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Sacred Concert & Spirituals
Down by the Riverside—arr. Robert T.
Gibson. Your students will love singing
this traditional spiritual arranged in an
upbeat, gospel style! Call-and-response
singing, stacked vocal harmonies, and a
funky bridge make this piece oh so fun to
sing. Invite a bass player and drummer to
improvise along with the score, or use the
lively accompaniment track.
11393276 SATB. . . . . . . . . . . . ME 2.20
11393277 SAB . . . . . . . . . . . . . ME 2.20
11539377 Two-Part . . . . . . . . . ME 2.30
11393278 P/A CD . . . . . . . . . . . . 29.99
Down in the River to Pray—arr. Eric
Nelson. This popular traditional folk song
is combined with the spiritual Deep River
to create a deeply moving presentation.
The piece begins simply with a solo alto
line, then the texture builds slowly as
other parts join in. A change to a more
fluid piano part depicts moving water
supporting a verse of the spiritual before
returning to the opening material.
11538013 SATB. . . . . . . . . . . . . .M 2.85
Down to the River to Pray—arr. Debra
Morton. This arrangement for emerging
treble choirs beautifully blends unison, two-
part, and three-part singing and has a brief
optional solo opportunity. The harmonic
language lends itself to ease of learning
and joy in performing, making this piece a
wonderful choice for festivals or concerts.
11197777 SSA . . . . . . . . . . . . . ME 2.25
Dry Bones!—arr. Robert Jefferson. Perfect
for showcasing the strength and versatility
of more advanced choirs, this a cappella
arrangement of the traditional spiritual is a
rhythmic and energetic tour de force. This
powerful setting challenges singers with
its dynamic interplay, tight harmonies, and
driving rhythms, making it exciting and fun
to perform.
3184058 SATB. . . . . . . . . . . . MA 3.25
11611578 TTBB . . . . . . . . . . . . MA 2.50
Eja Mater (adapted from "Stabat
Mater")—Kim André Arnesen. Adapted
from the larger work "Stabat Mater," this
ethereal setting of the 13th-century Latin
text is available in two versions for mixed
choirs, either a cappella or with harp or
piano accompaniment and cello obbligato.
Soaring melodic lines and lush divisi
harmonies embrace the tender text with a
steady flowing feel throughout. The cello
part is available as a free download from
the publisher.
11621796 SSAATTBB w/ Harp or Piano
and Cello. . . . . . . . . . .M 3.25
11621797 SSAATTBB A Cappella
Version . . . . . . . . . . . .M 3.25
Elijah Rock—arr. Roger Emerson. When it
comes to writing exciting spiritual
arrangements for young and developing
voices, Roger Emerson really knows how
to do it right! Now, this incredibly popular
spiritual is available in a singable setting
that your singers are going to sound
great on. A very strong choice for any
performance occasion!
10605589 SATB SAT(B) . . . . . . . E 2.35
3115904 Three-Part Mixed . . . . E 2.20
3115912 Two-Part . . . . . . . . . . . E 2.10
Elijah Rock—arr. Greg Gilpin. Rhythmic
and exciting, this arrangement of a
favorite spiritual is ideal for developing
choirs as a concert or festival highlight.
Ostinato patterns and layered harmonies
make it easy to learn and to hold your
parts, and the smaller ranges are perfect
for younger voices. The piano part
supports the rhythmic groove and helps
bring energy and drive to the setting.
11618208 Three-Part Mixed . . ME 3.00
Elijah Rock—arr. Moses Hogan. Here's
a wonderful opportunity for your choir to
"pull out all the stops" as they recreate the
full depth and vitality of this magnificent
spiritual. Moses Hogan's unique and
exciting a cappella arrangement will
surely be a favorite with better choirs
everywhere, because it is so much
fun to rehearse and so impressive in
performance. Very rewarding!
1922947 SSAATTBB. . . . . . . . .M 2.15
Elijah Rock—arr. Tiffany Jackson &
Michael Yannette. Authentically based on
the arranger's early singing experiences,
this adaptation of the traditional spiritual
brings together a hybrid of styles,
including gospel, pop, and jazz. A hushed
introduction layers into an invigorating
gospel chorus bursting with soul. There's
plenty of room for improvisation for your
pianist and several soloists who can really
riff! Consider adding bass and drums to
further enhance the style.
11565981 SATB. . . . . . . . . . . . ME 2.40
11565982 SAB . . . . . . . . . . . . . ME 2.40
11565983 P/A CD . . . . . . . . . . . . 29.99
Elijah Rock—arr. Victor C. Johnson.
Possessing crisp a cappella harmonies
and cool syncopation in the vocal parts,
this work is a solid choice for developing
choirs in both concert and festival settings.
An original bridge augments the popular
traditional spiritual melody, and the echoing
harmony parts in the chorus add to the
rhythmic texture. A fresh arrangement of a
choral classic!
11202497 Three-Part Mixed . . ME 2.75
11202498 SSA . . . . . . . . . . . . . ME 2.75
Esto Les Digo—Kinley Lange. This a
cappella setting of Matthew 18 in Spanish
has attracted a lot of attention, and has
already seen considerable festival activity.
The English translation of the text is also
shown: "Where two or three are gathered
in My name, there will I be also."
3294848 SATB. . . . . . . . . . . . . .M 2.00
Ev'ry Time I Feel the Spirit—arr. William L.
Dawson. Another fabulous show piece
that Dawson has created out of this
timeless spiritual. It will take work but it's
a concert highlight!
566018 SATB. . . . . . . . . . . . . .M 2.25
4825618 SSA . . . . . . . . . . . . . . .M 2.25
6010912 TTBB . . . . . . . . . . . . . .M 2.95
Even When He Is Silent—Kim Andre
Arnesen. Commissioned by the St. Olaf
Festival in Trondheim, Norway, Even
When He Is Silent masterfully expresses
the sentiment of the text - hope in times
of despair. Beautifully melodic, with rich
harmonic texture, this is a stunning work for
better a cappella choirs! "I believe in the sun
even when it is not shining..."
10543959 SSAATTBB. . . . . . . . .M 3.00
10499591 SSAA. . . . . . . . . . . . . .M 3.40
10882573 TTBB . . . . . . . . . . . . . .M 3.40
Every Night When the Sun Goes In—
arr. Douglas E. Wagner. Two beloved
American melodies come together in
this upbeat partner song with lively piano
accompaniment and joyful vocal lines.
A charming option for singers new to
harmony, this arrangement of Every Night
When the Sun Goes In with Swing Low,
Sweet Chariot offers accessible writing with
just a touch of part-singing at the end.
11620333 Two-Part . . . . . . . . . . . E 2.75
Exsultate Justi—Emily Crocker.
Alternating between Latin and English text
from Psalm 32, this concert and festival
opener is designed especially for younger
voices. A strong rhythmic drive along with
layered harmonies and careful attention to
ranges and voice leading make it a perfect
choice for mixed or treble choirs.
11596558 Three-Part Mixed . . ME 2.50
11596556 Two-Part . . . . . . . . . ME 2.35
Exsultate Justi in Domino—Noah Reese.
Grandiose and exciting, this festive piece
has rhythmic energy in the vocal lines
coupled with an active yet supportive
piano accompaniment. With a variety of
accessible voicings, this piece is fitting
for choirs of all ages and ability levels in
schools, churches, and communities alike.
A word of caution, though: this melody will
get stuck in your head!
11559626 SA . . . . . . . . . . . . . . ME 2.15
11559624 TT . . . . . . . . . . . . . . ME 2.25
11559625 TBB or TTB. . . . . . . ME 2.30
Exultate Justi—Dan Davison. Utilizing a
classical style of composition, this piece
just might transport you back to the time of
Mozart! Full of educational opportunities,
the musical style and interpretation is
authentic sounding, and the Latin text,
generous doubling, and well-supported
choral parts make this an easily learned
concert or festival choice that is sure to
impress.
10871931 SA(T)B . . . . . . . . . . ME 2.50
11501621 SA . . . . . . . . . . . . . . ME 2.25
10990229 SSA . . . . . . . . . . . . . ME 2.50
11411102 TBB . . . . . . . . . . . . . ME 2.50
Festival Gloria—Craig Courtney. The
transcendent glory of the traditional Latin
text is treated with great sensitivity and
depth in this superb setting for capable
sanctuary, concert or festival choirs!
With sweeping vocal lines and masterful
harmonic layering, this work gives integral
musical material to each section of the
choir. This enthralling choral opus will
be a centerpiece of concerts or worship
experiences whenever it is performed.
10458758 SATB. . . . . . . . . . . . MA 2.75
10458759 SSAA. . . . . . . . . . . . MA 2.75
10458760 TTBB . . . . . . . . . . . . MA 2.75
Festival Sanctus—John Leavitt. A long-
time favorite on the festival circuit, this
dynamic, exciting, joyous selection
surpasses the ordinary! Syncopated
rhythms and changing meters, combined
with a sizzling piano part, make this a
uniquely rewarding work. Very accessible
for school and church choirs, it is a first-rate
choice for any performance situation!
1699032 SATB. . . . . . . . . . . . ME 2.05
10047611 SAB . . . . . . . . . . . . . ME 2.05
1959857 Two-Part . . . . . . . . . ME 2.05
10047612 SSA . . . . . . . . . . . . . ME 2.05
10047613 TTB . . . . . . . . . . . . . ME 2.25
10047615 P/A CD . . . . . . . . . . . . 27.99
10047616 Full Orchestration . . . . 40.00
Fly Away—Jonathan Reid. Jonathan Reid
offers a stunning new take on this southern
gospel text, opening layers of meaning and
a depth of comfort and hope that you might
not have realized were present all along.
Soaring lines and colorful piano writing
combine to create a heartfelt work that you
simply must hear. Commissioned by South
Carolina Music Educators Association,
this work is equally suitable in worship or
concert contexts.
11621074 SATB. . . . . . . . . . . . ME 2.75
Follow the Drinking Gourd—arr. Greg
Gilpin. Recognized for its connection to
the Underground Railroad by signaling the
direction north, this traditional spiritual offers
many teaching moments. This exciting
arrangement is rhythmic and well supported
by the piano accompaniment, and each
choral line has the opportunity to sing the
melody as well as independent harmony
lines and stacked ostinatos that create an
exciting texture.
11566091 SATB. . . . . . . . . . . . ME 2.30
11566092 Three-Part Mixed . . ME 2.30
11566093 Two-Part . . . . . . . . . ME 2.30
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