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Christmas Sacred & Spirituals
French Carol Duet—Mary Donnelly &
George L.O. Strid. A bright pairing of Il est ne
and Angels We Have Heard on High - sing in
English throughout or include some French
text using the included pronunciation guide.
The optional glockenspiel part will add some
sparkle to two classic Christmas carols.
11503217 Three-Part Mixed . . . ME 2.05
11503218 Two-Part. . . . . . . . . . ME 2.05
11503274 P/A CD . . . . . . . . . . . . . 44.99
Fum, Fum, Fum—arr. Judith Herrington
& Sara Glick. Bright and energetic, this
arrangement of the traditional Catalan carol
will add a festive touch to your Christmas
program. Along with parts for tambourine,
finger cymbals, and hand drum, the cheerful
melody and easily learned harmonies
are well supported with the piano
accompaniment, making this a fine choice
for developing choirs.
3304163 SAB. . . . . . . . . . . . . . ME 2.95
3261393 Two-Part. . . . . . . . . . ME 2.75
11608900 SSA. . . . . . . . . . ME 3.25
Gaudete!—arr. Michael Engelhardt. From
Piae Cantiones, this setting of Gaudete!
is in a progressive style, yet well suited to
the medieval melody. Its energy is derived
from the accented rhythms and dance-
like percussive elements, all adding to the
joyous nature of the piece. Percussion parts
for four players are available separately.
10467505 SATB . . . . . . . . . . . . . .M 3.10
10276399 SSA. . . . . . . . . . . . . . . .M 2.95
10304776 TTBB . . . . . . . . . . . . . .M 2.95
10968325 Instru. Parts SATB . .M 25.00
10276400 Instru.Parts SSA . . . .M 20.00
10968326 Instru. Parts TTBB . .M 20.00
Gaudete! Gaudete!—Cristi Cary Miller.
Flexibly set for either two parts or three, this
original setting can be used as an opener
or processional for Christmas concerts
or services. The Latin text used in this
selection comes from a sacred Christmas
carol thought to have been composed in
the 16th century, and the addition of a few
English phrases lends it a contemporary
touch. A great feature for either upper or
lower voices!
11542392 Two-Part or SSA . . . ME 2.35
11542390 TB or T(T)B . . . . . . . ME 2.35
Gesu Bambino—Pietro Yon/arr. Tripp
Carter. Beautifully arranged for mixed
voices, this setting of the traditional carol
captures the serene and tender essence of
the original. With its gentle yet expressive
accompaniment, the arrangement offers a
heartfelt and accessible setting for holiday
concerts and Christmas services.
11611308 SAB. . . . . . . . . . . . . . . .M 2.15
Gloria—Randol Alan Bass. This vigorous
seven-minute work is a rhythmic yet lyrical
setting of the Latin Gloria in excelsis text
that will be a highlight of both sacred and
secular programs, especially at Christmas.
Written for the New York Pops and recorded
by the Boston Pops, it has been extensively
programmed by professional and amateur
groups in a variety of venues. No soloists;
multiple accompaniments; full and reduced
orchestrations available by rental only.
1800374 SATB . . . . . . . . . . . . . .M 5.95
10947167 SSAA . . . . . . . . . . . . . .M 5.55
1950088 TTBB . . . . . . . . . . . . . .M 5.55
10563626 Concert Band . . . . . . . . 35.00
3295258 Concert Band
Score & Parts . . . . . . . 125.00
8058024 Brass, Percussion
& Organ . . . . . . . . . . . . 70.00
11590209 Brass Quintet
Score & Parts . . . . . . . . 55.00
Gloria—James M. DesJardins. Experience
the traditional Gloria Latin text in this
interesting modern setting that employs
uneven meter and mixolydian tonality.
The meter consistently follows a pattern
of 2+2+3, enabling singers to strengthen
their rhythmic fluency while singing
vocal lines that further enhance their
overall musicianship. Add the optional
obbligato for Bb clarinet for added
harmonic interest.
11611580 SSA. . . . . . . . . . . . . . . .M 2.50
Gloria—Noah Reese. Reese's a cappella
canon, based on a descending D major
scale, is fantastic for teaching unison
singing, reinforcing part singing, and
developing choral tone, all within the
framework of conservative ranges for the
treble choir. The celebratory Latin text adds
an element of excitement and maturity while
helping to shape the vowels and tone of
young singers.
10990292 SSA. . . . . . . . . . . . . . . . E 2.25
Gloria (Angels We Have Heard on
High)—arr. Keith McKay Evans. Here is
a fresh take on the beloved French carol!
In the exact arrangement made famous
by Brigham Young University's a cappella
group BYU Noteworthy, this contemporary
setting is in 6/8 for a gently lilting feel. With
improvised vocal percussion and an alto 4/
bass line that falls in the tenor range, this
has a full harmonic texture with legato
choral lines that support the soloist in waves
of sound. Exceptional!
11530731 SSAATB . . . . . . . . . . . .M 2.95
10989954 SSSSAAA . . . . . . . . . .M 2.95
Gloria and Alleluia—Ruth Elaine
Schram. Two short contrasting
movements may either stand on their own
or combine into one longer setting. The
Gloria setting is upbeat, rhythmic, and
fanfare-like, while the Alleluia is quiet,
introspective and set in a minor key. Both
are lovely a cappella settings that are
achievable by choirs in a school, church
or community setting.
11501662 SAB. . . . . . . . . . . . . . ME 2.25
3126158 Two-Part. . . . . . . . . . ME 2.15
11559596 SSA. . . . . . . . . . . . . . ME 2.15
Gloria in Excelsis Deo—Greg Gilpin.
Equally effective a cappella or with the
optional piano accompaniment, this
dynamic work with the traditional Latin
text is a great choice as an opener for
either Christmas or general programming.
A fanfare opening with call-and-response
harmonies contrasts with a more sedate
and lyrical middle section before resuming
the opening feel. It's an ideal choice for
concerts, festivals, or services.
11566984 SATB . . . . . . . . . . . . ME 2.75
11566985 SSAB . . . . . . . . . . . . ME 3.15
11566986 SSA. . . . . . . . . . . . . . ME 3.15
11566987 TTB. . . . . . . . . . . . . . ME 3.15
Gloria!—Tristino Ali. This festive original
setting of the traditional Latin text captures
the essence of joyful admiration of God.
Both solemn and majestic, pensive and
jubilant, the a cappella sonorities expressed
and explored are energized by constant
rhythmic motion. It's an excellent opening
piece for either Christmas or general
concert use.
11567946 SATB divisi . . . . . . . . . .M 3.10
Gloria! Gloria!—Roger Emerson. Ideal
as an opening selection for Christmas or
at any time of year, this energetic original
work features unison lines in a syncopated
rhythm that contrast nicely with a short
lyrical section of harmony. Quickly learned,
its simple Latin text will highlight pure
vowels and tone, which will help build
confidence and success in young singers.
Consider pairing it with Emerson's Alleluia,
Alleluia.
11591414 Three-Part Mixed . . . ME 2.35
11584912 Two-Part. . . . . . . . . . ME 2.35
Go Where I Send Thee!—arr. Paul
Caldwell & Sean Ivory. If you have a very
talented choir looking for a challenge, this
is an absolutely "must do" spiritual! The
use of the many variants of the text allows
the music to maximize the use of gospel-
style modulations and to give the singers
significant one-line reminders of some of
the biblical stories on which the African-
American musical tradition is based.
5775366 SSATB . . . . . . . . . . . . .M 2.10
3106614 SSA or SAT . . . . . . . . .M 1.95
10451981 TBB. . . . . . . . . . . . . . . .M 1.95
Go, Tell It On the Mountain—arr. Rollo
Dilworth. This treble setting preserves
the cadence of the beloved original, all
while imbuing the music with a strong and
classic harmonic structure. This stylized
arrangement has a full gospel piano
accompaniment and will be a wonderful
addition to any holiday concert.
11397550 SSA. . . . . . . . . . . . . . ME 2.65
Go, Tell It on the Mountain—arr. Bryan
Sharpe. Upbeat and accessible, this
a cappella arrangement of a traditional
Christmas spiritual features vocal writing
your choir will sing with ease. With a
stylized approach and subtle creative twists,
stacking voice parts lead into familiar verses
while an optional descant or solo brings it to
a thrilling conclusion.
11618647 SATB . . . . . . . . . . . . ME 2.95
God Rest Ye—arr. Eddie Cavazos, Josh
Cavazos, Trevor Phillips & Alice Gomez.
The traditional English carol is given a
fresh treatment with percussion in a Central
American Latin feel. With new lyrics and
melodic lines added to the original carol,
mixed meter and infectious rhythms make
this is a unique and joyful addition to any
Christmas program or service.
11567948 SATB . . . . . . . . . . . . . .M 3.00
God Rest Ye Merry, Gentlemen—arr.
Derric Johnson. As performed by Disney's
Voices of Liberty in the their candlelight
Christmas performances, this lively
arrangement of the classic carol begins
with a free, expressive low bass solo. The
tempo quickly changes to a playful and
energetic up-tempo rendition that blends
traditional and contemporary elements,
making it ideal for festive concerts or
Christmas celebrations.
11611312 SATB . . . . . . . . . . . . . .M 2.75
God Rest Ye Merry, Gentlemen—arr.
Molly Ijames. It would be difficult to find a
more spirited arrangement of this much-
loved carol! This setting for SATB voices
and piano requires an above-average
accompanist and an energetic choir ready
to work with the promise that the end result
will be artistic and worth the effort. This
is an excellent choice for concert choirs,
church, or school.
11101002 SATB . . . . . . . . . . . . . .M 2.50
God Rest Ye Merry, Gentlemen—arr.
Wesley D. Peters. With a delightfully
playful rhythmic interplay between 3/4
and 6/8 meters, this joyous, fresh setting
of the traditional English carol seizes
one's interest from its introduction to its
exuberant conclusion. The mixed meter
sections act as musical bookends to a
sensitive a cappella centerpiece featuring
the reassuring angelic presence at the
Nativity. Equally appropriate for both school
and church use.
10601727 SATB . . . . . . . . . . . . . .M 3.15
10601728 SAB. . . . . . . . . . . . . . . .M 3.15
11566946 TTBB . . . . . . . . . . . . . .M 3.15
10648375 P/A CD . . . . . . . . . . . . . 27.95
God Rest You Merry, Gentlemen—arr.
Elizabeth Campbell. A great way to
feature your tenors and basses, this
piece includes the imitation of the sound
of a swinging, walking string bass as
they lay the foundation for the tune.
Your sopranos and altos will have fun
singing the bass line up an octave while
the tenors and basses then get to carry
the melody. Complete with finger snaps
and a whispered "Yeah!" at the end, it
is extremely cool, and is guaranteed
to be a huge hit with your students and
audiences!
10352200 SATB . . . . . . . . . . . . . . E 2.50
3298644 Three-Part Mixed . . . . . E 2.25
10510011 TTBB . . . . . . . . . . . . . . E 2.50
Gotta Whisper, Gotta Shout!—Victor
C. Johnson. This perennial favorite,
also available for SATB, is a fun and
energetic a cappella Christmas spiritual
featuring distinctive dynamic contrasts
that both whisper and shout the good
news. Call and response between soloist
and choir adds interest, and sequencing
modulations build to a rousing finish.
11619060 SSA. . . . . . . . . . . . . . ME 2.75
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