J.W. Pepper Catalogs

2025 Fall Choral Catalog

J.W. Pepper Music Catalog

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120 2025-26 Editors' Choice New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision Light Concert & Novelty Selections | Patriotic The Turn Off Your Phone Song—Adam Podd & Matt Podd (and Pachelbel). Skip the droll opening announcement about cell phones and sing this instead! Based on Pachelbel's Canon - which, face it, everyone loves - this piece will make a lovely concert opener that also serves a valuable (and comedic) purpose. The original lyrics can be adapted, as well as the timing and audience involvement. It's easily learned and just downright hilarious. 11416258 SATB opt. A Cappella E 2.50 11416259 SAB opt. A Cappella. . E 2.50 11416260 Two-Part or SSA. . . . . E 2.50 11416261 Unison . . . . . . . . . . . . . E 2.50 11596219 TTB . . . . . . . . . . . . . . . E 2.50 Two for Halloween—arr. Mark Weston. It's a spooky twist on a couple of classical themes! Complete with swooping bats, snarling cats, and all kinds of ghostly imagery, this duo can be sung together or separately for any fall or Halloween performance. Sing along to melodies from Grieg's In the Hall of the Mountain King, Bach's Toccata and Fugue in D minor, and Schubert's Erlkonig - and let your singers learn about music history while having so much fun! 11566051 Two-Part . . . . . . . . . . . E 2.30 11566052 P/A CD . . . . . . . . . . . . 29.99 Two Halloween Treats—Douglas E. Wagner & James Cheyne. Quick to learn and oh-so-fun to sing, unison singers will love these two bite-size Halloween songs about a ghost with a sweet tooth and a not-so-scary skeleton! Add the spooky xylophone part or sing with the accompaniment track for an extra chill! 11611144 Unison . . . . . . . . . . . . . E 2.30 11611145 P/A CD . . . . . . . . . . . . 29.99 Ugly Sweater—John Riggio. Set in a foreboding classical style, this song addresses being pro- and anti-ugly sweaters! With battling vocal parts that play off of each other, this novelty selection is perfect for holiday concerts or any wintertime performance. A hilarious must-sing! 11597312 Two-Part opt. Unison . E 2.30 11597313 P/A CD . . . . . . . . . . . . 21.95 Ukulele (Oo-koo-lay-lay)—Teresa Jennings. With only one word throughout (ukulele), this charming little song can be sung in unison, two-part, or three-part harmony. Sing it a cappella, with piano, purchase the track, or if your ukulele students can play a C and an F chord, they can strum along, too! 11619890 Unison/Two-Part . . . . . E 2.30 11619891 P/A CD . . . . . . . . . . . . 21.95 Vox—Greg Gilpin. Part vocalise, part warm-up, part novelty, part concert opener - all this and more in this flexibly fun piece! Explore a variety of vocal textures and articulations, all on nonsense syllables that layer and combine to be fun to sing for all. A perfect opener, use as a processional, add some movement, percussion, or the optional piano accompaniment - whatever works for your ensemble - and enjoy celebrating the voice! 11393380 SAB . . . . . . . . . . . . . ME 2.05 11393381 SSA . . . . . . . . . . . . . ME 2.05 11393344 P/A CD-Pianotrax 14 . 44.99 Vox Vibe—Greg Gilpin. Following up on Gilpin's Vox, here's another flexible, fun- to-sing original piece with so many uses! Set up as rondo, this perfect opener is part warm-up, part vocalise, and part novelty, with full-on performance value, too. Using just vocables with no text, it can be performed a cappella or with optional piano accompaniment, guaranteeing success. 11566054 SAB . . . . . . . . . . . . . ME 2.30 11566055 SSA . . . . . . . . . . . . . ME 2.30 Wannabe (as an English Madrigal)—arr. Nathan Howe. With this follow-up to the top-seller All Star (as an English Madrigal), this fun madrigal adaptation of the Spice Girls hit from the 1990s is another fun way to teach this genre to young singers, and sure to be a hit for your audience! Clever part-writing techniques and harmonic progressions make this familiar melody a standout novelty selection! 11348135 SATB. . . . . . . . . . . . ME 2.95 11348137 SAB . . . . . . . . . . . . . ME 2.35 11348136 SSAA. . . . . . . . . . . . ME 2.95 The Warm-Up Song—Mark Burrows. Finally! A useful concert opener that also gets your choir warmed up! This hilarious blend of choral warm-up routines is packaged into a performance piece with piano accompaniment. Your choir will love to impress their audience with their perfectly executed choral technique, and you'll love that your choir is really learning something! And it's also useful as an actual warm-up regimen. 11510596 Three-Part Mixed . . . . E 3.20 When I Become an Old Woman—Sherry Blevins. This fun, lighthearted selection celebrates a woman's freedom to grow old and embrace her inner quirks. The cheeky, humorous text includes optional body percussion, staging suggestions, and alternate lyrics allowing the piece to be adapted to a variety of settings and age groups. Melodramatic phrasing, harmonies, and rhythms offer a tango aesthetic sure to delight singers and audiences alike. A showstopper! 11596205 SSA . . . . . . . . . . . . . . .M 3.75 Whisper!—Greg Gilpin. "I need to whisper something to you. Whisper, whisper something now!" This creative, energetic, easy piece is great for teaching dynamics and diction. Your young singers will have lots of fun making whispering sounds and going, "Shhh!" At the end, everyone sings loudly, "Are you listening?" It's very cute! 10810635 Three-Part Mixed . . ME 3.20 10190894 Two-Part . . . . . . . . . ME 2.95 10204626 P/A CD . . . . . . . . . . . . 26.95 Who's on First?—Mark Burrows. Playfully written in a swing-era style, this setting of the classic comedy routine is so fun to sing! A true musical conversation, it's filled with high-pitched outbursts, irritated staccatos, and pacifying legatos. Break out the baseball caps with this lively concert closer! 11620880 Two-Part . . . . . . . . . ME 2.80 Woodchuck—Mark Burrows. "How much wood could a woodchuck chuck if a woodchuck could chuck wood?" Posing this tongue twister and age-old question, this humorous piece features simple body percussion and unison lines that repeat in two- and then optional three-part canon. A lively section of interactive harmony when counting and an emphasis on diction are the names of the game. Sure to be a favorite! 11510606 Two or Three-Part . . . E 2.95 Yes! We Have No Bananas—Irving Cohn/ arr. Nathan Farrell. Performed by Louis Prima, Benny Goodman, and countless others, this recognizable tune from the 1920s is a whole lot of fun! With delightful harmonies and even a section for banana jokes, this easy-to-learn arrangement brings freshness to a classic. 11611511 Two-Part . . . . . . . . . . . E 2.50 The Zip Zop Song—Sherry Blevins & Ruth Peterson. Nonsense syllables, notated body percussion and a jovial piano part all come together to make this silly song that is said to be "the very best medicine" for an achy heart. You can't help but smile listening to (or singing) this lighthearted piece, perfect for middle school voices. 11538002 SAB . . . . . . . . . . . . . ME 2.15 11538003 Two-Part . . . . . . . . . ME 2.15 Patriotic America, the Beautiful—Samuel Ward/arr. Derric Johnson. Sumptuous jazz-inspired harmonies lace this amazing arrangement of a favorite patriotic song. The familiar melody and traditional harmonization remain, but the divisi harmonies bring a freshness and vitality that is sure to inspire. The original a cappella version is the signature arrangement of the Voices of Liberty, appearing at Disney's Epcot theme park, while the accompanied version offers a more accessible setting that retains the same harmonic flavor of the original. 11393057 SATB divisi, or SSAATTBB, Original A Cappella Version . . . . . . . . . . . .M 2.75 11611283 SATB Simplified, Accompanied Version . . . . . . . . . . . .M 2.75 America, This Land I Love—arr. Douglas E. Wagner. This versatile patriotic work is easy to prepare and suitable for many occasions. Effectively pairing America, the Beautiful with an original melody and text in a partner song setting, the piece includes beautiful harmonic writing, an understated piano accompaniment, and a majestic ending. A new staple for your choral library! 11561739 SATB. . . . . . . . . . . . . . E 2.75 11561740 Two-Part or SA . . . . . . E 2.75 Armed Forces - The Pride of America!— arr. Larry Clark & Greg Gilpin. Here is the definitive patriotic armed forces tribute! It features the official songs of all five branches of the U.S. Armed Forces, plus The Pledge of Allegiance and The Star- Spangled Banner, with optional audience participation. It even includes parts of Sousa marches as interludes! At under seven minutes' duration, this is a top choice for chorus and piano or with band! 10011601 SATB. . . . . . . . . . . . ME 3.25 10011602 Three-Part Mixed . . ME 3.25 10011603 Two-Part . . . . . . . . . ME 3.25 10735146 SSA SSA (A). . . . . . ME 3.00 10011604 TTBB . . . . . . . . . . . . ME 3.25 10011605 Band Set & Score- with opt. String Parts . 95.00 10759693 Band Set & Score . . 150.00 Battle Hymn for Gettysburg (A tribute to Abraham Lincoln based on his Gettys- burg Address)—arr. Teresa Jennings. It's a natural union - combining the text of Abraham Lincoln's Gettysburg Address with Battle Hymn of the Republic into a piece children can perform. Underneath the spoken text, vocalists sing the syllable "loo" in unison on the melody. The choruses use the actual words "Glory, glory hallelujah!" and include optional two-part harmony complete with big orchestral accompaniment on the accompaniment track. 11567650 Unison/Two-Part. . . . . E 2.30 11567651 P/A CD . . . . . . . . . . . . 21.95

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