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Pop, Stage & Screen
Both Sides Now—Joni Mitchell/arr. Kirby Shaw.
Featuring an opening solo and rich harmonies in a variety of textures,
this intimate setting of Joni Mitchell's top hit is beautifully arranged for
a cappella choirs in a concert pop version. With a message exploring
successive perspectives on life and love, its timeless themes are relatable
to singers and audience members in all walks of life.
11620626 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.50
Count on Me—
Bruno Mars, Philip Lawrence & Ari Levine/arr. Kirby Shaw.
In this a cappella arrangement of the Bruno Mars classic, the relaxed
reggae feel pairs perfectly with a bright message about friendship. No
need for solos or vocal percussion; the lower voices hold down a laid-back
rhythmic groove while your sopranos take the lead. Perfect for any time of
the year!
11614500 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.35
Dance!—Robert T. Gibson.
An outside-the-box rhythmic explosion that culminates with a notated step
routine! Lyrics encourage listeners to "dance to the rhythm of your own
drum," embracing individuality and celebrating differences. Vocal and body
percussion and satisfying parallel harmonies all add to the soul of this
piece. Step instructions are included in the octavo, and an instructional
video by the composer is available.
11503184 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.05
11594332 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.20
11503185 SSA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.05
11594331 TTB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.20
Flight—Craig Carnelia/arr. Anita Cracauer.
Recorded by the likes of Sutton Foster and David Burnham, this
gorgeous ballad by Broadway composer Craig Carnelia is the perfect
vocal showcase for your choir. The arrangement allows for advanced work
on musical phrasing, dynamics, blend, and expression. The text speaks
of the wanderlust of youth and will resonate with your singers ready to fly
away to fulfill their dreams.
11592630E SSAATBB A Cappella Version ePrint . . . . . . . .M 3.00
Human Heart—arr. Jennifer Lucy Cook.
A gem for advanced choirs, this contemporary a cappella concert
arrangement comprises tender harmonies, vocal slides, and powerful
moments of stillness. Cowritten by Coldplay, We Are King and Jacob
Collier, this ballad speaks to one thing that we as humans can all relate to -
our beating, feeling heart.
11595103 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 2.50
Ilus Haal—Margrit Kits/arr. Laura Jekabsone.
Celebrating the relationship between Estonian and Latvian folk music,
this was written in honor of Estonia's 100th anniversary. This
contemporary a cappella concert arrangement features a fresh vibe,
with percussive elements, vocables, and Latvian lyrics with a pronunciation
guide and translation.
11347958 SSAATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 3.30
11618453 SSAA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.90
In the Mist—Kate Crellin.
Mysterious and rhythmic, this a cappella work features rich harmonies and
a vocal ostinato that supports a syncopated alto melody. Contemporary
rhythms and vocal syllables set this piece apart!
11593356 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.75
Landslide—Stevie Nicks/arr. MaryAnne Muglia.
This reflective Fleetwood Mac hit remains popular today. Crafted to
showcase treble ensembles, this arrangement passes the melody
between voice parts and encourages ensembles to focus on blend,
rubato, and emotional expression. It's a beautifully captivating selection for
graduations, final concerts, or any occasion.
11604286 SSAA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.50
Never Gonna Give You Up—arr. Bryan Sharpe.
Rickroll your audience with this arrangement of Rick Astley's 1980s hit!
The solo allows you to feature any voice, and the choral backups are easy
to sing. Vocal percussion can be performed as written or improvised by a
more experienced beatboxer. Sure to be a hit!
11613740 Three-Part Mixed . . . . . . . . . . . . . . . . . . . . . . . ME 2.35
Popular Song—arr. Jack Zaino.
Mika has performed this "Wicked"-inspired song alongside both Ariana
Grande and Kristen Chenoweth. Using Glinda's Popular as a hook, it
explores how staying true to oneself is more important than any popularity
contest. Feature one or more soloists on this contemporary a cappella
arrangement that gets everyone singing on the second verse and chorus
and offers a fully notated vocal percussion part.
11613775 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.35
11613776 Three-Part Mixed . . . . . . . . . . . . . . . . . . . . . . . . .M 2.35
11613777 SSA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.35
Shower the People—James Taylor/arr. Kirby Shaw.
James Taylor's 1976 hit is wrapped in this sweet a cappella arrangement
with a breezy feel. Feature a solo or duet on the verses while the choir
provides background vocables and then comes to the forefront in the
choruses. "Shower the people you love with love."
11611143 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.35
That Lonesome Road—
James Taylor & Don Grolnick/arr. Deen E. Entsminger.
Pensive and thought-provoking, this contemporary a cappella concert
setting of the James Taylor ballad is perfect for mixed or tenor-bass
ensembles. Full of rubato, this arrangement leaves room for expression
and contemplation about what it means to carve your own pathway ahead
without looking back.
5414271 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.05
11618173 TTBB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.10
To Make You Feel My Love—
Bob Dylan/arr. Alexander L'estrange.
The King's Singers have a history of releasing timeless arrangements, and
this one is no exception. Heartfelt, tender, rich, and warm, this rendition of
the Bob Dylan classic will surely strike a chord in the hearts of musicians
everywhere.
11620724 SATB divisi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.65
Unwritten—arr. Vince Peterson.
A brilliant showcase of vocal textures, this contemporary a cappella
arrangement infuses strains of a Bach prelude with Natasha Bedingfield's
biggest hit. Powerful divisi harmonies and an infectious groove make this
feel-good selection a no-brainer for your concert program!
11620710 SATB divisi, or SSAATTBB . . . . . . . . . . . . . . . . .M 2.50
Womankind—Emily Drum.
Empowering and timely, this original contemporary a cappella concert
piece celebrates feminine strength through a bold, youthful text by 17-year-
old Taylee Heldt. It uses a modern pop style, encouraging expressive vocal
techniques like subtle swoops, chest voice, and vocables. The steady 6/8
cajon ostinato adds extra rhythmic drive.
11623400 SSAA w/ cajon . . . . . . . . . . . . . . . . . . . . . . . . . . .M 4.00
CONTEMPORARY
A CAPPELLA
Here are some stellar new selections for a cappella
groups – some arrangements of pop tunes, and others
completely original!
