J.W. Pepper Catalogs

2025 Fall Choral Catalog

J.W. Pepper Music Catalog

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166 2025-26 Editors' Choice New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision Vocal Jazz Finding the Sunshine—Jim Papoulis. Bright and sunny, this original piece has easy vocal jazz flourishes and an even-keeled beat. Mostly in unison, it has a few places of simple harmony to add to the texture, all of which are easily learned, leading to success for young harmony singers. 11568954 Unison/Two-Part . . ME 2.50 Fly Me to the Moon (In Other Words)—arr. Roger Emerson. Written back in 1954, this famous song has become a part of the Great American Songbook, with Frank Sinatra's 1964 version becoming the standard. This accessible arrangement brings plenty of unison, well-placed harmonies, and a section of choral scat that your singers will really enjoy learning and performing. 11341723 Three-Part Mixed . . ME 2.75 11341722 Two-Part. . . . . . . . . ME 2.85 11500441 TB . . . . . . . . . . . . . . ME 2.75 For Eldon—Lizzi Trumbore/arr. Liz Townsend. The opening track of Lizzi Trumbore's album Lifelines, this emotional selection recalls a carefree childhood and warm memories of a loved one. Set for a vocal jazz ensemble and a jazz trio, it also works beautifully with just voices and piano. 11617154 SATB . . . . . . . . . . . MA 3.55 From the Start—Laufey & Spencer Stewart/arr. Michele Weir. Icelandic singer- songwriter Laufey is known for fusing jazz with modern pop sensibilities. Here's her breakthrough bossa nova arranged with tight harmonies, a unison scat feature, and several optional solos. You'll also want to check out her original recording to study the smooth vocal style. Your singers will really enjoy this appealing blend of styles! 11565991 SATB . . . . . . . . . . . ME 2.35 11565992 SSA . . . . . . . . . . . . ME 2.35 11565993 P/A CD . . . . . . . . . . . . . .29.99 11565995 Instrumental Parts . . . . .15.00 From the Start—Laufey & Spencer Stewart/arr. Roger Emerson. Icelandic pop singer-songwriter Laufey penned this dreamy, jazz-infused ballad complete with playful bossa nova rhythms and melancholic lyricism. Feature a soloist or a section to open the arrangement, then close jazz harmonies and a notated scat section showcase the whole ensemble. 11616136 SATB . . . . . . . . . . . ME 2.90 11616142 SAB . . . . . . . . . . . . ME 2.90 11616138 SSAA . . . . . . . . . . . ME 2.90 11625938E Instrumental Parts . . . . .35.00 Give Me Some Rhythm!—Greg Gilpin. No notes are sung in this original written for four-part voices! Instead, speech teaches rhythm, dynamics, style, choral energy, and can even introduce choreography or simple movement. The vocal parts can be a mix of voices or even pared down to fewer parts if needed. Unique and filled with learning fun! 11560300 Four-Part . . . . . . . . ME 2.35 Home Sweet Home—Henry R. Bishop/ arr. John Maclane Schirard. Nostalgic and heartfelt, this arrangement of the classic tune captures the warmth and comfort of returning to the most cherished place - home. Its gentle melodies, warm harmonies, and poignant lyrics make it ideal for graduation, year-end concerts, or any time of year. 11611330 SATB . . . . . . . . . . . . .M 2.15 I Can't Believe That You're in Love With Me—Jimmy McHugh/arr. Kirby Shaw. Recorded by great artists such as Billie Holiday, Louis Armstrong, and Ella Fitzgerald, this 1926 standard has proven itself to be a timeless classic. This arrangement's silky-smooth harmonies, conservative ranges, playful rhythms, and limited instrumentation are just a few reasons why your ensemble will enjoy this accessible setting. 11607183 SATB . . . . . . . . . . . . .M 2.50 11607182 SAB . . . . . . . . . . . . . .M 2.50 11607184 SSA . . . . . . . . . . . . . .M 2.50 11624899E Instrumental Parts . . . . .32.20 I Like to Sing (Scat)—Teresa Jennings/ arr. Paul Jennings. A celebration of singing, this jazzy partner song is easy to learn and fun to perform, combining a verse of lyrics with a verse of scat. Use the scat syllables as published or let your students improvise; sing it a cappella, with piano, or with the awesome big band track (sold separately). 11619898 Two-Part. . . . . . . . . ME 2.30 11619899 P/A CD . . . . . . . . . . . . . .21.95 I'm Sitting on Top of the World—Ray Henderson/arr. Tripp Carter. Full of energy and sophistication, this popular 1920s tune is given a vibrant a cappella treatment. Featuring playful scat syllables, tight harmonies, a swinging groove, and an earworm of a bass line, this is a show- stopping choice for vocal jazz ensembles or any choir looking to add some jazz to their program. 11611349 SATB . . . . . . . . . . . . .M 2.25 It's All Right (from "Soul")—Curtis Mayfield/arr. Robert T. Gibson. Jon Batiste's cover of the 1963 Impressions hit in Disney/Pixar's "Soul" brings this early Curtis Mayfield song to a whole new generation. Built on a soulful groove, jazzy twists, and a feel-good vibe, this choral arrangement is based on the Batiste version from the film. Accessible to choirs of all ages in a variety of voicings, it's sure to be a hit at your next concert! 11347551 SATB . . . . . . . . . . . ME 2.25 11347552 SAB . . . . . . . . . . . . ME 2.25 11347553 Two-Part or SSA . . ME 2.25 11347554 P/A CD . . . . . . . . . . . . . .29.99 It's You I Like (from "Mister Rogers' Neighborhood")—Fred Rogers/arr. David von Kampen. Fred Rogers' sincere message of gratitude and appreciation is captured in this lush and timeless concert jazz arrangement crafted for the Oakwood Aeolians. With an optional trumpet feature, this otherwise a cappella setting is sure to be an emotional and musical statement in any concert program. 11620651 SATB . . . . . . . . . . . MA 2.85 Let Beauty Awake—Andy Beck. There's beauty all around in this lighthearted original jazz waltz. A tuneful melodic hook, chromatic counterlines, and colorful harmonies celebrate the many joys found in nature. An optional flute flutters above, adding to the bright, breezy vibe. 11613277 SATB . . . . . . . . . . . ME 2.30 11613278 SAB . . . . . . . . . . . . ME 2.30 11613279 Two-Part. . . . . . . . . ME 2.30 11613280 P/A CD . . . . . . . . . . . . . .29.99 Linus and Lucy—Vince Guaraldi/arr. Philip Kern. This is amazingly cool! It's the famous jazz piano piece by Vince Guaraldi, as heard on the animated Peanuts television specials, arranged with "dah dah dot" syllables for a cappella voices! Every a cappella choir will want to do this, at Christmas or any other time of year! 10088509 SATB . . . . . . . . . . . . .M 2.75 10363400 SSAB . . . . . . . . . . . . .M 2.50 10363401 SSAA . . . . . . . . . . . . .M 2.75 10363402 TTBB . . . . . . . . . . . . .M 2.50 Little Bitty Pretty One—Robert Byrd/arr. Kirby Shaw. You'll love singing this upbeat, swing-style choral arrangement of one of the best-loved songs of the '50s. Perfect for show choirs or pop concerts, this is sure to be a hit for mixed or tenor-bass choirs alike. Add the combo parts or use the track for a more authentic sound! 11560301 Three-Part Mixed . . ME 2.50 11560302 TTB. . . . . . . . . . . . . ME 2.50 11562777E Instrumental Parts . . . . .56.40 Look for the Silver Lining—Jerome Kern/ arr. Greg Jasperse. If you are looking for a song with lyrics that sparkle and a melody that never leads where you think it should, this wonderful arrangement of a jazz standard is perfect for you and your advanced jazz choir. 11513682 SATB . . . . . . . . . . . MA 2.15 11604446E Instrumental Parts . . . . .24.20 Manhattan—Richard Rodgers/arr. Lisa Benincasa. A fresh, accessible take on the Rodgers and Hart classic, this arrangement captures the charm and nostalgia of the original while making it approachable for choirs of all levels. With a smooth swing style and playful lyrics, this is a fun choice for choirs looking to add some vocal jazz to their program. 11611392 SAB . . . . . . . . . . . . ME 2.15 Moon River (from "Breakfast at Tiffany's")—Henry Mancini/arr. David von Kampen. Winning an Academy Award for Best Original Song as well as Grammys for Song of the Year and Record of the Year, this has become a timeless classic since its appearance in the 1962 film "Breakfast at Tiffany's." Crafted for the Oakwood Aeolians, this concert arrangement is a rich tapestry of lush jazz harmonies and emotional depth. 11620665 SATB divisi. . . . . . . MA 2.65 Music—Carole King/arr. Mac Huff. Carole King's timeless song delivers a positive message of hope through the power of music. With a jazz-waltz feel, this arrangement incorporates scat singing, tight harmonies, and upbeat energy throughout. 11620666 SATB . . . . . . . . . . . ME 2.50 11620667 SAB . . . . . . . . . . . . ME 2.50 11620668 SSA . . . . . . . . . . . . ME 2.50 Great Selection "Great selection, love the audio and visual previews." —Sonia

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