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2025-26 Editors' Choice New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
Vocal Jazz
Finding the Sunshine—Jim Papoulis.
Bright and sunny, this original piece has easy
vocal jazz flourishes and an even-keeled
beat. Mostly in unison, it has a few places of
simple harmony to add to the texture, all of
which are easily learned, leading to success
for young harmony singers.
11568954 Unison/Two-Part . . ME 2.50
Fly Me to the Moon (In Other Words)—arr.
Roger Emerson. Written back in 1954, this
famous song has become a part of the Great
American Songbook, with Frank Sinatra's
1964 version becoming the standard. This
accessible arrangement brings plenty of
unison, well-placed harmonies, and a section
of choral scat that your singers will really
enjoy learning and performing.
11341723 Three-Part Mixed . . ME 2.75
11341722 Two-Part. . . . . . . . . ME 2.85
11500441 TB . . . . . . . . . . . . . . ME 2.75
For Eldon—Lizzi Trumbore/arr. Liz
Townsend. The opening track of Lizzi
Trumbore's album Lifelines, this emotional
selection recalls a carefree childhood and
warm memories of a loved one. Set for a
vocal jazz ensemble and a jazz trio, it also
works beautifully with just voices and piano.
11617154 SATB . . . . . . . . . . . MA 3.55
From the Start—Laufey & Spencer
Stewart/arr. Michele Weir. Icelandic singer-
songwriter Laufey is known for fusing jazz
with modern pop sensibilities. Here's her
breakthrough bossa nova arranged with
tight harmonies, a unison scat feature, and
several optional solos. You'll also want to
check out her original recording to study the
smooth vocal style. Your singers will really
enjoy this appealing blend of styles!
11565991 SATB . . . . . . . . . . . ME 2.35
11565992 SSA . . . . . . . . . . . . ME 2.35
11565993 P/A CD . . . . . . . . . . . . . .29.99
11565995 Instrumental Parts . . . . .15.00
From the Start—Laufey & Spencer
Stewart/arr. Roger Emerson. Icelandic
pop singer-songwriter Laufey penned
this dreamy, jazz-infused ballad complete
with playful bossa nova rhythms and
melancholic lyricism. Feature a soloist or a
section to open the arrangement, then close
jazz harmonies and a notated scat section
showcase the whole ensemble.
11616136 SATB . . . . . . . . . . . ME 2.90
11616142 SAB . . . . . . . . . . . . ME 2.90
11616138 SSAA . . . . . . . . . . . ME 2.90
11625938E Instrumental Parts . . . . .35.00
Give Me Some Rhythm!—Greg Gilpin.
No notes are sung in this original written
for four-part voices! Instead, speech
teaches rhythm, dynamics, style,
choral energy, and can even introduce
choreography or simple movement. The
vocal parts can be a mix of voices or even
pared down to fewer parts if needed.
Unique and filled with learning fun!
11560300 Four-Part . . . . . . . . ME 2.35
Home Sweet Home—Henry R. Bishop/
arr. John Maclane Schirard. Nostalgic
and heartfelt, this arrangement of the
classic tune captures the warmth and
comfort of returning to the most cherished
place - home. Its gentle melodies, warm
harmonies, and poignant lyrics make it
ideal for graduation, year-end concerts, or
any time of year.
11611330 SATB . . . . . . . . . . . . .M 2.15
I Can't Believe That You're in Love
With Me—Jimmy McHugh/arr. Kirby
Shaw. Recorded by great artists such
as Billie Holiday, Louis Armstrong, and
Ella Fitzgerald, this 1926 standard has
proven itself to be a timeless classic. This
arrangement's silky-smooth harmonies,
conservative ranges, playful rhythms,
and limited instrumentation are just a few
reasons why your ensemble will enjoy this
accessible setting.
11607183 SATB . . . . . . . . . . . . .M 2.50
11607182 SAB . . . . . . . . . . . . . .M 2.50
11607184 SSA . . . . . . . . . . . . . .M 2.50
11624899E Instrumental Parts . . . . .32.20
I Like to Sing (Scat)—Teresa Jennings/
arr. Paul Jennings. A celebration of singing,
this jazzy partner song is easy to learn and
fun to perform, combining a verse of lyrics
with a verse of scat. Use the scat syllables
as published or let your students improvise;
sing it a cappella, with piano, or with the
awesome big band track (sold separately).
11619898 Two-Part. . . . . . . . . ME 2.30
11619899 P/A CD . . . . . . . . . . . . . .21.95
I'm Sitting on Top of the World—Ray
Henderson/arr. Tripp Carter. Full of
energy and sophistication, this popular
1920s tune is given a vibrant a cappella
treatment. Featuring playful scat syllables,
tight harmonies, a swinging groove, and
an earworm of a bass line, this is a show-
stopping choice for vocal jazz ensembles
or any choir looking to add some jazz to
their program.
11611349 SATB . . . . . . . . . . . . .M 2.25
It's All Right (from "Soul")—Curtis
Mayfield/arr. Robert T. Gibson. Jon
Batiste's cover of the 1963 Impressions
hit in Disney/Pixar's "Soul" brings this
early Curtis Mayfield song to a whole new
generation. Built on a soulful groove, jazzy
twists, and a feel-good vibe, this choral
arrangement is based on the Batiste
version from the film. Accessible to choirs
of all ages in a variety of voicings, it's sure
to be a hit at your next concert!
11347551 SATB . . . . . . . . . . . ME 2.25
11347552 SAB . . . . . . . . . . . . ME 2.25
11347553 Two-Part or SSA . . ME 2.25
11347554 P/A CD . . . . . . . . . . . . . .29.99
It's You I Like (from "Mister Rogers'
Neighborhood")—Fred Rogers/arr.
David von Kampen. Fred Rogers' sincere
message of gratitude and appreciation is
captured in this lush and timeless concert
jazz arrangement crafted for the Oakwood
Aeolians. With an optional trumpet feature,
this otherwise a cappella setting is sure to
be an emotional and musical statement in
any concert program.
11620651 SATB . . . . . . . . . . . MA 2.85
Let Beauty Awake—Andy Beck. There's
beauty all around in this lighthearted
original jazz waltz. A tuneful melodic
hook, chromatic counterlines, and colorful
harmonies celebrate the many joys found
in nature. An optional flute flutters above,
adding to the bright, breezy vibe.
11613277 SATB . . . . . . . . . . . ME 2.30
11613278 SAB . . . . . . . . . . . . ME 2.30
11613279 Two-Part. . . . . . . . . ME 2.30
11613280 P/A CD . . . . . . . . . . . . . .29.99
Linus and Lucy—Vince Guaraldi/arr.
Philip Kern. This is amazingly cool! It's the
famous jazz piano piece by Vince Guaraldi,
as heard on the animated Peanuts
television specials, arranged with "dah dah
dot" syllables for a cappella voices! Every
a cappella choir will want to do this, at
Christmas or any other time of year!
10088509 SATB . . . . . . . . . . . . .M 2.75
10363400 SSAB . . . . . . . . . . . . .M 2.50
10363401 SSAA . . . . . . . . . . . . .M 2.75
10363402 TTBB . . . . . . . . . . . . .M 2.50
Little Bitty Pretty One—Robert Byrd/arr.
Kirby Shaw. You'll love singing this upbeat,
swing-style choral arrangement of one of
the best-loved songs of the '50s. Perfect for
show choirs or pop concerts, this is sure to
be a hit for mixed or tenor-bass choirs alike.
Add the combo parts or use the track for a
more authentic sound!
11560301 Three-Part Mixed . . ME 2.50
11560302 TTB. . . . . . . . . . . . . ME 2.50
11562777E Instrumental Parts . . . . .56.40
Look for the Silver Lining—Jerome Kern/
arr. Greg Jasperse. If you are looking
for a song with lyrics that sparkle and a
melody that never leads where you think
it should, this wonderful arrangement of a
jazz standard is perfect for you and your
advanced jazz choir.
11513682 SATB . . . . . . . . . . . MA 2.15
11604446E Instrumental Parts . . . . .24.20
Manhattan—Richard Rodgers/arr. Lisa
Benincasa. A fresh, accessible take on the
Rodgers and Hart classic, this arrangement
captures the charm and nostalgia of the
original while making it approachable for
choirs of all levels. With a smooth swing
style and playful lyrics, this is a fun choice
for choirs looking to add some vocal jazz to
their program.
11611392 SAB . . . . . . . . . . . . ME 2.15
Moon River (from "Breakfast at
Tiffany's")—Henry Mancini/arr. David von
Kampen. Winning an Academy Award for
Best Original Song as well as Grammys for
Song of the Year and Record of the Year,
this has become a timeless classic since
its appearance in the 1962 film "Breakfast
at Tiffany's." Crafted for the Oakwood
Aeolians, this concert arrangement is a
rich tapestry of lush jazz harmonies and
emotional depth.
11620665 SATB divisi. . . . . . . MA 2.65
Music—Carole King/arr. Mac Huff. Carole
King's timeless song delivers a positive
message of hope through the power
of music. With a jazz-waltz feel, this
arrangement incorporates scat singing, tight
harmonies, and upbeat energy throughout.
11620666 SATB . . . . . . . . . . . ME 2.50
11620667 SAB . . . . . . . . . . . . ME 2.50
11620668 SSA . . . . . . . . . . . . ME 2.50
Great Selection
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previews." —Sonia