Secular Concert
Love Never Leaves—Jacob Narverud.
Heartfelt and memorable, this beautiful
original work about remembering a
loved one is both hopeful and poignant.
Written in a popular song style, the lyrical
melody begins in unison and eventually
blossoms into full harmony as the wistful
music-box-like piano accompaniment
gradually builds into a rhythmic heartbeat
underneath the choir.
11578682 SSATBB . . . . . . . . . ME 2.75
11606110 Two-Part or SA . . . . ME 2.75
11561254 SSA or SSAA . . . . . ME 2.75
Love Will Remain—Mark Burrows.
Offering an opportunity for profound
emotional connection through music, this
selection with poignant poetry and heartfelt
writing offers comfort in times of grief and
sorrow. Expressive harmonies, a soaring
melody, and a gentle unfolding of musical
ideas send a message of empathy that
words alone cannot express.
11620323 SATB. . . . . . . . . . . . ME 3.15
Loveliest of Trees—arr. Douglas E.
Wagner. With references to a cherry tree
throughout the seasons, this setting of a
poignant text by A.E. Housman captures
the emotional depth of the poetry with
sensitivity and grace. The melody is a
minor-key setting of the beloved English
folk tune O Waly, Waly (The Water Is Wide).
The evocative accompaniment, enhanced
by optional violin or flute, adds layers of
color and atmosphere.
11620325 SATB. . . . . . . . . . . . ME 2.75
11620326 SSA . . . . . . . . . . . . . ME 2.75
Lovely Chance—Jacob Narverud.
Accompanied by a vibrant piano and
optional hand drum, a driving echoed
verse bursts into a dancelike mixed-
meter refrain, brilliantly capturing the
nature of Sara Teasdale's vivid poetry.
The contrasting B section takes a more
contemplative approach, gradually
growing to a recapitulation of the spirited
main chorus.
11613282 SATB. . . . . . . . . . . . . .M 2.50
The Lovely Valley—Tim Winebrenner.
Delicate and lyrical, this setting of an
adaptation of Joseph Horatio Chant's
Buttercups and Daises text poignantly
captures the beauty of nature. Tender
harmonies and vivid imagery paint a serene
picture of growth and resilience, making it
a perfect addition to spring concerts or
performances at any time of year.
11611479 SA or Two-Part . . . . ME 2.15
Lunar Lullaby—Jacob Narverud. Beautiful,
lush choral harmonies, soaring melodies,
and a supportive piano accompaniment that
offers constant motion and contrast to the
choral parts set off an imaginative text that
tells of the "celestial child" in the stars. This
accessible and beautifully crafted piece will
be a superb addition to any choral library. A
choral classic!
10795103 SATB. . . . . . . . . . . . ME 2.80
11510129 Unison . . . . . . . . . . . ME 2.40
10535552 SA . . . . . . . . . . . . . . ME 2.40
10984591 TTBB . . . . . . . . . . . . ME 2.15
Made for This—Mark Hayes. Upbeat and
uplifting, this empowering anthem pairs
Natasha Ria El-Scari's affirming lyrics with
shimmering harmonies and syncopated
pop rhythms. Its accessible part writing and
contemporary style make it an excellent
choice for choirs seeking a modern,
inspiring selection. It's an ideal choice for
graduations, year-end concerts, or any
other celebratory occasion.
11620363 SATB or SSATB . . . ME 3.15
11620364 SSAA. . . . . . . . . . . . ME 3.15
The Magic of Music (We Are One in
Song)—Rollo Dilworth. Perfect for concerts
at any time of year, this original work
celebrates the unifying magic of music.
With empowering gospel harmonies and
lyrics inspired by young choir members,
this works perfectly as an opener or closer!
11624839 SATB. . . . . . . . . . . . ME 2.75
The Magic of This Moment—Mark Hayes.
This spectacular original show opener
sounds like it's straight from the stages of
Broadway! With a full orchestration and
plenty of razzle-dazzle, this is the perfect
way to open any concert or show - during
the holidays or at any time of year.
11593371 SATB. . . . . . . . . . . . ME 2.95
The Mariner—Wayne Dauer. Designed
with developing singers in mind, this
nautical adventure is anchored by a hearty
imaginative text and a rhythmic pulse that
drives like the ocean's current. A sturdy
piano accompaniment sets the scene of
scowling winds, pounding waves, and life
at sea in this mighty maritime adventure.
11613285 Two-Part . . . . . . . . . ME 2.30
11613284 TB . . . . . . . . . . . . . . ME 2.30
Masterpiece—Ayrian Norman/arr. Bryan
Sable. "How beautiful you shine, the
melodies that you design, a masterpiece."
This uplifting original ballad celebrates each
of our unique characteristics and gifts. With
flowing melodies and a mature nostalgic
quality, your treble choir will relish singing
these meaningful lyrics.
11593358 SSA . . . . . . . . . . . . . ME 2.95
The May Night (Die Mainacht)—Johannes
Brahms/arr. Douglas E. Wagner. Arranged
and adapted with English and German text,
this setting of the enchanting German lied
is harmonized in the style of Brahms. Add
the optional F horn for an additional layer of
musicality that pairs beautifully with the tone
of the piece.
11593372 SATB. . . . . . . . . . . . ME 2.75
May the Road Rise to Meet You—Gerald
Gurss. A serene a cappella setting of the
beloved Irish blessing, this short work
offers a deeply moving interpretation of this
timeless sentiment. With its flowing melody
and rich harmonies, it's a perfect way to
close a concert, ceremony, or service.
11620401 SATB. . . . . . . . . . . . ME 2.15
11620402 TTBB . . . . . . . . . . . . ME 2.15
May You Love and Be Loved—Greg
Gilpin. With text inspired by L. Frank Baum,
author of The Wonderful Wizard of Oz, this
original work is perfect for wishing others
well at graduations or final concerts. The
enchanting melody begins with an optional
solo and later develops into lush harmonies
and a climactic ending, supporting the
journey of the inspiring lyrics.
11611093 SATB. . . . . . . . . . . . ME 2.50
11611671 SAB . . . . . . . . . . . . . ME 2.50
11611673 Two-Part opt. SSA . ME 2.50
Measure Me, Sky!—Elaine Hagenberg.
Leonora Speyer's inspirational poem
encourages singers to take hold of their
limitless potential. Ascending vocal lines
stretch across a driving accompaniment
as if reaching out to grasp the expanse
depicted in the lyrics. Building through key
changes and motives, it arrives at its final
brilliant chord, reflecting "Loveliness, wings
for my flight"! A thrilling concert work for
more advanced choirs.
11416229 SATB. . . . . . . . . . . . MA 3.25
11504354 SSAA. . . . . . . . . . . . MA 3.25
Measure Me, Sky!—Jonathan Reid.
Floating melodic lines and resonant
harmonies combine, lending an ethereal
quality to this artistic piece that allows the
imagination to soar. Leonora Speyer's
evocative text explores our relationship
to the universe, and the musical setting
provides delicious cluster harmonies
supported by undulating triplets in the piano
accompaniment to create a sense of motion
and mystique.
11314185 SATB divisi . . . . . . . . .M 2.30
11539967 TTBB . . . . . . . . . . . . . .M 2.75
Mollie Beth—Earlene Rentz. Here's a
Celtic-style original crafted with developing
tenor-bass choirs in mind! Conservative
ranges, a lilting 6/8 time signature, a
catchy "too-ra-lee-ay" refrain, and just the
right amount of repetition make this fun
for changing and changed voices. Add
the optional C-instrument obbligato which
heightens the British Isles appeal.
11611133 TB . . . . . . . . . . . . . . ME 2.30
11613325 P/A CD-Pianotrax 17 . 54.99
The Moon—Andy Beck. Written especially
for two-part choirs, this inquisitive piece
features lyrical unisons, echo singing, and
sensible duet harmonies. A haunting piano
motive represents the moon throughout
as the childlike text ignites your choir's
collective imagination. "O moon, shining in
the night... come again tomorrow night..."
10047188 Two-Part . . . . . . . . . . . E 2.05
Moonglow—Kim Noller. A celestial tribute
to the beauty and reassurance of the
moon's light, this selection features poetic
lyrics and a serene melody that evokes
the wonder of the night sky. Accessible
to young voices, the vocal lines are easily
sung, and the harmony is optional.
11611396 Unison/Two-Part. . . ME 2.15
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Compelling and Timely!
Shelter Me
A Rock Oratorio
Jacob Ryan Smith.
More than just music, this
major work, inspired by real
conversations with members
of the Dallas Street Choir, is
a call to empathy, action, and
understanding. Structured in the
tradition of an oratorio, this work
blends the storytelling power of
soloists, chorus, and instruments
with the raw energy and
emotional depth of rock music.
Through driving rhythms, lush
melodies, and honest, unfiltered
lyrics, it amplifies the voices
of our unhoused neighbors,
weaving their stories into a
compelling musical narrative.
This work challenges us all to
see, feel, and respond - not
as distant observers, but as
engaged members of a shared
human experience. May this
music spark deeper connections
and ignite conversations
that lead to lasting change.
#HomelessNotVoiceless
11621973 SATB Choral
Score . . . . . . . M 16.95
