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Choreography—Robert Sheldon.
Written in overture form, the piece draws
its inspiration from dance movements
found in contemporary stage, ballet
and theatrical productions. Fast-paced
angular gestures accompanied by rapid
rhythmical punctuations provide a thrilling
opening before yielding to a contrasting
lyrical section with long, flowing lines that
offer many opportunities for expressive
playing. The infectious beat patterns and
memorable melodic content combine to
make this an excellent concert opener.
10068634 Band Set & Score. . . . . .80.00
Christmas Can-Can—Larry Neeck. Lively
and humorous, this piece infuses the
classic can-can with a festive holiday twist.
In this playful rendition, the familiar Galop
infernal melody is seamlessly blended with
snippets of Jingle Bells and other beloved
Christmas carols, creating a delightful
medley that is sure to entertain audiences
of all ages. The clever incorporation of
well-known musical quotes adds a layer
of surprise and joy to the performance,
allowing each section of the band to be
featured. The grand finale is particularly
notable, delivering a rousing conclusion
that is bound to bring down the house.
This flexible instrumentation setting allows
bands of any instrumentation to shine!
11624404 Band Set & Score. . . . . .80.00
Christmas Exaltations—arr. Rob
Romeyn. A celebratory and festive holiday
concert opener or finale guaranteed to get
your audience in the holiday spirit. It begins
with a sparkling fanfare featuring creative
snippets of familiar carols. Amid festive
flourishes, the music moves to a powerful
statement of Angels from the Realms of
Glory before transitioning into a grooving
rock treatment of God Rest Ye Merry,
Gentlemen. A creative and moving setting
of Silent Night is next, featuring the tasteful
use of contemporary harmonies. The work
closes with powerful segments of familiar
carols ultimately leading to an ending that
will bring the house down. Don't miss this
festive holiday celebration!
11624349 Band Set & Score. . . . . .85.00
Cityscapes—Rob Romeyn. A brilliantly
programmatic and celebratory concert
opener for mature ensembles. Audiences
will be mesmerized by the sparkling
opening measures depicting the hustle
and bustle of a large city. The journey
continues with a sensitive and expressive
section depicting a sunset over downtown,
then leads to a section building intensity
and power for an incredible climax. The
intensity subsides, resolving to beautiful
imagery depicting scenes of what a large
city has to offer. The piece concludes with
emotion and power at the end of journey.
A part for optional piano is included.
This valuable addition to the repertoire
for more experienced ensembles is sure
to impress!
11624352 Band Set & Score. . . . .110.00
Climbing Quandary—Robert Sheldon.
One of the most popular hikes in the Rocky
Mountains is a climb up to Quandary Peak
in Colorado, so named due to the mineral
outcroppings that confused prospectors
while searching for silver in the 1860s.
One of the 58 14ers in Colorado (mountain
peaks above 14,000 feet), it is known as
one of the easier climbs and consequently
very popular. Enlist your art department
to have students display pictures of their
mountain artwork during performance, or
project images of Quandary Peak, many of
which can be found online and royalty-free.
Correlates to Sound Innovations, Book 2,
Level 2. (1:50)
11616358 Band Set & Score. . . . . .70.00
Clowning Around—Mekel Rogers. With its
plethora of jokes, surprises, and humorous
percussion, this fun hit is sure to excite - a
perfect concert closer or opener for any
program!
11623128 Band Set & Score. . . . . .60.00
Colossus—Brian Beck. Drama and
excitement right from the start: a scene
of gladiators preparing for combat and
entering the ring. Fanfares alert the
masses when a new challenger arrives,
while other, more lyrical themes serve as
processionals for warriors entering the
arena. Challenge your young band with
dynamic changes, rhythmic intensity, and
some independent playing. Well worth the
effort! Commissioned by and dedicated to
the Louisiana Music Education Association
District IV Honor Band for their performance
in 2025. Correlates to Sound Innovations,
Book 2, Level 3. (3:00)
11616360 Band Set & Score. . . . . .70.00
Come, Thou Fount of Every Blessing—
arr. Randall D. Standridge. Standridge
has arranged this reverent and somewhat
sad-sounding hymn in honor of the life and
influence of his grandmother, who passed
away in 2012. Moving from moments of
quiet beauty though hugely magnificent
waves of sound, this compelling piece is
a great example of the expressiveness
and power that can be achieved by a fine
concert band work. The final statement of
the melody by a solo clarinet wraps up this
memorable hymn-tune arrangement in a
reverent, quiet way.
10457934 Band Set & Score. . . . . .70.00
Coming Home—Chandler L. Wilson.
Delve into the profound emotions stirred by
returning to one's place of origin after a long
absence. Coming home signifies more than
just physical return; it embodies a rush of
happiness and anticipation, a reconnection
with familiar surroundings, and the comfort
of being in a space that feels like one's
own. The music captures the essence of
finding solace in the familiar, reuniting with
loved ones, and enjoying the comforts that
home provides. It's not just about returning
to a physical space, it's more about
reconnecting with oneself and one's sense
of belonging. Beautiful and moving!
11624373 Band Set & Score. . . . . .85.00
The Country Club Stomp!—JaRod Hall.
Experience a New Orleans vibe with this
exciting, parade-inspired crowd pleaser!
A celebration of music, life, and love, this
piece has an infectious rhythmic groove and
a spirited melody. Elements of jazz occur
throughout, and there is strong reference to
the West African circle dances from which
this music evolved. Stellar writing that is
fun, catchy, informative, spirited - and very
accessible. Musicians and audiences won't
be able to get enough!
11399678 Band Set & Score. . . . . .80.00
The Country Club Stomp! (Flexible
Instrumentation)—JaRod Hall. Experience
a New Orleans vibe with this exciting,
parade-inspired crowd pleaser! The lively
work is based on an infectious rhythmic
groove and spirited melody. Elements of
jazz as well as a strong reference to the
West African circle dances from which
this music evolved are used effectively.
Stellar writing that is fun, catchy, and
informative! With this flexible arrangement,
conductors no longer need to choose
between function and texture. Ensembles
with instrumentation challenges still have
numerous options to cover all parts, yet
orchestration is elevated significantly to
be faithful to the composer's original intent.
Musicians have more opportunities to rest,
and timbre once again becomes a central
element of the work. It's the best of both
worlds: flexible and colorful! (3:00)
11535682 Band Set & Score. . . . . .80.00
Critical Mass—Todd Stalter. An explosion
of sound sets off a chain reaction in this
combustible work! As it launches forward,
small melodic fragments grow and expand
outward and upward creating a powerful
work that closes with a nuclear finish!
10093399 Band Set & Score. . . . . .80.00
Cumberland Cross—Carl Strommen.
You'll really get a nice sound with this
one! Carl's original work explores the rich
American folk style in two sections. The
first has broad, moving harmonies under a
Shenandoah-like melody, and the second
a lively dance reminiscent of Copland.
Cumberland Cross is not too difficult, yet
very impressive!
2319515 Band Set & Score. . . . . .70.00
Cyborg—Jason K. Nitsch. "Cyborg" is a fun
and frantic new work for band by composer
Jason K. Nitsch. Getting to a quick 200bpm
by its conclusion, this quirky piece has fun
moments for every section of the band,
and accessible techniques presented in a
musically interesting manner. Students are
going to love this one!
11615357 Band Set & Score. . . . . .65.00
Dance of the River King (Hybrid
Edition)—Michael Sweeney. A slow and
dramatic opening featuring an optional
trumpet solo quickly transitions to a high
energy section that features outstanding
thematic writing, colorful orchestrations,
driving rhythms and excellent parts for all
sections. An exciting and accessible work
that will showcase the full range of your
ensemble. This hybrid edition contains a
printed score and access to digital parts.
11618068 Digital Resources Score with
digital part downloads . . . . . . . . . . . . .75.00
Dance of the River King—Michael
Sweeney. A slow and dramatic opening
featuring an optional trumpet solo quickly
transitions to a high-energy section that
features outstanding thematic writing,
colorful orchestrations, driving rhythms, and
excellent parts for all sections. An exciting
and accessible work that will showcase the
full range of your ensemble.
11617934 Band Set & Score. . . . . .75.00
Dancing Lights—Aleksandra Nagorna.
Electrifying and innovative, this piece
merges concert band power with pulsating
EDM energy and cinematic intensity.
Players will love its modern edge -
syncopated grooves, timbral shifts, driving
rhythms, and dramatic contrasts - while
audiences are treated to an immersive
and thrilling soundscape blending
dubstep-inspired elements with symphonic
grandeur. Perfect for programs seeking
fresh, crowd-rousing repertoire. This
work bridges tradition and innovation with
unforgettable flair; a guaranteed standout
on any concert program, this delivers
excitement from start to finish.
11624365 Band Set & Score. . . . . .90.00
Danza Zanzare (Dance of the
Mosquitoes)—JaRod Hall. Experience the
chaotic and fast-paced world of a mosquito
swarm with Danza Zanzare (Dance of
the Mosquitoes)! Relentless percussion
combines with a buzzing motif in the
woodwinds before a unique twist in which
brass players buzz on their mouthpieces
in a fascinating aural display that mimics
the sound of mosquitoes in flight. A highly
engaging work by JaRod Hall! (2:00)
11616412 Band Set & Score. . . . . .70.00
A Dark and Stormy Night—Rob Romeyn.
Capture the mystique of a dark and stormy
night in a humorous and entertaining style.
It's dark, scary, and fun to play, with lots
of interesting percussion parts that add to
the effect. This whimsical piece, arranged
for the Build-A-Band series, works with
virtually any instrumentation; it makes a
perfect change of pace for any concert,
providing performers and audiences with a
delightful experience.
11624407 Band Set & Score. . . . . .70.00
DarkHeart (Escape from DarkHeart
Castle)—Randall D. Standridge. The
final movement of "The Darklands
Symphony"wraps the work up in a very
gripping way, musically depicting a daring
escape from the castle DarkHeart. Its
dark, brooding nature is portrayed by the
driving rhythms, dissonances and trills. The
plainchant Dies Irae is used prominently
as thematic material that ties the entire
symphony together. DarkHeart can very
successfully be performed as a standalone
work. Menacing!
10617669 Band Set & Score. . . . . .65.00
Concert & Contest | Medium-Easy
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