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How Can We Say Goodbye?—
Sherry Blevins. Honoring the impact that others
can have on our lives, this original work is an
ideal choice for final concerts, graduations, or
moving-on ceremonies. The sentimental lyrics
are set with a memorable melody and accessible
lines that culminate in a short gospel-style bridge
along with a supportive piano accompaniment.
11617160 SSAB . . . . . . . . . . . . . . . ME 3.30
If I Can Stop One Heart from
Breaking—Michael John Trotta.
Beautifully set to music, this poignant text by
Emily Dickinson explores themes of compassion
and selflessness. Developmentally appropriate
ranges, thoughtful voice leading, and optional
divisi make this an accessible choice for
developing choirs while still maintaining a mature
feel that is musically satisfying to sing.
11616744 Three-Part Mixed . . . . . . ME 3.25
Is the Moon Tired?—
Bruce W. Tippette. Exploring the beauty and
wonder of the night sky, this enchanting setting
of Christina Rossetti's poem The Moon has
been perfectly crafted as a lyrical selection for
developing choirs. The harmonic textures vary
from call and response to slower sustained
harmonies, and the music flows with a sense of
celestial calm, capturing the quiet mystery of the
moon and stars.
11620350 Three-Part Mixed . . . . . . ME 3.15
It's Alright—Sherry Blevins.
Encourage your singers to spread their wings
and try to fly with this inspiring original work. The
lightly syncopated melody is easy to learn and
brings the meaningful text to life. Feature two
optional soloists in the slower middle section
before the catchy theme returns with an optional
a cappella statement that builds to a finale.
11611122 Three-Part Mixed . . . . . . ME 2.40
11611123 Two-Part . . . . . . . . . . . . . ME 2.40
Kaleidoscope—Pinkzebra.
Vibrant and upbeat, this original song pulses
with a driving groove and delivers a meaningful
message about how we are all shaping the world
around us like a kaleidoscope. This empowering
selection is an ideal choice for graduations, final
concerts, or any general programming.
11616758 SAB. . . . . . . . . . . . . . . . . ME 2.65
11616762 Two-Part . . . . . . . . . . . . . ME 2.65
11616760 SSA. . . . . . . . . . . . . . . . . ME 2.65
Let Peace Begin with Me—
Daniel Brinsmead. A warm accompaniment and
legato vocal lines enhance this text that reminds
us to choose peace and goodwill over doubt
and despair. Showcasing a variety of harmonic
colors, subtle tempo changes, and an optional
flute and/or cello part, this artful song opens and
closes with a nod to J.S. Bach.
11604553 Two-Part or S(S)A . . . . . ME 2.20
Little River—Lisa Longe.
In this simply sweet original, delicate vocal lines
flow in and out of unison, creating satisfying,
easy-to-learn harmonies. A supportive piano
part lies beautifully in the hands, and expressive
dynamics highlight the ebb and flow of the river,
a metaphor for carving your pathway in life.
11613737 Three-Part Mixed . . . . . . . . E 2.30
Love Never Leaves—Jacob Narverud.
Heartfelt and memorable, this beautiful original
work about remembering a loved one is both
hopeful and poignant. Written in a popular song
style, the lyrical melody begins in unison and
eventually blossoms into full harmony as the
wistful music-box-like piano accompaniment
gradually builds into a rhythmic heartbeat
underneath the choir.
11606110 Two-Part or SA. . . . . . . . ME 2.75
Moonlight—Mark Burrows.
Emily Brontë's evocative poetry absolutely
shimmers in this serene setting. Elegant vocal
lines are paired with lush harmonies and
expressive nuances, all of which mirror the
tranquil beauty and solitude of nighttime. Perform
with piano alone, or add the artful cello obbligato.
11613287 SATB w/ opt. Cello . . . . . ME 2.30
11613288 SSA w/ opt. Cello . . . . . . ME 2.30
Not Yet—Christi Jones.
Encouraging a growth mindset, this catchy
original encourages singers to embrace
challenges, view mistakes as opportunities, and
persist in the face of setbacks. With its uplifting
message, approachable melodies, and modern
piano accompaniment, this selection is both
relevant and accessible to developing choirs.
11609589 SA . . . . . . . . . . . . . . . . . . ME 2.30
11609590 TB . . . . . . . . . . . . . . . . . . ME 2.30
O Lux Beatissima—Mark Burrows.
Translated as "O blessed light, fill the hearts of all
people. In work, rest; in stress, relief; in sorrow,
comfort," this Latin text is featured in a gorgeous
choral setting. Opportunities for teaching
breathing, phrasing, pure vowels, and dynamics
abound in this elegant work for choirs of all ages.
11620867 Three-Part Mixed or SAB ME 2.50
Rain Music—Victor C. Johnson.
This forward-moving, rhythmically driven musical
setting enhances the dramatic image-laden text
of Kentucky-born poet and playwright Joseph S.
Cotter, Jr. Shifting mixed meter is very effective
in giving this selection a dance-like quality, while
close harmonies, changes in vocal textures, and
optional rain stick and djembe parts add to the
excitement.
11616654 SAB w/ opt. Percussion . . .M 2.75
Red Velvet—Coty Raven Morris/
arr. Saleel Menon. Exploring themes of self-
discovery and empowerment as reactions to
imposter syndrome, this comedic and thought-
provoking concert selection embraces theatrics
and leans fully into the drama of the poetry, all in
an easily digestible and delicious package!
11611597 SSA. . . . . . . . . . . . . . . . . ME 2.50
Roses I Give to You—Laura Farnell.
Perfect for tenor-bass choirs of all ages, this
sentimental ballad creatively combines two
rose poems from George Winkler and Walter
de la Mare. Thoughtful ranges and cued notes
paired with lyrical vocal writing and a lovely
accompaniment for piano and optional cello
make this piece accessible and beautiful.
11607880 TTB opt. Cello . . . . . . . . ME 2.90
Run from the Silence—Roger Emerson.
Inspired by the stop-motion film "Gruff," this song
of reflection uses thought-provoking lyrics and
heartwarming harmonies to share the message
of the movie. In the words of the director, Julian
Curi: "Through this short film, I hope all of us can
learn to empathize, connect, and more deeply
love those who have so much more to say than
we think, and just need us to listen."
11602731 SATB . . . . . . . . . . . . . . . ME 2.35
11602732 SAB. . . . . . . . . . . . . . . . . ME 2.35
Salaam, Shalom (We Sing for
Peace)—Mark Burrows. Woven together
like a rich cultural tapestry, each of this song's
two melodies draws from scales found in both
traditional Arabic music and Hebrew prayer.
An optional solo violin weaves its own thread
of longing and hope. "A hand reaching out, a
heart reaching out, a song that will never cease.
Salaam, shalom, we sing for peace."
11620869 Two-Part or SA
w/ opt. Violin . . . . . . . . . . . . E 2.30
Sing Loud—Garrett Breeze.
Upbeat and empowering, this pop-style original is
a statement of confidence and joy. Full of catchy
hooks, this selection can be accompanied by
piano alone, with optional rhythm section, or with
the high-energy accompaniment track. A sure hit
with choirs of all ages!
11392793 SAB. . . . . . . . . . . . . . . . . ME 2.50
11392796 Two-Part . . . . . . . . . . . . . ME 2.50
11392794 SSA. . . . . . . . . . . . . . . . . ME 2.50
11392795 TTB . . . . . . . . . . . . . . . . . ME 2.50
Songs for the People—Jacob Narverud.
Here's another exciting and rhythmic concert
selection from the composer of Sisi ni Moja
and Ad Astra. It features an empowering text
from activist and poet Frances E.W. Harper that
speaks of the power of music to bring people
together to overcome many of the challenges in
our world. The singable melodies are written in a
popular-song style that is sure to appeal!
11606111 SATB . . . . . . . . . . . . . . . ME 2.75
11576487 Three-Part Mixed or SAB ME 2.75
11606114 SSA. . . . . . . . . . . . . . . . . ME 2.75
Songs of Farewell—Jordan Ricks.
Written with developing tenor-bass choirs
in mind, this evocative a cappella work has
appropriate ranges and predictable voice
leading. Comprising three movements, each with
its own emotional landscape, this work explores
themes of parting, reflection, and adventure.
11609602 TB . . . . . . . . . . . . . . . . . . . . E 2.95
Songs of Salt and Steel
(The Ocean; The Longshoremen)—
Tim Winebrenner. Two short contrasting pieces
on themes of the sea comprise an engaging
set of concert or festival pieces for tenor-bass
voices. The Ocean is slower and lyrical, with
beautiful layered harmonies and a text by
Nathaniel Hawthorne. The Longshoremen offers
an upbeat, catchy melody and rhythmic lines.
Together they capture the spirit of adventure and
resilience.
11611444 TTB . . . . . . . . . . . . . . . . . ME 2.25
Together—Bethany Main.
With its warm and accessible melody, this
heartfelt original pop-style ballad reminds us
that life's journey is not meant to be traveled
alone. Inspired by the profound words of Ram
Dass, "We're all just walking each other home,"
it's an ideal choice for any choir for graduations,
ceremonies, or any concert occasion where unity
and hope take center stage.
11617213 SATB . . . . . . . . . . . . . . . ME 2.95
11617215 Two-Part . . . . . . . . . . . . . ME 2.95
Two-part A Cappella Canons for Treble
Choir—arr. Mary Jane Phillips.
Variety, versatility, and accessibility abound in
this set of six canons from German, Australian,
British, and American folk songs and composers.
Perfect for teaching part independence and
vocal skills, these rounds include Latin and
Italian texts, tips for teaching, and the option to
transpose as needed.
11609610 Two-Part . . . . . . . . . . . . . . . E 3.50
We Will Be the Change—
Victor C. Johnson. Buoyed by messages
of unity and hope, this uplifting choral work
encourages singers and audiences alike to
stand up, reach out, and make a difference.
With expressive melodic lines, rich harmonies,
powerful accompaniment, and opportunities
for soloists, it's a perfect choice for developing
choirs in any concert occasion.
11620390 SAB. . . . . . . . . . . . . . . . . ME 3.15
11620391 SA or SSA . . . . . . . . . . . ME 3.15
