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Sacred Concert & Spirituals
Set Down, Servant!—arr. Jordan Ricks.
Designed to energize and inspire, this
arrangement of the well-known spiritual
features an upbeat tempo, rhythmic
vitality, and jazzy harmonies. Vocal lines
are accessible, and voice leading is
predictable, making this an ideal selection
for choirs venturing into two-part singing
for the first time.
11609596 Two-Part . . . . . . . . . ME 2.15
Set Me As a Seal—Rene Clausen. Quiet
and relatively short in duration, this
a cappella work is pensive and wonderfully
expressive. Often selected for performance
in contests and festivals, it has earned its
reputation as a 20th century choral classic.
1735687 SATB. . . . . . . . . . . . . .M 2.65
3031390 SSAA. . . . . . . . . . . . . .M 2.50
3095569 TTBB . . . . . . . . . . . . . .M 2.50
Shine on Me—arr. Rollo Dilworth. Once
the gospel swing gets started, it just
never lets up in this powerful selection
that is a dynamic musical statement for
today's choirs. Its 9/8 meter coupled
with an expressive, hopeful text is
compelling enough, but the bluesy piano
accompaniment and the generous use of
seventh chords make this a completely
irresistible choral feature.
3295344 SATB. . . . . . . . . . . . ME 2.35
3295345 SAB . . . . . . . . . . . . . ME 2.30
3295346 Two-Part . . . . . . . . . ME 2.25
3295343 SSA . . . . . . . . . . . . . ME 2.35
10092815 TBB . . . . . . . . . . . . . ME 2.35
3304107 P/A CD . . . . . . . . . . . . 26.99
3304108 Instrumental Parts . . . 25.00
Shout for Joy—Dan Davison. This
vigorous work based on Psalm 98 employs
alternating 3/4 and 6/8 meter with excellent
effect. The frequent changes of meter,
percussive quality of the accompaniment,
and nontraditional chord structure show
the influence of Spanish music on the
composer. The piece is short and quickly
learned, with lots of excitement to make it a
good opener.
10027666 SATB. . . . . . . . . . . . . .M 3.00
11593000 SA(T)B . . . . . . . . . . . .M 2.80
10568112 SSAA. . . . . . . . . . . . . .M 2.75
10027667 TTBB . . . . . . . . . . . . . .M 2.75
Shout Glory!—Byron Smith. Shout Glory
lives up to its name, with a rip-roarin'
accompaniment and highly energetic choral
writing! Whether your featured soloist sings
the notes as written, or has improvisational
skills, this highly energetic gospel original is
sure to thrill the listener!
8058092 SATB. . . . . . . . . . . . . .M 2.95
10996219 SAB . . . . . . . . . . . . . . .M 2.95
10317253 TTBB . . . . . . . . . . . . . .M 2.95
10544141 P/A CD . . . . . . . . . . . . 14.95
10040582 Rhythm Parts . . . . . . . 10.00
Sign Me Up (with "Roll, Jordan, Roll")—
Brandon A. Boyd. Here is an original
concert gospel work with a fierce piano
accompaniment that will bring excitement
and variety to your next performance.
Quoting the familiar spiritual Roll, Jordan,
Roll and with repeated percussive effects
in the empowering lyrics, this piece bridges
styles and context to create a variety of
educational opportunities along with a high
performance value. A great closer!
11368067 SATB. . . . . . . . . . . . . .M 3.35
11564982 SSA . . . . . . . . . . . . . . .M 3.50
11420557 TTBB . . . . . . . . . . . . . .M 2.95
Sing Me to Heaven—Daniel Gawthrop.
This sensitive work is so beautifully
ethereal it will take your breath away. "If you
would comfort me, sing me a lullaby. If you
would win my heart, sing me a love song."
Expansive while staying within the framework
of four-part harmony, it is a conductor's
choice for larger choral festivals and a superb
feature for chamber vocal ensembles.
1778844 SATB. . . . . . . . . . . . ME 2.25
3302085 SSAA. . . . . . . . . . . . ME 2.39
3057700 TTBB . . . . . . . . . . . . ME 2.39
Sinner Man—arr. Greg Gilpin. Fresh
contemporary harmonies, fun-to-
sing syncopations, and exhilarating
rhythmic energy abound in this creative
arrangement of the traditional spiritual that
really works for mixed choirs of all ages.
The energetic, vibrant mood is enhanced
by the spirited accompaniment, and a
section of clapping ostinatos helps build
the energy to the big ending.
11567010 SATB. . . . . . . . . . . . ME 3.25
11567011 Three-Part Mixed . . ME 3.25
Soon I Will Be Done—arr. Marques L. A.
Garrett. This beloved spiritual anticipating
life after death and seeing loved ones
on the other side is given a fresh, highly
stylized arrangement. Abounding in
energy and joy, this divisi choir setting
is truly an exceptional arrangement.
11389338 SATB divisi . . . . . . . MA 3.30
Soon We Will Be Done—arr. Kyle
Pederson. Building on the original text, this
adaptation of the classic spiritual invites the
listener to envision and commit to a better,
more just world - a world of inclusion,
radical kindness, compassion, love, and
grace - a world where we have the courage
to champion the inherent dignity and value
of all people, a world where we will be
done with all the ways we deny a person's
worth. Spoken word is incorporated
throughout, heightening the intensity of
the performance, and giving a sense of
immediacy to the challenge for the choir
and audience to work together for justice,
equity, and wholeness.
11197402 SATB. . . . . . . . . . . . . .M 3.20
11538077 TBB or TTBB . . . . . . .M 3.15
Soon Ah Will Be Done—arr. William L.
Dawson. Another in the series of authentic
African-American spirituals from the pen of
William Dawson, this remains consistently
popular year after year!
568717 SATB. . . . . . . . . . . . . .M 2.40
568626 TTBB . . . . . . . . . . . . . .M 2.40
Spirituals Medley—arr. Lon Beery. Your
choirs will love singing this arrangement of
Joshua Fit the Battle of Jericho; Standing
in the Need of Prayer and I Got Shoes.
Well-paced, this medley has a strong piano
accompaniment, accessible harmonies,
and a driving gospel style.
10990312 Three-Part Mixed . . ME 2.50
11609603 SSA . . . . . . . . . . . . . ME 2.30
3701619 TTB . . . . . . . . . . . . . ME 2.50
Splendor (from "Illuminare")—Elaine
Hagenberg. The opening movement from
the larger work "Illuminare" set on Saint
Ambrose's Latin text radiates majestic
energy that heralds the arrival of Light and
a joyful "Gloriae" section. A brief contrasting
section of legato singing brings a peaceful
release before returning to the vibrant
momentum present in the opening. A
wonderful work that stands on its own as a
strong statement for mixed choirs.
11397312 SATB divisi . . . . . . . . .M 3.25
11411183 Chamber Orchestra
Score & Parts . . . . . . . 45.00
Standin' in the Need of Prayer (Ni Mimi,
Oh, Bwana)—arr. Stacey V. Gibbs. A
vibrant a cappella setting of the beloved
spiritual, this arrangement opens with a
short and expressive solo and quickly
breaks into a rhythmic groove featuring
lively African percussion and powerful vocal
harmonies. One Swahili phrase meaning
"It's me, O Lord" punctuates the piece,
including a soaring treble trio in the middle
and an optional closing descant.
11604577 SATB. . . . . . . . . . . . . .M 2.30
Steal Away—arr. Patrick Dupre Quigley.
This beautiful arrangement marries the
traditional African American spiritual melody
of Steal Away with a quasi-improvisational
ostinato accompaniment over a wonderfully
written solo/group part. Suitable for any
performance, this will be a wonderful addition
to your choral library and a great piece to
feature an outstanding soloist or small group.
10983657 SATB. . . . . . . . . . . . ME 3.40
Still I Rise—Rosephanye Powell. "Though
I have been wounded; aching heart, full
of pain, still I rise, yes, still I rise..." With
its spiritual-like style, this original choral
arrangement with solo speaks poignantly of
the struggles of African-American women.
Commissioned by the ensemble Vox
Femina, it is still attracting a lot of attention.
10873681 SATB. . . . . . . . . . . . . .M 3.95
3304157 SSAA. . . . . . . . . . . . . .M 3.35
The Storm Is Passing Over—Charles
Albert Tindley/arr. Barbara W. Baker. This
is a lot of fun! Even choirs with limited
experience singing gospel music will be
able to perform the syncopated and heavily
accented vocal parts with ease. The final
repeated chorus features stunning dynamic
contrasts, hand claps and a dramatic ritard
before the final ending. A very strong choice!
3093036 SATB. . . . . . . . . . . . ME 2.25
5467071 SSA . . . . . . . . . . . . . ME 2.15
The Storm Is Passing Over—Charles
Albert Tindley/arr. Adam Podd & Matt Podd.
Feel the rhythm, embrace the joy, and let
your spirits soar with this vibrant rendition of
a gospel standard. Perfect for both sacred
and secular occasions, this upbeat concert
gospel arrangement will infuse your choir
performance with infectious and uplifting
energy. From its punchy rhythms to its soul-
stirring harmonies, every note resonates
with a message of hope and resilience.
11569865 SATB. . . . . . . . . . . . ME 2.50
11596214 TTB or TTB(B) . . . . ME 2.50
11596217E Instrumental Parts
SATB. . . . . . . . . . . . . . . .15.00
11596218E Instrumental Parts
TTB(B) . . . . . . . . . . . . .15.00
Surge Illuminare—Michael John Trotta.
This luminous a cappella work has soaring
melodic lines, rich harmonies, and beautiful
text painting. The text is a Latin setting of
"Arise, shine...and the Glory of the Lord
is risen upon you," best known for its
setting in Handel's "Messiah." Shimmering
harmonies allow your choir to perfect their
blend and showcase their beautiful choral
tone in a stunning concert work.
11556296 SATB. . . . . . . . . . . . . .M 2.95
Sweet Rivers—Shawn Kirchner. Here is
a newly-created traditional song that pairs
an old hymn text with an original melody.
The banjo-like piano accompaniment gives
the music motion and excitement and the
result is a truly rousing arrangement that will
bring the house down. Perfect as a spirited
closing number.
10910965 SSATBB divisi. . . . . MA 2.75
Thank You
"Thank you, J.W. Pepper, for being there
for me and many other musicians. I use
choral selections, and "Editors' Choice" is
my favorite—the selections fit my searches
exactly. I look for catchy melodies, age-
appropriate language, and suitable vocal
challenges. The music is so well-organized
for all seasons of the year." –Victoria