98
2025-26 Editors' Choice New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
Sacred Concert & Spirituals
Voce Mea—Christi Jones. Based on a Latin
translation of Psalm 3:4, this song takes the
listener on a musical and emotional journey.
With a driving piano accompaniment
throughout, the first half of the song uses
a minor mode and dissonance to convey
a sense of despair, while the second half
features a peaceful major mode to depict
relief and joy.
11609611 SATB. . . . . . . . . . . . ME 2.30
11609612 SA or S(S)A . . . . . . ME 2.30
Wade in the Water—arr. Dan Davison.
Written specifically with young developing
choirs in mind, this exciting spiritual
arrangement features comfortable
vocal ranges and easy-to-learn two-part
harmonies. This rhythmic setting abounds
with solo opportunities for a variety of voice
types and presents outstanding teaching
opportunities for style and historical context.
Equally appropriate for the concert stage or
worship service.
11370912 SA(T)B . . . . . . . . . . ME 2.75
10990226 SA . . . . . . . . . . . . . . ME 2.50
10715332 TB . . . . . . . . . . . . . . ME 2.75
Wade in the Water—arr. Victor C.
Johnson. Powerful and compelling, this
arrangement of the traditional spiritual
begins with a dramatic opening that
gives way to a driving and rhythmic
feel. Carefully crafted syncopations,
energetic diction, and dynamic contrasts
shape the work's bold character and help
showcase expertly written vocals and
accompaniment.
11616699 Three-Part Mixed . . ME 2.50
Wade in the Water—arr. Jamey Ray. From
Voctave's arranger, this dynamic, modern
arrangement of the traditional spiritual offers
fresh harmonies and layered ostinatos in a
rhythmic a cappella setting. Designed for
more advanced divisi choirs, it offers an
exciting challenge that will captivate singers
and audiences alike.
11611494 SATB. . . . . . . . . . . . MA 2.50
Walk in Jerusalem—arr. Rollo Dilworth.
Combining the traditional spiritual I
Want To Be Ready, a powerful piano
accompaniment, and a gospel setting, this
arrangement allows the singers to really
dig in and sing with the full power of their
voices. Fun and energetic choral parts will
make this a favorite of your singers and
your audience!
3701424 SATB. . . . . . . . . . . . . .M 2.20
3701425 SSA . . . . . . . . . . . . . . .M 2.35
10734817 TTBB . . . . . . . . . . . . . .M 2.65
Wanna Die Easy When I Die—arr. Ysaye
M. Barnwell. Made famous by Sweet
Honey in the Rock, this a cappella
arrangement is newly engraved by a
scholarly committee dedicated to Dr.
Barnwell's works, and now features
an optional alto solo, separate lines
for baritones and basses, and more
dynamics to help shape the vocal lines.
Though there is divisi, the harmonies are
accessible, and the thick choral texture
makes the message of this traditional
spiritual even more impactful.
11593460 SATB divisi . . . . . . . . .M 2.85
Wayfaring Child—arr. Ruth Elaine
Schram. Pairing the two traditional
spirituals Poor Wayfaring Stranger and
Sometimes I Feel Like a Motherless Child,
this arrangement uses layered melodies to
create a unique dialogue between voice
parts. Creative harmonies and a supportive
piano accompaniment bring new warmth
to these well-known spirituals, accessible
to many different types of choirs. This
title includes a downloadable Rehearsal
Resource Page, created by Sing! editor
Victor C. Johnson, featuring a range chart,
solfege chart, vocabulary, preparation
exercises, and extension activities for use
in choral rehearsals.
11620320 SATB. . . . . . . . . . . . ME 2.75
11620321 SSA . . . . . . . . . . . . . ME 2.75
Wayfaring Stranger—arr. Craig Courtney.
This haunting and soulful treatment of the
well-known American folk melody includes
instrumental echoes of the spiritual
Sometimes I Feel Like a Motherless Child
which adds further depth of expression. The
choral writing is refined yet simple.
11539984 SATB. . . . . . . . . . . . . .M 2.75
11566449 Cello or
Flute/Violin Parts. . . . . 20.00
The Wayfaring Stranger—arr. Paul
Smith. From the VOCES8 Foundation
Choral Series, this is an approachable
and affecting arrangement of the well-
known folk song. Optional soloists and
slow-moving accompanying parts create
a haunting, eerie yet beautiful effect. The
parts are not difficult but require care in
balance and tuning to draw out the most
from the piece.
11593455 SATTB or SATBB. . . .M 2.65
We Are Not Alone—Pepper Choplin.
"We are not alone, God is with us."
Succinctly capturing this confident
thought in a straightforward, honest
way, the choir supplies rhythmic energy
while the soloist glides above in smooth,
sustained lines. Accessible and effective
with large or smaller choirs, this piece
touches the heart with its simple and
profound message. Originally conceived
as an a cappella anthem, the optional
orchestration adds a dramatic element.
8071348 SATB A Cappella . . . . . 2.50
11317770 SATB Accompanied. . . 2.50
11317772 SSA opt. A Cappella. . . 2.50
11317773 TTBB opt. A Cappella. . 2.50
We Shall Not Be Moved—arr. Adam Podd
& Matt Podd. This well-known spiritual
and civil rights song is a soulful anthem
for both sacred and secular occasions.
It is easy to learn and powerful to sing.
The accompaniment sets the tone right
from the top with a grounded gospel feel
bringing strength and soul to your choir's
performance.
11416247 SATB opt. divisi . . . ME 2.50
11416248 SAB opt. divisi. . . . . ME 2.50
11416250 Two-Part opt. divisi . ME 2.50
11416251 Unison opt. divisi. . . ME 2.50
11416249 SSA opt. divisi. . . . . ME 2.50
11625800 TTBB . . . . . . . . . . . . ME 2.50
We Shall Walk Through the Valley—arr.
Undine Smith Moore. The arrangement
of this African American spiritual is both
accessible and gorgeous. A short choral
section is used for the introduction,
interludes between verses, and at the
conclusion, adding cohesion to a lovely
setting.
11416588 SATB. . . . . . . . . . . . ME 2.25
We Shall Walk Through the Valley in
Peace—arr. Moses Hogan. Rich, velvet
harmonies on the divisi choral opening
give an aura of hushed stillness in this
memorable setting of a classic spiritual by
Moses Hogan. As the piece builds slowly
to a glorious climax and then returns to a
quiet conclusion, we become aware of its
compelling message and the artistry that
is Hogan's own.
3289667 SATB. . . . . . . . . . . . . .M 2.35
When Our Voices Rise—Rollo Dilworth.
Pairing original lyrics with lyrics from
the traditional spiritual Walk Together
Children, this soul-stirring composition is
a source of inspiration and a testament to
the beauty and bravery that can be found
in unity. Powerful harmonies and a show-
stopping piano accompaniment make this
empowering number a must-sing for any
concert!
11569068 SATB. . . . . . . . . . . . ME 2.50
11569069 SSA . . . . . . . . . . . . . ME 2.50
When the Saints Go Marching In—arr.
John Rutter. Guaranteed to raise the roof!
All the potential of this spiritual cooker
is realized in John Rutter's full-blown
arrangement. There's even a little taste of
Battle Hymn thrown in... "Glory, Hallelujah!"
1749993 SATB. . . . . . . . . . . . . .M 4.95
With a Voice of Singing—Martin Shaw.
This joyous work is a choral classic that
is appropriate for any festive occasion.
With easy-to-sing harmonies and unison
passages, it is an absolute must for every
choral library. Your choirs and listeners will
always appreciate its vibrant beauty.
426601 SATB. . . . . . . . . . . . . .M 2.10
426510 SAB . . . . . . . . . . . . . . .M 2.10
426692 Two-Part . . . . . . . . . . .M 2.10
426247 SSA . . . . . . . . . . . . . . .M 1.95
426338 TTBB . . . . . . . . . . . . ME 1.95
Witness—arr. Jack Halloran. If you are
looking for a spiritual that will really show
the musicality of your choir, try this Jack
Halloran a cappella setting of this traditional
spiritual. Perfect for concert or festival.
1612530 SSAATTBB. . . . . . . . .M 2.95
Witness—Jack Halloran/arr. Dick Bolks.
This classic has been made accessible for
accompanied or a cappella choirs while
retaining the enthusiasm of the original.
This is guaranteed to be the highlight of
your music year!
3260411 SATB. . . . . . . . . . . . ME 2.95
3291523 SAB . . . . . . . . . . . . . ME 2.65
10366147 SSAA. . . . . . . . . . . . ME 2.55
10458827 TTBB . . . . . . . . . . . . ME 2.35
The Word Was God—Rosephanye
Powell. What an impact this august work
will have on both choir and listeners!
Compositionally, this is an excellent piece
using impressive techniques that are
truly captivating. The rhythmic structure
develops from the superb interplay between
the voices, and the layering of sound upon
sound creates a musical tapestry. Written in
an almost spiritual style, but definitely not a
spiritual, this will make a stunning choice for
larger or festival choirs!
3030707 SSAATTBB original
a cappella version. . . .M 2.95
8068120 SATB opt. accompanied
version. . . . . . . . . . . . .M 2.95
10055030 SSAA. . . . . . . . . . . . . .M 2.95
8064800 TTBB . . . . . . . . . . . . . .M 2.95
