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Secular Concert
Rain Music—Victor C. Johnson. This
forward-moving, rhythmically driven
musical setting enhances the dramatic
image-laden text of Kentucky-born poet
and playwright Joseph S. Cotter, Jr.
Shifting mixed meter is very effective in
giving this selection a dance-like quality,
while close harmonies, changes in vocal
textures, and optional rain stick and
djembe parts add to the excitement.
10810613 SATB. . . . . . . . . . . . . .M 3.40
11616654 SAB . . . . . . . . . . . . . . .M 2.75
10736776 TTBB . . . . . . . . . . . . . .M 3.40
10882885 P/A CD . . . . . . . . . . . . 26.95
Rain, Rain!—Daniel Brinsmead. With
an original rainy-day text, this engaging
treble piece is oh so fun to perform and
definitely worth the challenge. Sound
effects, body percussion, and varied
rhythmic articulations imitate a rainstorm
and will keep your singers on their toes
while enchanting the audience. Unique
and exciting!
11564428 SSAA. . . . . . . . . . . . . .M 2.70
Rainbow Gold—Margaret Bonds/ed. John
Michael Cooper. Published here for the first
time, Bonds's choral adaptation of a solo
art song has been newly edited to make
it accessible to choirs. It features Roger
Chaney's text that speaks of good deeds
abounding and a hope that society will
eventually view all members with equality.
The musical idiom is a hybrid of styles that
includes popular and jazz elements along
with traditional harmonies.
11618196 SATB. . . . . . . . . . . . . .M 3.40
Reach Out With Love—Jeannine Lasky
& Masa Fukuda. With a message of
inclusion, this song reminds children to
reach out and lift others up. Opportunities
for solo, unison singing, or optional
two-part harmony make this compelling
number fit for elementary, middle school
or community choirs.
11593825 Unison/Two-Part. . . ME 3.50
Red Velvet—Coty Raven Morris/arr. Saleel
Menon. Exploring themes of self-discovery
and empowerment as reactions to imposter
syndrome, this comedic and thought-
provoking concert selection embraces
theatrics and leans fully into the drama of
the poetry, all in an easily digestible and
delicious package! Beyond its humor, it can
spark meaningful discussions that will add
layers of depth to its lighthearted surface.
11611597 SSA . . . . . . . . . . . . . ME 2.50
A Red, Red Rose—Victor C. Johnson.
Robert Burns' oft-set text is given a fresh,
heartfelt take in this beautiful setting
for mixed voices. Lush harmonies and
sweeping melodic lines capture the timeless
beauty of the well-known Scottish poem,
deepening the themes of love and devotion.
11616565 Three-Part Mixed . . . .M 2.30
Return Again—Thomas LaVoy. A
hauntingly beautiful setting of a poem
by Walter de la Mare, this work builds
into a powerful yearning for the return
of one's childhood dreams. Understated
harmonies are supported by an
expressive piano accompaniment, making
this artistic selection incredibly touching
and effective.
11572456 SATB. . . . . . . . . . . . . .M 2.75
The Rhythm of the Drum—Bryan Sharpe.
Driving and rhythmic, this original work is
full of dynamic contrast, carefully placed
articulations, and an infectious groove.
Choir and percussion dance and weave
together in this creative and unique concert
piece that your singers will love!
11593374 SATB. . . . . . . . . . . . ME 2.95
Rise Up and Awake—Jeannine Lasky &
Masa Fukuda. A call to show thanks for
what we have by giving back and paying
it forward, this upbeat song features an
optional soloist, empowering harmonies,
and an inspiring message. Unison singing
and flexible voicing make this a perfect
selection for young singers at any skill level.
11593821 Unison/Two-Part. . . ME 3.50
Rise Up!—Jamey Ray. An empowering
anthem, this original selection inspires
strength and resilience with uplifting
lyrics and driving rhythms. A memorable
melody, powerful harmonies, and an
infectious groove make this dynamic
piece not only fun to sing but impactful to
all who sing and hear it.
11611415 SATB. . . . . . . . . . . . ME 2.50
The River—Susan LaBarr. With a sense
of fluidity and freedom, this original work
feels like a folk song that's existed forever.
Flexibly accompanied by piano alone or any
combination of bluegrass instruments that
fit your ensemble, the easygoing melody is
a perfect pairing with Bill Cairns' text about
life's journeys, opportunities, and growth.
11372829 TTBB . . . . . . . . . . . . . .M 3.10
The River—Ryan Main. Flowing.
Reflective. Timeless. Like the ever-moving
waters it portrays, this lyrical choral work set
to Caroline Anne Bowles' evocative poetry
carries listeners on a journey through life's
stages. Painting the text with melody lines
and accompanying figures that mimic the
progression of the river, the piece moves
through playful innocence, steady resolve,
and the swift pull of the unknown.
11617221 SATB. . . . . . . . . . . . ME 2.95
Riversong—Andy Beck. "River, run me
to the ocean. River, take me to the sea.
River, show me to a distant shore. River,
run! Set my spirit free..." Fluid vocal lines
glide effortlessly over a shimmering piano
accompaniment in this nature-inspired
contemporary choral. Musical quotes from
familiar "river" songs are a noteworthy
surprise at the end. An extraordinary piece!
10089275 SATB. . . . . . . . . . . . ME 2.05
10089277 SAB . . . . . . . . . . . . . ME 2.05
10352529 Two-Part . . . . . . . . . ME 2.05
10089278 SSA . . . . . . . . . . . . . ME 2.05
11594333 TTBB . . . . . . . . . . . . ME 2.30
10088250 P/A CD-Piano Trax #2 44.99
11613325 P/A CD-Pianotrax 17 . 54.99
The Road Home—Stephen Paulus. A
perennial favorite with festival choirs, this
exceptional work has become a standard in
the repertoire.
8069226 SATB. . . . . . . . . . . . . .M 2.25
10055133 SSAA. . . . . . . . . . . . . .M 2.25
10318244 TTBB . . . . . . . . . . . . . .M 2.25
The Road Not Taken—Audrey Snyder.
Robert Frost's well-known poem tells how
a traveler, confronted with a fork in the
road, chooses the road less traveled. Soft
and expressive, it is a concert work that
communicates the feeling of contemplation
and discernment.
11427469 SATB. . . . . . . . . . . . ME 2.20
11616885E Instrumental Parts . . . 32.20
The Road Not Taken—Paul David
Thomas. Robert Frost's iconic poem
about life's journey as a series of choices
and diverging paths is set with energy
and musical momentum. Painting the text
with lyrical melodies and carefully chosen
unison and harmonic devices, this original
work offers opportunities for expressive
phrasing and musicality. An ideal choice
for fall concerts, graduations, or any
concert occasion.
11611604 TB . . . . . . . . . . . . . . ME 2.30
The Road To Freedom—Teresa Jennings.
Perfect for any age, this original gospel
rock tune speaks to the universal desire
for freedom. Perform it as a three-part
treble number with solo, as a two-part
feature, or as a unison piece. A moving and
memorable selection!
11597302 Unison/Two-Part . . ME 2.30
11597303 P/A CD . . . . . . . . . . . . 21.95
The Rose—Ola Gjeilo. Christina's
Rossetti's mysterious poem is wrapped in
a soundscape of smoothly soaring vocal
lines that are supported with an undulating
piano accompaniment and optional string
quartet. Though this piece is featured on
Gjeilo's Winter Songs album, it possesses
a general text that is appropriate at any
time of year. Altos will especially enjoy the
setting as they carry the beautiful melodic
line through much of the piece. Gorgeous!
10850197 SATB. . . . . . . . . . . . ME 3.50
10994241 SA divisi, or SSA. . . ME 3.40
10850198 String Quartet SATB . 40.00
10994242 String Quartet SA . . . . 40.00
Roses I Give to You—Laura Farnell.
Perfect for tenor-bass choirs of all ages,
this sentimental ballad creatively combines
two rose poems from George Winkler and
Walter de la Mare. Thoughtful ranges and
cued notes paired with lyrical vocal writing
and a lovely accompaniment for piano and
optional cello make this piece accessible
and beautiful.
11607880 TTB opt. Cello. . . . . ME 2.90
Run from the Silence—Roger Emerson.
Inspired by the stop-motion film "Gruff," this
song of reflection uses thought-provoking
lyrics and heartwarming harmonies to share
the message of the movie. In the words of
the director, Julian Curi: "Through this short
film, I hope all of us can learn to empathize,
connect, and more deeply love those who
have so much more to say than we think,
and just need us to listen."
11602731 SATB. . . . . . . . . . . . ME 2.35
11602732 SAB . . . . . . . . . . . . . ME 2.35
Sail Away (with The Water Is Wide)—
Emily Crocker. Teaching moments abound
in this partner-style arrangement of the
beloved Scottish folk song paired with a
complementary original melody. Lyrical
and easily learned, it is also accompanied
by a gently flowing supportive piano part
that makes this ballad a lovely selection for
developing choirs.
11610163 Two-Part . . . . . . . . . . . E 2.50
