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Secular Concert
A Wanderer's Song—Paul David
Thomas. Written in the style of a
traditional sea shanty, this original work
features an enthusiasm for exploration.
Combining a pulsating mixed-meter piano
accompaniment, syncopated vocal lines,
and chromatic but accessible harmonic
progressions, it's a fun concert piece
that tenor-bass choirs will surely enjoy
performing.
11611571 TBB . . . . . . . . . . . . . . .M 2.30
W a n d e r l u s t — M a r i a n n e F o r m a n .
Reflecting on friendships and the desire
to explore, this work features a memorable
melody and nostalgic harmonies. Ideal for
children's or youth choirs, the text by Edna
St. Vincent Millay is painted beautifully with
the backdrop of train-like sound effects from
the voices and percussion (sand blocks,
triangle, and train whistle).
11613726 SATB. . . . . . . . . . . . ME 4.95
11592396 SA . . . . . . . . . . . . . . ME 3.95
Wanting Memories (from "Crossings")—
Ysaye M. Barnwell. As recorded by Sweet
Honey in the Rock, this extraordinary a
cappella piece speaks of the precious gifts
of life and loved ones. Newly updated by
a scholarly committee dedicated to Dr.
Barnwell's works, this version includes a
keyboard reduction, additional dynamics,
clarified vocal percussion, and notes on
the piece. The mixed-choir versions are in
the original key, while the treble version is
transposed up a minor third. Enjoy this fresh
engraving of the original choral treasure.
11572355 SATB. . . . . . . . . . . . ME 3.20
11566181 SAB . . . . . . . . . . . . . ME 3.20
11566182 SSAA. . . . . . . . . . . . ME 3.20
We Are—Ysaye M. Barnwell. Four rhythmic
ostinatos underscore the lilting melody
in this work scored for a cappella mixed
choir and solo or small group. Speaking
to the hope found in each child that's born,
this piece reminds each of us of our value
and unity. Newly updated by a scholarly
committee dedicated to Dr. Barnwell's
works, this version includes a keyboard
reduction, additional dynamics, and notes
on the piece. A moving selection for school
and community choirs.
11572359 SATBB . . . . . . . . . . . .M 2.85
We Are Held—Susan LaBarr & Jim Wilson.
In times of trial, there is great comfort in
being held. Robert Bode's encouraging text
reflects upon the ways in which all things
are held together. The gentle ballad setting
is lyrical and approachable, and allows
space for the emotion of the text to shine
through for either concerts or services.
11392535 SATB. . . . . . . . . . . . ME 3.20
11514263 SSA . . . . . . . . . . . . . ME 3.20
We Are the Future—Kenney Potter.
Inspired by the Ubuntu philosophy of central
and southern African origin, "I am because
we are," this accessible work features
themes of unity, helping others, and looking
to the future. A spirited message is made
clear with a joyful lilt that appears first in
the A section and returns with renewed
confidence in the recap. An empowering
selection for middle school choirs!
11593461 Three-Part Mixed . . ME 2.25
We Are the Lights!—Cristi Cary Miller.
This inspiring choral is an ideal choice for
final concerts, graduations, moving-on
ceremonies, the holidays, or anytime you
want to spread a moment of hope and
positive energy. The piece provides an
opportunity for students to personalize it
by sharing meaningful quotes or creating
ostinatos. Simple choreography and
candles or flashlights may also be used to
highlight the song's message.
11592177 Three-Part Mixed . . ME 2.50
11592174 SSA . . . . . . . . . . . . . ME 2.50
We Are the Music Makers—Reginal
Wright. This lovely setting of the
O'Shaughnessy text builds slowly through
its whimsical melodic development.
Accompanied by a beautiful piano part,
the movement in the choral lines leads to
a triumphant and satisfying conclusion.
11408300 SATB. . . . . . . . . . . . . .M 3.95
11415037 SSA . . . . . . . . . . . . . . .M 3.95
11536307 TTBB . . . . . . . . . . . . . .M 3.95
We Believe in Music—Teresa Jennings.
Bold and assertive in its message and its
style, this symphonic rock anthem is an ode
to music! Sing it in unison, with the optional
two-part harmony, or with the optional
additional divisi. No matter how or when
you perform it, it's sure to make a powerful
statement about the importance of music!
11597316 Unison /Two-Part . . ME 2.30
11597317 P/A CD . . . . . . . . . . . . 21.95
We Belong—Karen Marrolli. Featuring
soprano and tenor soloists, congas, and
shaker, this energetic piece speaks about
peace, unity, and the duty we have to show
empathy and support to one another. With
a world-music feel, this piece extends a
message far greater than words that all of
humanity is interconnected.
11538004 SATB. . . . . . . . . . . . ME 2.85
11538005 Percussion Part . . . . . 12.00
We Have Not Wings—Michael John
Trotta. Perfect for developing treble choirs,
this poignant and uplifting setting of the
Longfellow text includes independent part
singing as well as optional divisi notes
for soprano. The descant provides an
opportunity for a solo or small group to
cultivate additional part independence.
11593216 SA opt. SSA . . . . . . ME 3.05
We Remember Them—Susan LaBarr.
The moving words, "As long as we live,
we remember them" frame this highly
melodic and emotive concert work. With
a contemporary ballad feel, this tribute or
memorial piece will be a beautiful addition
to any program.
10980924 SATB. . . . . . . . . . . . . .M 3.40
11392536 SSAA. . . . . . . . . . . . . .M 3.20
We Will Be the Change—Victor C.
Johnson. Buoyed by messages of unity and
hope, this uplifting choral work encourages
singers and audiences alike to stand up,
reach out, and make a difference. With
expressive melodic lines, rich harmonies,
powerful accompaniment, and opportunities
for soloists, it's a perfect choice for
developing choirs in any concert occasion.
11620390 SAB . . . . . . . . . . . . . ME 3.15
11620391 SA or SSA. . . . . . . . ME 3.15
We've Only Just Begun—Matt Carlson.
With text about being united in song, this
selection is themed around the core values
of unity, acceptance, and doing good in the
world. Written in a contemporary style, it
features a catchy piano part and memorable
melody. A sure hit with your choir!
11615653 SATB. . . . . . . . . . . . ME 3.00
Weaving—Kahan Taraporevala. This
upbeat, energetic setting of a poem by
Samuel Ullman explores the themes of
human connectivity and creativity. The piece
exudes positivity and optimism, with soaring
melodies, textural contrasts, and driving
syncopations and triplets in the piano.
11612843 SATB. . . . . . . . . . . . ME 3.95
11592397 TTBB . . . . . . . . . . . . ME 3.95
Weeping Willow—Glenda E. Franklin.
Original music and lyrics reflect on the
emotions of the weeping willow tree,
offering reassurance through its beauty.
The optional flute obbligato sets a tone
that enhances the delicate quality of this
accessible and beautiful treble number.
11593382 Two-Part w/ opt. Flute E 2.75
What If?—Kara Stacy Bedwell. Addressing
a growth mindset, this empowering original
piece speaks directly to young singers
about the common fears of taking risks and
the worry of "What if I fail?" It's an upbeat
and inspiring choice for any concert, year-
end event, or moving-on ceremony as it
challenges singers to reframe doubts and
imagine success instead.
11611497 Three-Part Mixed . . ME 2.50
When I Sing—Tom Shelton. With a text
born of a collaboration with the Fort Wayne
Children's Choir where they shared their
thoughts and ideas, this concert piece has
a youthful perspective about what happens
when we join together in song. Mostly in
unison, only the final verse breaks into
simple harmony with an optional descant.
This is very easy to learn and will be a
meaningful selection for your choir.
11567031 Unison/Two-Part. . . . . E 3.15
When Our Voices Rise—Rollo Dilworth.
Pairing original lyrics with lyrics from
the traditional spiritual Walk Together
Children, this soul-stirring composition is
a source of inspiration and a testament to
the beauty and bravery that can be found
in unity. Powerful harmonies and a show-
stopping piano accompaniment make this
empowering number a must-sing for any
concert!
11569068 SATB. . . . . . . . . . . . ME 2.50
11569069 SSA . . . . . . . . . . . . . ME 2.50
When There's Trust in the Room—
Mark A. Miller. This text was inspired by
collaboration with pastoral music ministers
and lauds the accomplishments we are all
capable of when we can trust one another
throughout the creative process. The lyrical
melody and arpeggiated accompaniment
flow easily from one stanza to the next,
building in harmonic texture to a joyful
conclusion.
11524475 SATB. . . . . . . . . . . . ME 2.40
When You Are Old—Hans Bridger Heruth.
Based on the timeless text by William Butler
Yeats, this poignant choral work captures
the essence of enduring love and reflection.
Lush harmonies and an expressive
melody allow the choir to convey the deep
emotional resonance of the poetry.
11606292 SATB divisi . . . . . . . . .M 3.40
New from the composer of
"TaReKiTa"!
Sunao
Three Songs on the Power of
Listening and Connection
Reena Esmail. With original
Hindi texts by Reena Bhansali,
these captivating pieces are
designed to introduce choirs
to the language and may be
performed separately or as set.
Each piece teaches linguistic and
musical concepts of Hindustani
music while reminding us to
approach new ideas from a
place of curiosity rather than
of judgement. Program notes,
pronunciation guides, and
translations are included in the
score, and a video pronunciation
guide is also available. Titles:
Ao; Khattar pattar; Behta ja.
11613716 SATB . . . . . MA 11.50
11613717 SAB . . . . . . MA 11.50
11613718 SSAA . . . . . MA 11.50
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