony
written with young singers in mind.
11609569 Two-Part . . . . . . . . . ME 2.15
Cottleston Pie—Mark Burrows. Quirky and
oh-so-adorable, this setting of A.A. Milne's
Winnie the Pooh text opens with narration
and features a short whistle section for the
whole choir or an optional soloist. Accessible
harmonies and a playful feel make this the
perfect selection for young singers.
11608531 Two-Part . . . . . . . . . . . E 2.75
Counting Sheep—Albert Ellmenreich/
arr. C.E. Walz. Whimsical and light, this
selection pairs the playful melody of
Albert Ellmenreich's Spinning Song with
original lyrics. Full of joy and imagination,
the piece paints a lively picture of a flock
of sheep engaged in hijinks, chasing, and
exhausting the author before drifting into
slumber. Charming!
11616586 Two-Part . . . . . . . . . ME 2.50
11616588 SSA . . . . . . . . . . . . . ME 2.50
Earworm—Mark Burrows. Who doesn't
love an earworm? A song that just gets
in there and sticks! This humorous text
is set with a catchy melody (of course!)
and creative harmony parts that are
just so fun to sing. An optional descant
adds another enjoyable layer, and the
parts are well supported by a solid piano
accompaniment.
11388933 Two-Part . . . . . . . . . . . E 2.20
Eine Kleine Kazoo Musik—W.A. Mozart/
arr. Tom Anderson. You've never heard
Mozart like this before! The vocal lines
alternate between vocables and kazoo
lines at unexpected times, and the fully
orchestrated track brings a real classical
quality to your performance. It will be tough,
but be sure to have your singers keep a
straight face and perform this dramatically -
it's guaranteed to be a crowd pleaser!
11611113 SAB . . . . . . . . . . . . . ME 2.30
11611114 Two-Part . . . . . . . . . ME 2.30
11611115 P/A CD . . . . . . . . . . . . 29.99
Galop (from "Solfege Suite")—Ken
Berg. Your singers will have a blast as they
negotiate their way through this quickly-
paced song with only solfege syllables for
text! Full of fun and teaching opportunities,
this creative original is the quintessential
concert closer or encore piece.
10602863 SATB. . . . . . . . . . . . ME 2.95
10370121 SAB or
Three-Part Mixed . . ME 3.25
10028692 Unison/Two-Part. . . ME 2.60
11513221 SSA . . . . . . . . . . . . . ME 2.95
Give Me Some Rhythm!—Greg Gilpin.
No notes are sung in this original written for
four-part voices! Instead, speech teaches
rhythm, dynamics, style, choral energy, and
can even introduce choreography or simple
movement. The vocal parts can be a mix of
voices or even pared down to fewer parts if
needed. Unique and filled with learning fun!
11560300 Four-Part
opt. Percussion . . . . ME 2.35
The Green-Eyed Dragon—Wolseley
Charles/arr. Larry Shackley. Originally by
Wolseley Charles and Greatrex Newman,
this lighthearted and whimsical song is
now brilliantly adapted and arranged for
tenor-bass choir. Telling the quirky tale of a
princess, her wicked father, and a fearsome
but charmingly mischievous dragon, this
piece is filled with humor and drama from
the witty vocal lines to the playful piano
accompaniment.
11620361 TB . . . . . . . . . . . . . . . .M 3.15
hist whist—Patrick Baker. "hist whist little
ghostthings tip-toe twinkle-toe, little twitchy
witches and tingling goblins hob-a-nob
hob-a-nob." E.E. Cumming's spooky text is
perfectly set in this engaging concert work
that calls for actions and movement, props,
and sound effects including wind noises,
chattering mice, croaking toads, and simple
body percussion. Great for fall concerts
or Halloween, this unique piece will be a
favorite of your treble choir!
11564420 SA divisi . . . . . . . . . . .M 2.40
Ice Cream—Michelle Christensen & Tracey
Craig McKibben. Who doesn't love ice
cream? With a charming swing feel and a
jazzy accompaniment track, this piece will
have all of your singers screaming for ice
cream! Written for two-part or unison choirs,
this is short, easy to learn, and entertaining
- everything you need for fun and success!
11616621 Unison/Two-Part. . . . . E 2.30
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