157
Order Toll free! Call 1.800.345.6296 | jwpepper.com | [email protected]
Pop, Stage & Screen
Stand by Me—arr. Audrey Snyder. Ben E.
King's timeless 1961 tune is a standard in
pop ensemble singing. With an iconic chord
progression based on doo-wop harmonies
of the '50s, this favorite standard also
has a friendly and supportive text and
simple melody. Designed for younger
and beginning singers in this careful
arrangement, the classic lives on for a new
generation!
11171700 Three-Part Mixed . . ME 2.15
11171701 Two-Part. . . . . . . . . ME 2.30
11205184 Teaching P/A CD . . . . . .26.99
Stand in the Light—arr. Roger Emerson.
An outstanding concert setting of this joyful
and gentle popular piece made famous
by Jordan Smith, winner of Season 9 of
The Voice. Complete with an important
life-affirming message and singable vocal
lines with accessible ranges, this selection
will surely inspire! "This is who I am, I'm not
gonna hide, 'cause the greatest risk we'll
ever take is, by far, to stand in the light and
be seen as we are." Unforgettable!
10669106 SATB . . . . . . . . . . . ME 2.75
10669107 SAB . . . . . . . . . . . . ME 2.75
10669108 SSA . . . . . . . . . . . . ME 2.75
10669109 P/A CD . . . . . . . . . . . . . .26.99
10669110E Instrumental Parts . . . . .23.00
Stand Up (from "Harriet")—Joshuah
Campbell & Cynthia Echeumuna-Erivo/
arr. Mac Huff. Celebrating the life and
legacy of Harriet Tubman, the critically
acclaimed film "Harriet" features this
amazing song performed by Cynthia Erivo.
With strong spiritual and gospel influences,
this powerful piece translates so well for
choral ensembles. At times a cappella but
mostly accompanied, this solo-driven choral
presents great teaching opportunities but is
also a fantastic performance piece.
11201985 SATB . . . . . . . . . . . ME 2.95
11201986 SAB . . . . . . . . . . . . ME 2.95
11201987 SSA . . . . . . . . . . . . ME 2.95
11620684 TTBB . . . . . . . . . . . ME 2.95
11205185 P/A CD . . . . . . . . . . . . . .26.99
11202161E Instrumental Parts . . . . .32.20
Stand Up (from "Harriet")—Joshuah
Campbell & Cynthia Echeumuna-Erivo/
arr. Rollo Dilworth. Highlighting themes
of courage, perseverance, and care for
others, this empowering song written for
the movie "Harriet," depicting the life and
legacy of Harriet Tubman, has become a
favorite choral selection. Expertly set here
for younger voices, this piece presents
numerous teaching opportunities for
exploring the historical context as well as
the musical style. A great concert choice for
developing choirs!
11380861 Three-Part Mixed . . ME 2.75
Stay Gold (from "The Outsiders")—arr.
Roger Emerson. Amid the turmoil and
angst endured by the young protagonists
in the Tony-winning musical "The
Outsiders" comes this reflective reprise
championing a message of resilience
and finding beauty in the simple things.
Consider adding guitar accompaniment
to add to the intimate folksy feel.
11595107 SATB . . . . . . . . . . . ME 2.50
11595108 SAB . . . . . . . . . . . . ME 2.50
11595109 TB . . . . . . . . . . . . . . ME 2.50
11600213E Instrumental Parts . . . . .24.20
Sunday Morning—arr. Mac Huff. Maroon
5's early hit has a fresh new life in this
vocal jazz arrangement! With opportunities
for multiple soloists throughout and a light
accompaniment for piano, guitar, bass, and
drums, this sunny jazz-fusion chart shines!
11569035 SATB . . . . . . . . . . . . .M 2.75
11589589E Instrumental Parts . . . . .24.20
Sunrise, Sunset (from "Fiddler on the
Roof")—Jerry Bock/arr. John Leavitt.
Fiddler on the Roof has long been noted
for its memorable songs and emotional
storytelling. This wedding song from the
1964 Tony Award-winner for Best Musical
is set beautifully here in this outstanding
arrangement.
11398415 SATB . . . . . . . . . . . ME 2.30
11398416 SAB . . . . . . . . . . . . ME 2.30
11398417 SSA . . . . . . . . . . . . ME 2.30
11411613E Instrumental Parts . . . . .28.80
Supercalifragilisticexpialidocious (from
"Mary Poppins")—Richard Sherman &
Robert Sherman/arr. John Leavitt. Here,
the iconic song from the original Disney
movie is given a fresh treatment for concert
choirs. Full and lush harmonies give this
song added weight, and the optional string
parts make it an instant classic for your
concert programs.
11398418 SATB . . . . . . . . . . . ME 2.25
11398419 SAB . . . . . . . . . . . . ME 2.25
11398420 SSA . . . . . . . . . . . . ME 2.25
11418853E Instrumental Parts . . . . .46.00
Superstar—Leon Russell & Bonnie
Sheridan/arr. Mac Huff. Lush harmonies
and an artful piano accompaniment join
together seamlessly in this fresh take on
the quintessential Carpenters hit. Artistic
and expressive, this is the perfect selection
for advanced choirs looking for a concert
arrangement of a pop ballad.
11569037 SATB divisi. . . . . . . . .M 2.80
11569038 SSAA divisi. . . . . . . . .M 2.80
Superstition—Stevie Wonder/arr. Paul
Langford. This Stevie Wonder tune has
been turned on its head with this fabulous
unaccompanied version that imitates
the original recording's instrumental and
vocal style. This contemporary a cappella
arrangement cooks with a great funk
groove. Fun!
10864242 SATB . . . . . . . . . . . . .M 2.50
10864226 TTBB . . . . . . . . . . . . .M 2.15
Sweet Caroline—Neil Diamond/arr. Roger
Emerson. A favorite sing-along classic,
this Neil Diamond hit song has a feel-good
message that singers and listeners alike will
surely enjoy. True to style and form, this no-
fuss arrangement can be sung with great
gusto, particularly the chorus - a perfect fit
for tenor-bass choirs of all ages.
11366142 TB . . . . . . . . . . . . . . ME 2.50
Sweet Caroline—arr. Kirby Shaw. From
the cast of Glee, Puck (Mark Salling) steps
out in a solo turn on the pop hit from 1969
by Neil Diamond. Your tenors and basses
will totally groove to the irresistible hook!
"Sweet Caroline, good times never seemed
so good..."
10092885 SATB . . . . . . . . . . . ME 2.50
10092887 TTB. . . . . . . . . . . . . ME 2.30
10092888 P/A CD . . . . . . . . . . . . . .29.99
10092889E Instrumental Parts . . . . .64.40
Swingin' with the Beatles (Medley)—
John Lennon & Paul McCartney/arr. Mac
Huff. Three Beatles songs are given some
swing in this dynamic medley: Can't Buy
Me Love; Love Me Do and Eight Days a
Week. Audiences will love the jazz settings
of these top hits!
11539763 Three-Part Mixed . . ME 2.75
11539764 Two-Part. . . . . . . . . ME 2.75
Take Me Home—arr. Roger Emerson.
Choirs will love re-creating the warm
harmonies and soulful vocals of
Pentatonix's Take Me Home, with its hymn-
like cadences and steady finger snaps. A
wonderful and accessible a cappella choice
for choirs of all levels.
10606839 SATBB . . . . . . . . . . . .M 2.30
10606840 SAB . . . . . . . . . . . . . .M 2.50
10606841 SSA . . . . . . . . . . . . . .M 2.50
10606843 P/A CD . . . . . . . . . . . . . .26.99
Take Me Home, Country Roads—arr.
Roger Emerson. An enduring and classic
ode to West Virginia, this signature song
and official state anthem continues to be
one of John Denver's best-selling songs.
Set here in a super-accessible two-part
arrangement, your singers from young to
old will enjoy singing this popular song with
that classic country style.
11427463 Two-Part. . . . . . . . . . . E 2.50
11166230 TB . . . . . . . . . . . . . . . . E 2.30
11171660 Teaching P/A CD . . . . . .26.99
Take on Me—arr. Roger Emerson.
Norwegian pop group a-ha had a worldwide
hit in 1985 with this synth-pop song. A
cappella sensation Pentatonix created a
stellar a cappella version where all those
cool pop effects are moved to the voices.
This arrangement offers the flexibility
to perform a cappella in the Pentatonix
style including a notated vocal percussion
line, or use the piano or instrumental
accompaniment for additional support in
the classic '80s style.
11002118 SATBB . . . . . . . . . . . .M 3.25
11002120 SAB. . . . . . . . . . . . . . .M 3.25
11002122 SSA . . . . . . . . . . . . . .M 2.95
11002124 P/A CD . . . . . . . . . . . . . .26.99
11002125E Instrumental Parts . . . . .23.00
Talking to the Moon—arr. Cristi Cary
Miller. A haunting pop ballad with poetic
lyrics and a memorable melody, this Bruno
Mars original is given a stellar choral
treatment for mixed and treble choirs.
Opening solos, intricate vocals and a gently
pulsing pop piano part combine into a
sweeping cinematic sound.
11569040 SAB . . . . . . . . . . . . ME 2.50
11569041 SSA . . . . . . . . . . . . ME 2.50
Taylor Swift: Eras (Choral Medley)—arr.
Mark Brymer. Taylor Swift's impact on the
world stage is undeniable. Specially created
with input from teachers and students, this
medley gathers the best songs of each
Taylor Swift era, creating a pop culture
musical tableau that absolutely sparkles!
Titles 22; Willow; Love Story; Getaway
Car; Bad Blood; Miss Americana & The
Heartbreak Prince; Enchanted and Anti-
Hero. Your choir won't want to miss this!
11569042 SATB . . . . . . . . . . . ME 3.95
11569043 Three-Part Mixed . . ME 3.95
11569044 SSA . . . . . . . . . . . . ME 3.95
11577690E Rhythm Parts . . . . . . . .56.40
Teach Your Children—Graham Nash/
arr. Philip Lawson. The 1970s pop hit by
Crosby, Stills, Nash & Young is set in a way
that is fresh and unique! Rhythmically
free and expansive, the melody harmo-
nized in triads is juxtaposed against long
sustained chords to highlight the powerful
message inherent in the text. The treble
version is accompanied by piano, while the
mixed choir version is a cappella.
10063324 SATB A Cappella. . . .M 2.30
11568876 SSA w/ Piano . . . . . . .M 2.65
Tell My Father (from "The Civil War: An
American Musical")—Frank Wildhorn/
arr. Andrea Ramsey. From "The Civil War"
by Frank Wildhorn and Jack Murphy, this
dramatic song brings the reality of war
into strikingly personal terms as a young
soldier sings of his father and his own
mortality. A powerful choice for tenor-bass
choirs! With violin.
10042175 TTB. . . . . . . . . . . . . . .M 2.50
Texas Hold 'Em—arr. Roger Emerson.
Beyonce's Cowboy Carter won Album of
the Year at the 2025 Grammy Awards,
and now your choir can win audiences over
with the record's most popular hit single!
A fusion of country, pop, and soul, this
arrangement is sure to be a hit with choir
and audiences alike!
11612150 SATB . . . . . . . . . . . ME 2.50
11617440 SSA . . . . . . . . . . . . ME 3.25
11625744 Instrumental Parts . . . . .35.00
Thankful—arr. Mark Hayes. Recorded by
Josh Groban, this inspirational song has
a timeless message that everyone can
relate to. "It's up to us to be the change,
and even though we all can still do more,
there's so much to be thankful for..." Mark
Hayes' moving arrangement is beautifully
orchestrated, adding to the rich vocal
harmonies that set the exquisite melody
and text. Perfect for every choir at any
time year, including graduation and church
dedications.
10489926 SATB . . . . . . . . . . . ME 2.50
10489927 SAB . . . . . . . . . . . . ME 2.50
10489929 SSA . . . . . . . . . . . . ME 2.50
10489930 TTB. . . . . . . . . . . . . ME 2.50
10489931 Two-Part. . . . . . . . . ME 2.50
10489932 P/A CD . . . . . . . . . . . . . .26.99
10489933E Instrumental Parts . . . . .69.00
That Lonesome Road—James Taylor
& Don Grolnick/arr. Deen E. Entsminger.
Pensive and thought-provoking, this
contemporary a cappella concert setting of
the James Taylor ballad is perfect for mixed
or tenor-bass ensembles. Full of rubato, this
arrangement leaves room for expression
and contemplation about what it means
to carve your own pathway ahead without
looking back.
5414271 SATB . . . . . . . . . . . . .M 2.05
11618173 TTBB . . . . . . . . . . . . .M 2.10
