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Pop, Stage & Screen
Blackbird—John Lennon & Paul
McCartney/arr. Audrey Snyder. "Blackbird
singing in the dead of night, take these
broken wings and learn to fly..." Generations
of Beatles fans are always touched when
they hear this pop classic. This accessible
arrangement features a guitar-like piano
accompaniment, or you can use the track
for a more stylized instrumentation. A
perfect choice for younger choirs!
10063823 Three-Part Mixed . . ME 2.30
10063830 Two-Part. . . . . . . . . ME 2.25
11323119 TB . . . . . . . . . . . . . . ME 2.15
10063831 Teaching P/A CD . . . . . .26.99
Bohemian Rhapsody—Freddie Mercury/
arr. Mark Brymer. One of the most iconic
pop hits ever, Queen's 1970s chart topper
is available in voicings for every choir
and with an option for live instrumental
accompaniment! It's the perfect pop/jazz
feature or tongue-in-cheek encore piece for
concert choirs or show choirs.
1834035 SATB . . . . . . . . . . . ME 2.25
1834043 SAB . . . . . . . . . . . . ME 2.25
1834050 Two-Part. . . . . . . . . ME 2.25
10605464 SSA . . . . . . . . . . . . ME 2.25
10605465 TTBB . . . . . . . . . . . ME 2.25
1834068 P/A CD . . . . . . . . . . . . . .26.99
10605466E Instrumental Parts . . . . .34.50
Boogie Woogie Bugle Boy—Don Raye
& Hughie Prince/arr. Ed Lojeski. Ed has
created a dynamic version of this Andrews
Sisters hit just for the women of your choir.
This is sure to be your #1 crowd pleaser!
1621515 SSA . . . . . . . . . . . . ME 2.50
Both Sides Now—Joni Mitchell/arr. Roger
Emerson. Joni Mitchell's lyrical ballad is
given new light in these arrangements for
choirs of all voicings. Opening with a solo,
building with tender harmonies, and hitting
a climax with rhythm band, this song takes
listeners and singers on a reflective journey
and provides clarity as they look back on life.
11524586 SATB divisi. . . . . . . ME 2.50
11524587 SAB divisi . . . . . . . . ME 2.50
11530523 Two-Part. . . . . . . . . ME 2.50
11524588 SSA . . . . . . . . . . . . ME 2.50
11534623E Instrumental Parts . . . . .32.20
Both Sides Now—Joni Mitchell/arr. Audrey
Snyder. Joni Mitchell's reflective ballad is
set for developing voices in this carefully
crafted arrangement. The ranges of each
part are very accessible, and everyone
gets to sing both the melody and the easily
learned harmony.
11583142 Three-Part Mixed . . ME 2.75
Both Sides Now—Joni Mitchell/arr. Kirby
Shaw. Featuring an opening solo and rich
harmonies in a variety of textures, this
intimate setting of Joni Mitchell's top hit is
beautifully arranged for a cappella choirs
in a concert pop version. With a message
exploring successive perspectives on life
and love, its timeless themes are relatable
to singers and audience members in all
walks of life.
11620626 SATB . . . . . . . . . . . . .M 2.50
A Brand New Day (Everybody Rejoice)—
Luther Vandross/arr. Connor Warren
Smith. With a theme that resonates just
as strongly now as it did back then, this
funky, feel-good song from "The Wiz" is a
joyful celebration of fresh starts and endless
possibilities. Feature soloists throughout
and a small group over the final chorus.
It's a fantastic opener or closer for four-part
show and concert choirs, complete with a
hot accompaniment track or instrumental
parts for your band.
11594259 SATB . . . . . . . . . . . . .M 2.45
11594260 SSAA . . . . . . . . . . . . .M 2.45
11594261 TTBB . . . . . . . . . . . . .M 2.45
11594262 P/A CD . . . . . . . . . . . . . .29.99
11594264 Instrumental Parts . . . . .20.00
Breakaway—arr. Andy Beck. This
"breakaway" hit for American Idol winner
Kelly Clarkson translates so well to choral
singing, with accessible parts and pop
harmonies. Especially appropriate in this
two-part treble voicing, it's an inspiring
tribute to self-empowerment and a positive
outlook for the future. "I'll spread my wings
and I'll learn how to fly. I'll do what it takes
till I touch the sky. I'll make a wish, take a
chance, make a change and break away!"
10669431 Two-Part. . . . . . . . . ME 2.10
10669432 P/A CD . . . . . . . . . . . . . .27.99
Bridge Over Troubled Water—Paul
Simon/arr. Kirby Shaw. This is dynamite!
Kirby Shaw's phenomenal arrangement
of this Simon and Garfunkel hit ballad is
contemporary choral writing at its finest.
The light, harmonic a cappella opening is
contrasted with this soaring, fresh, gospel-
style setting. Optional solos showcase
special voices. A must for show and concert
choirs!
1743939 SATB . . . . . . . . . . . ME 2.50
1743947 SAB . . . . . . . . . . . . ME 2.50
3294418 SSA . . . . . . . . . . . . ME 2.50
3701797 TTBB . . . . . . . . . . . ME 2.75
1743962 Instrumental Parts . . . . .56.00
Building Momentum (from "How to
Dance in Ohio")—Jacob Yandura/arr.
Mark Brymer. From the first musical to cast
autistic actors to portray autistic characters
comes this infectious pop hit. Wholly
contemporary and timely in message,
the song is about finding the courage to
grow and building momentum for positive
change.
11620627 SATB . . . . . . . . . . . ME 2.75
11620628 SAB . . . . . . . . . . . . ME 2.75
11620629 SSA . . . . . . . . . . . . ME 2.75
11624799E Instrumental Parts . . . . .32.20
But the World Goes 'Round—John
Kander/arr. Mark Hayes. Most notably
performed by Liza Minnelli, this Kander &
Ebb classic returned to Broadway in the
musical "New York, New York." A true
blockbuster, this arrangement comprised
of jazz sonorities, a hard-hitting swing feel,
and a message to keep moving despite
hardship. An ideal selection for vocal jazz,
show, and community choirs alike!
11564450 SATB . . . . . . . . . . . ME 2.45
11564451 SAB . . . . . . . . . . . . ME 2.45
11564452 SSAA . . . . . . . . . . . ME 2.45
11564454 P/A CD . . . . . . . . . . . . . .29.99
11564453 Instrumental Parts . . . . .35.00
Cake by the Ocean (as an English
Madrigal)—arr. Nathan Howe. Continuing
the success of choral pop titles sung "as
an English madrigal," we bring you this
arrangement using the hit DNCE tune!
This is a fantastic way to teach the genre,
have fun in rehearsals, and create a
crowd pleaser for any concert. Make sure
you check out Wannabe (as an English
Madrigal) and All Star (as an English
Madrigal) to add to your library as well!
11559682 SATB . . . . . . . . . . . . .M 2.50
California Dreamin'—John & Michelle
Phillips/arr. Roger Emerson. Ranked as
one of the greatest songs of all time by
Rolling Stone magazine, this Mamas and
the Papas classic from 1966 will showcase
your young choir in fine style. This
arrangement includes performance notes
to help your choir achieve the legendary
group's authentic sound!
10022975 Three-Part Mixed . . ME 2.50
10022977 Two-Part. . . . . . . . . ME 2.50
10022978 Teaching P/A CD . . . . . .29.99
The Call (from "The Chronicles of
Narnia: Prince Caspian")—Regina
Spektor/arr. Dianne Gryba. A cappella
voices are featured with gentle harmonies
and a simple, quiet texture that just lets the
voices sing without pushing. This heartfelt
text challenges choristers to explore a
wide range of expressive possibilities and
features the altos on the melody.
11397413 SATB . . . . . . . . . . . ME 2.30
Can't Catch Me Now (from "The Hunger
Games: The Ballad of Songbirds &
Snakes")—Olivia Rodrigo & Daniel Nigro/
arr. Audrey Snyder. The cinematic return
to the world of Panem contained all of the
drama and spectacle one would expect
from the dystopian world of The Hunger
Games series. Olivia Rodrigo's hit song
from the movie has a folky feel with a
haunting minor setting that translates well
into treble choral harmonies.
11568930 SSA . . . . . . . . . . . . . .M 2.50
11578829E Instrumental Parts . . . . .24.20
Can't Help Falling In Love—arr. Kirby
Shaw. Recorded by Elvis Presley and
many other artists, Can't Help Falling in
Love is listed as one of the greatest songs
of all time by Rolling Stone magazine. This
lush a cappella arrangement highlights the
message of love with its free and dreamy
mood from start to finish.
11558104 SATB . . . . . . . . . . . . .M 2.50
BEST
SELLERS
SAB/Three-Part Mixed
Pop, Jazz, Stage
& Screen
These bestsellers are chosen most
often by directors! Look online for the
most current information on recordings,
instrumental parts, large print, and
digital edition availability.
Die with a Smile—arr. Mark Brymer.
11595094 SAB. . . . . . . . . . . . . . . . . .ME 2.50
Lovely Day—arr. Robert T. Gibson.
11384391 SAB. . . . . . . . . . . . . . . . . .ME 2.25
Defying Gravity
(from "Wicked")—
Stephen Schwartz/arr. Roger Emerson.
3302705 SAB. . . . . . . . . . . . . . . . . .ME 2.30
Dancing Through Life
(from "Wicked")—Stephen Schwartz/
arr. Roger Emerson.
11591001 Three-Part Mixed . . . . . . .ME 2.75
Unwritten—arr. Roger Emerson.
10364813 Three-Part Mixed . . . . . . . . . . . 2.50
Talking to the Moon—
arr. Cristi Cary Miller.
11569040 SAB. . . . . . . . . . . . . . . . . .ME 2.50
Wicked (Choral Medley)
Stephen Schwartz/arr. Mac Huff.
10042694 Three-Part Mixed . . . . . . .ME 3.65
Birds of a Feather—
Billie Eilish & Finneas O'Connell/
arr. Mark Brymer.
11595090 Three-Part Mixed . . . . . . .ME 2.50
I'm Still Standing—arr. Roger Emerson.
11538072 Three-Part Mixed . . . . . . .ME 2.75
Wicked (Choral Highlights)—
Stephen Schwartz/arr. Mark Brymer.
3303731 SAB. . . . . . . . . . . . . . . . . .ME 4.25
Lean On Me—
Bill Withers/arr. Jack Zaino.
11372314 Three-Part Mixed . . . . . . .ME 2.50
Fly Me to the Moon
(In Other Words)—
arr. Roger Emerson.
11341723 Three-Part Mixed . . . . . . .ME 2.75
Feeling Good (from "The Roar of
the Greasepaint - The Smell of the
Crowd")—Leslie Bricusse & Anthony
Newley/arr. Roger Emerson.
11583519 Three-Part Mixed . . . . . . .ME 2.75
A Million Dreams
(from "The Greatest Showman")—
Benj Pasek & Justin Paul/arr. Mac Huff.
10873443 SAB. . . . . . . . . . . . . . . . . .ME 2.25
Go the Distance (from "Hercules")—
Alan Menken/arr. Roger Emerson.
11418430 Three-Part Mixed . . . . . . .ME 2.50
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