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2025-26 Editors' Choice New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
Secular Concert
The Haunting—Meredith Tompkins.
Exploring themes of lingering spirits and
echoes of the past, this spellbinding
original work blends ethereal harmonies
with a hauntingly poetic text. With dynamic
contrasts, layered textures, and moments of
delicate phrasing, it challenges singers to
deliver emotive storytelling. A solid choice
for fall, Halloween, or general concerts.
11611603 SSA . . . . . . . . . . . . . ME 2.15
11611602 TBB . . . . . . . . . . . . . ME 2.15
Heart of Earth—Shruthi Rajasekar. Rich
in vivid descriptions of the natural world,
text by Laura Purdie Salas is set in an
a cappella, folk-like style for mixed or
treble chorus. Simple melodic lines are
embellished with cross-rhythms, earthy
harmonies, vocal scoops, and handclaps
reminiscent of a children's game. A joyful
ode to the earth!
11592363 SAB . . . . . . . . . . . . . ME 3.95
11563778 SA or SSA. . . . . . . . ME 3.95
Heart, We Will Forget Him—Patti
Drennan. Lovely lyrical lines and rich
harmonies are well supported by a flowing
piano accompaniment and optional violin
obbligato in this concert work for treble
choirs that explores the themes of grief and
healing. Part of set of three pieces on Emily
Dickinson texts, consider programming this
alongside If I Can Stop One Heart from
Breaking for mixed choir and Hope Is the
Thing with Feathers for tenor-bass choir.
11611326 SSAA. . . . . . . . . . . . . .M 2.25
Heartbeat—Kyle Pederson. Following
in the footsteps of his popular Hands
Are Knockin', the composer returns with
another original containing a positive and
uplifting message. With a fun piano part and
speech-driven rhythms in a popular song
style, this piece contains a combination
of original lyrics in English and traditional
Shona text from South Africa. It's a perfect
concert closer!
11391221 SATB. . . . . . . . . . . . ME 2.60
11391222 SAB . . . . . . . . . . . . . ME 2.60
11615646 Two-Part or SA . . . . ME 2.80
11510119 SSAA. . . . . . . . . . . . ME 2.80
Heartbeat Rhythm—Andy Beck. Bring
energy to your program with this fiery ode
to the rhythm of life. Body percussion
and a vigorous piano part provide the
momentum for lightly syncopated voices
to convey a message of passion and
drive, while layered entrances invite the
singers to create the perpetual pulse of a
pounding heartbeat.
11604549 SATB. . . . . . . . . . . . ME 2.30
11604550 Three-Part Mixed . . ME 2.30
11604551 Two-Part . . . . . . . . . ME 2.30
11613325 P/A CD-Pianotrax 17 . 54.99
High Flight—Laura Farnell. Inspiring and
uplifting! This setting of John Magee Jr.'s
text works as a closer, festival piece, or for
graduations. With accessible ranges and a
buoyant piano accompaniment, developing
mixed and treble choirs will soar: "With
these wings I rise and fly!"
11531923 SATB. . . . . . . . . . . . . .M 2.70
11535646 Two-Part or SSA. . . . .M 2.60
The Hills (Where Strength Is Found)—
Jacob Narverud. Text-painting and
lyrical writing reflect this powerful and
inspirational text by Francis Ledwidge. The
composer supplements the poetry with
his own words: "Be Brave ... Stay Strong
... Work Hard ... Hold On ... For there, in
the hills, is where strength is found." Inspire
your singers to be their very best with this
ideal concert selection.
11559849 Three-Part Mixed . . . . E 2.15
11609606 TB . . . . . . . . . . . . . . . . E 2.15
Hocket in the Pocket—Brian Tate.
Creatively combining the "hocket" in the
title with an original text that describes how
we all need each other and coming together
in unity, you've got a fun concert selection
that your choir won't be able to stop singing.
"Hocket" means the division of the melody
between the voices, and "pocket" refers to
the groove that's created when everything
works together in the right way - and this
original piece certainly does!
11608902 SATB. . . . . . . . . . . . ME 3.50
Hold Fast—David von Kampen. With a
gorgeous melody, lyrical cello part, and
sweeping piano accompaniment, tenor-
bass choirs of all ages and sizes will
shine in this powerful new setting of the
beloved Langston Hughes text. The cello
part is available as a download from the
publisher's website.
11592525 TBB w/ opt. Cello . . ME 2.90
Hold Fast to Dreams—Susan LaBarr. This
very accessible piece pairs a beautifully
written vocal and piano score with the
Langston Hughes poem that warns us to
"Hold fast to dreams... for when dreams
go, life is a barren field frozen with snow."
Perfect for graduation or any event where
you want to inspire.
10406249 SATB. . . . . . . . . . . . ME 2.40
11425000 SAB . . . . . . . . . . . . . ME 2.40
10785762 SSA . . . . . . . . . . . . . ME 2.80
Hold Fast to Dreams—Rosephanye
Powell. With delicate attention to the mood
of Langston Hughes's text, this setting
emphasizes the significance of dreams
and their power to inspire and motivate
us. A persistent piano accompaniment and
strong divisi harmonies empower singers
and audiences alike.
11597427 SATB divisi . . . . . . . . .M 3.50
Hold You, Enfold You—Matthew Emery.
Warm cluster harmonies surround this
tender poem by Frances Ebbs-Canavan
in this original a cappella work for mixed
choirs. A soprano descant or solo soars
above the texture to create an ethereal and
celestial feel that emboldens the statement
"So would my love hold you, enfold you, and
shield you from harm."
11596664 SATB. . . . . . . . . . . . . .M 2.50
Home—Noah Reese. Capturing the journey
of moving to a new place and building new
relationships, this tenor-bass feature is
perfect for graduation or year-end concerts.
Syncopated rhythms give it a modern feel,
while lush harmonies, suspensions, and
optional dialogue heighten the emotional
intensity.
11609581 TTB . . . . . . . . . . . . . ME 2.30
Home—Andrew Steffen. "Be it ever so
humble, there's no place like home."
Sweetly sentimental, John Howard Payne's
text is beautifully set in this concert piece
that can be effectively programmed for final
concerts or graduation events. The verses
feature first the upper voices and then the
lower in unison before breaking into tender
harmonies, and a flowing melody line gently
carries the lyrics throughout.
11596665 SSATB . . . . . . . . . . . .M 2.80
Home—Z. Randall Stroope. Setting Irish
poet Francis Ledwidge's text, this tender
and expressive work explores themes of
longing, memory, and the deep connection
to one's roots. The a cappella work allows
treble choirs to showcase lyrical phrasing
and heartfelt expression.
11611583 SSAA. . . . . . . . . . . . . .M 2.30
A reproducible budget-
stretcher!
Concert Canons
Eight Performance-Worthy
Rounds
Andy Beck, Mark Burrows,
Ruth Morris Gray &
Donald Moore.
An essential tool for all ages and
experience levels, this collection
features eight canons that are
perfect for the classroom and the
stage. Each canon can easily
stack into two or three layers and
is carefully edited to avoid any
homophonic singing. Cued notes
add flexibility, and reproducible
pages make it a great value.
Full-performance and piano
accompaniment audio are also
available. Titles include: Banaha;
Candlelight Canon; Canon
of Hope; Friendship Canon;
Hashivenu; Simply Alleluia;
Singing Peace Canon; Winter
Canon.
11607956 Book, Online Audio
& PDF. . . . . . . .E 64.99
11607955 Book &
Online PDF. . . .E 34.99
11607957 CD . . . . . . . . . . . . 44.99
11607958F Accompaniment
MP3 . . . . . . . . . . . 44.99
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