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Jazz Combo Pak No. 44 (Christmas)—
arr. Mark Taylor. Flexibility abounds in this
small-group set of four beloved holiday
treasures. Containing parts for B-flat,
E-flat, and C instruments plus piano, guitar,
bass, and drums, the instrumentation can
accommodate almost any combination of
horns and rhythm section. This budget-
stretching set includes Rudolph the Red-
Nosed Reindeer; I Heard the Bells on
Christmas Day; It Came Upon the Midnight
Clear and O, Little Town of Bethlehem.
Perfect for your holiday gigs! Very highly
recommended!
10759372 Combo (3+ Horns &
Rhythm Section) . ME 50.00
Jazz Combo Pak No. 45 (The Beatles)—
arr. Mark Taylor. Contains four complete
favorites made famous by The Beatles:
Blackbird; Can't Buy Me Love; And I Love
Her and Lucy in the Sky with Diamonds.
The set includes parts for B-flat, E-flat, and
C instruments plus piano, guitar, bass, and
drums for ultimate instrumentation flexibility.
Audio tracks are available online from the
publisher.
10759374 Combo with Online Audio
Access (3-Plus Horns &
Rhythm Section) . ME 50.00
Jazz Combo Pak No. 47 (A Charlie
Brown Christmas)—Vince Guaraldi/arr.
Mark Taylor. Developing jazz players will
have great fun rehearsing and performing
these Christmas favorites from the
immensely popular TV special. The four
complete songs include: Linus and Lucy;
Christmas Time Is Here; What Child Is
This? and Christmas Is Coming. Arranged
for three horns with flexible instrumentation
and rhythm section, parts are included for
B-flat, E-flat, and C instruments, and piano,
guitar, bass and drums. Audio tracks are
available online from the publisher. Highly
recommended!
10909042 Combo . . . . . . . . . ME 50.00
Jordu—Duke Jordon/arr. Michael Philip
Mossman. Over the years, Jordu has
become one of the most performed jazz
standards. Now groups with four horns and
rhythm section can rehearse and play it with
this flexibly scored arrangement. Solos are
available for anyone, with chord symbols
in all parts, and rhythm-section-only tracks
are available online from the publisher. The
rhythm section parts include bass lines and
piano voicings offering ideas as to what to
play. Highly recommended!
10909036 Combo with Online Audio
Access (4 Horns &
Rhythm Section) . . .M 40.00
Joy to the World—arr. Bob Turner. A
rock version of one of the most famous
Christmas carols, this features flexible
instrumentation and a funky groove in
the rhythm section that will energize your
students and audience! Even though it is
flexible, it still boasts a big powerful sound
in the tutti sections.
11354664 Combo . . . . . . . . . . .M 50.00
Knockout (Flexible Instrumentation)—
Erik Sherburne/arr. Bob Turner. Knockout
knocks it out of the park with a driving
rock style! The ranges are within reach
of younger brass players and there is a
written or improvised solo for tenor sax.
With its flexible instrumentation, this small
group chart is playable with almost any
combination of horns and rhythm section.
With the flexible scoring option, the parts
can be mixed and matched to find a desired
sound or to fit available instruments. Also
available as a big band chart (Pepper
number 10999496). Straight-ahead rocking!
10999506 Combo . . . . . . . . . . . E 50.00
Lady Bird—Tadd Dameron/arr. Mike
Tomaro. Written by bebop composer Tadd
Dameron as a tribute to Billy Holiday,
this jazz standard belongs in every jazz
musician's repertoire. With a short 16-bar
form this tune is a great introduction into the
harmonic language of bebop. Mike Tomaro's
setting in the little big band format also
includes some added bebop inspired lines.
It's flexibly scored for six horns and rhythm
section with optional parts provided. Nice!
11105226 Combo with Online
Audio Access . . . . . .M 45.00
Manteca—Dizzy Gillespie/arr. Mike
Tomaro. One of the earliest examples
of Afro-Cuban elements into jazz, Dizzy
Gillespie's classic composition is updated
here in a little big band format (3 saxes, 2
trumpets, trombone and rhythm section).
Based on Tomaro's popular big band chart,
some new material has been added just for
fun! Optional additional parts are included
for alto, tenor and trombone. This is one you
will not want to miss!
11100188 Combo . . . . . . . . . . .M 45.00
Milestones—Miles Davis/arr. John Berry.
Arranged here in a medium swing style, this
tune is a great way to introduce the music
of Miles Davis to young players. The modal
style makes soloing easier, and it's a perfect
opportunity to get everyone involved.
11401281 Combo . . . . . . . . . . . E 30.00
Movin' N' Groovin'—Victor Lopez. Make
a small combo sound big through the
solid scoring on this Latin chart. It takes
you from a rock feeling to a cha-cha-cha
without missing a beat. Instrumentation is
for two alto saxes, tenor sax, bari sax, two
trumpets, trombone, and rhythm section.
11402267 Combo . . . . . . . . . . . E 45.00
My Little Suede Shoes—Charlie Parker/
arr. Mark Taylor. This chart uses a light
samba feel to craft a marvelous setting of
this Charlie Parker standard for the Little Big
Band format. Perfectly scored tutti ensemble
figures are contrasted with feature spots for
a duet of alto sax and trumpet. Easy flowing
rhythms and modest ranges make this one
easy to learn! A great choice!
11208483 Combo . . . . . . . . . ME 45.00
Newport Breeze—Len Pierro. This breezy,
up-tempo bossa nova or laid-back samba
flows with great sax parts throughout.
There is some great interplay between the
melody and a slick countermelody and a
solo for the alto sax. Then some more great
interplay between the sections as it reaches
a satisfying conclusion.
11354658 Combo . . . . . . . . . . .M 50.00
A Night in Tunisia—Gillespie & Paparelli/
arr. Michael Mossman. Michael Mossman
takes Dizzy Gillespie's signature tune into
new territory, with a touch of mambo in
this distinctive arrangement for little big
band. A perfect way to showcase a trumpet
soloist, the full ensemble also plays an
important role in this sophisticated and
dynamic arrangement for six horns and
rhythm section. Instrumentation: 3 Saxes; 2
Trumpets; 1 Trombone plus Rhythm Section.
For flexibility, optional parts are included for
Alto and Tenor Saxes and Trombone.
10317258 Combo . . . . . . . . . . .M 50.00
One by One—Wayne Shorter/arr. Mark
Taylor. Scored for four horns with flexible
instrumentation, plus rhythm section, here's
the moderately paced swing classic from jazz
master Wayne Shorter in a brilliantly inspired
setting. More than just a head chart, the
features include background figures behind
the soloists and ensemble soli sections.
Online recordings from the publisher also
include rhythm section only tracks. This is an
outstanding opportunity to learn and perform
one of the works of a jazz master!
11105228 Combo with Online Audio
Access (Four Horns &
Rhythm Section) . . .M 40.00
Perdido—Juan Tizol/arr. Mark Taylor. One
of the favorites performed by the Duke
Ellington Orchestra, Perdido is a happy
and upbeat riff tune set in a swing style.
This great sounding chart in the six-horn
format (3 saxes, 2 trumpets, trombone and
rhythm section) features variety in scoring,
an open solo section, and a terrific shout
chorus for the entire ensemble. Additional
optional parts are included for alto, tenor
and trombone. Perfect for additional
opportunities for key players!
11100186 Combo . . . . . . . . . ME 45.00
Pharaoh's Funk (Flexible Instrument-
ation)—Erik Sherburne/arr. Bob Turner.
Here's a challenging funk chart with a
modal nature, giving it an Eastern flair.
Open up the solo section for improvised
solos, or just play the written or improvised
guitar solo. Ultimately adaptable, it
features flexible instrumentation with
six parts plus rhythm section, allowing
for almost any combination of horns.
Also available as a big band chart
(#10999498). Get your funk on!
10999980 Combo . . . . . . . . . MA 50.00
The Pink Panther—Henry Mancini/arr. Mike
Tomaro. This timeless Mancini classic gets
a makeover inspired by the version recorded
by Bobby McFerrin. The groove is medium
swing with an occasional hint of rock thrown
in. This is a highly effective treatment for the
little big band instrumentation. Scored for 6
horns (3 saxes, 2 trumpets, 1 trombone) plus
rhythm section with optional parts included
for alto sax, tenor sax and trombone. Highly
recommended!
10376190 Combo . . . . . . . . . . .M 45.00
Riff to End All Riffs (Flexible
Instrumentation)—Bob Turner. The horn
arrangement is reminiscent of a '60s or
'70s rock band with unison sections. Let
your drummer lay down his or her favorite
jazz-rock beat. The strong melodic nature of
this chart will make it an audience favorite.
This is a flexible arrangement and is highly
adaptable. Add this one to your library today!
11206068 Combo . . . . . . . . . ME 50.00
Route 66—Bobby Troup/arr. John Berry.
With notable recordings by Nat King Cole
and later The Manhattan Transfer, this tune
is a part of our musical and cultural heritage.
This easy combo version features modest
ranges and short solos for parts 1 and 2.
Mix and match the instrumentation to fit
your needs.
11401280 Combo . . . . . . . . . . . E 30.00
Route 66—Bobby Troupe/arr. Rick
Stitzel. Give your star female vocalist the
opportunity to sing this American classic
made famous by the great Nat King Cole.
Scored in B-flat for jazz combo.
11623390 Combo with
Vocal Soloist. . . . . . . . 50.00
Salt Peanuts—John "Dizzy" Gillespie
& Kenny Clarke/arr. Mark Taylor. A true
bebop classic from the 1940s, this Dizzy
Gillespie standard has long been a favorite
with artists of every era. Your jazz combo
will have fun with this one!
11401279 Combo . . . . . . . . . . .M 40.00
Senor Blues—Horace Silver/arr. Mark
Taylor. This jazz standard from 1956
features an exotic and captivating Latin
jazz groove along with a distinctive melodic
line and chord progression. This stellar
arrangement uses elements from Horace's
original quintet recording but then takes full
advantage of the six-horn format. A classic!
11571835 Combo . . . . . . . . . . .M 50.00
Sesame Street Theme—Joe Raposo/arr.
John Berry. One of the most recognizable
television themes ever written, this has
been a favorite melody with jazz players for
years. Now younger players can experience
it with this great sounding, flexibly scored,
4-horn combo setting.
10034429 Combo (Septet) . . . . E 35.00
Sidewinder—Lee Morgan/arr. Mark
Taylor. One of the early and soulful jazz/
rock tunes, Lee Morgan's Sidewinder
features a distinctive groove and funky,
riff-like phrases. In this arrangement for
little big band, a trio of trumpet, tenor and
guitar state the head in the beginning
joined later by the rest of the ensemble.
Suggested solos are included for trumpet,
tenor and drums along with chord/scale
sheets in all keys. Instrumentation: 3 Saxes;
2 Trumpets; 1 Trombone plus Rhythm
Section. For flexibility, optional parts are
included for Alto and Tenor Saxes and
Trombone. Highly recommended!
10317254 Combo . . . . . . . . . . .M 55.00
Jazz Combo Charts | All Levels
YEARS
OF MUSIC
S I N C E 1 8 7 6
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