J.W. Pepper Catalogs

2025 Fall Concert Band Catalog

J.W. Pepper Music Catalog

Issue link: https://read.jwpepper.com/i/1537833

Contents of this Issue

Navigation

Page 51 of 243

50 2025-26 Editors' Choice New Basic Library Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision Concert & Contest | Medium Havana Nights—Randall D. Standridge. Mambo rhythms and exciting melodies unite in this "ballet" for wind ensemble. Catchy rhythms, colorful percussion, and a distinct dance feel engage performers and audience alike. Great for conductors looking for something outside the norm. 11173572 Band Set & Score. . . . . .95.00 Hill Country Festival—Clifton Jones. Reminiscent of the great overtures of old, "Hill Country Festival" is a wonderful new addition to the concert band repertoire. Scored in a full style, this work will "Sound!" A high consideration for music performance assessment or community groups, this work will make your ensemble shine and stretch their musicianship. 11615372 Band Set & Score. . . . . .80.00 Homage to Bharat—Brian Balmages. Explore the colorful and exotic sounds of India with elements of modern Indian pop, similar to the Bollywood sound. Using a wealth of authentic instruments, including suggestions for alternatives, the music has a unique and colorful sound that seemingly jumps off the page. From ethereal to energetic, powerful to infectious, this piece will shatter your audience's expectations of the sounds a concert band is capable of producing. 10907713 Band Set & Score. . . . .110.00 Hope Ahead—Brian Balmages. Based on a student's artwork of a broken robot overlooking a magnificent city, this piece uses vibrant colors to contrast elements of despair and hope. Unique effects and bold melodic lines tell a powerful story of finding peace in a broken world. Based on the artist's thoughts as well as essays from students all over the country, this is sure to inspire your ensemble and audience. (5:15) 11616350 Band Set & Score. . . . . .75.00 The Hounds of Spring (A Concert Overture for Winds)—Alfred Reed. This extraordinary work has been a staple of the concert band repertoire for many years, and it is found on many state lists. 2087161 Band Set & Score. . . . . .95.00 How Sweet the Sound—Brian Balmages. Explores a multitude of soundscapes and styles as the lyrical melody to Amazing Grace slowly unfolds in this powerful work. Largely original, the music draws heavily on gospel styles interspersed with contemporary harmonies, soaring fanfares, and a wash of beautiful colors. The ending will take your breath away! Stunning. (6:20) 11568588 Band Set & Score. . . . . .85.00 Hymn to the Fallen (with Optional Chorus Parts)—John Williams/arr. Paul Lavender. "Saving Private Ryan," a gripping, powerful movie depicting the horrors of World War II, is another milestone in the years Steven Spielberg-John Williams collaboration. Williams' score includes this hymn using a chorus as an instrument of the orchestra, adding a special reverence and poignancy to the simple melody. Bring this dignified edition to your concert band stage! 2410330 Band Set & Score. . . . . .85.00 Hymn to the Great Spirit (Wendeyaho)— arr. Matthew R. Putnam. This Cherokee morning prayer is a spiritual connection with nature and the divine. It has been set with the intent to give all royalty proceeds back to the original inhabitants of the North American continent. 11615069 Band Set & Score. . . . . .75.00 Ichabodia—Jason Taurins. With its creepy setting and aleatoric elements, this haunting work is an ideal piece for any concert! Listeners beware of its unpredictable nature and blended tonality! 11623152 Band Set & Score. . . . . .75.00 Ignition—Todd Stalter. The title for this says it all! The blindingly fast and raucously energetic concert opener will have everyone's hearts racing. The energy unleashed in the music and the imagery of the title serve both as a metaphor for the "spark" of creativity, and as a true celebration in sound! 10280022 Band Set & Score. . . . . .85.00 In Memoriam (Aspects: Movement II)— Randall Standridge. A lyrical and expressive work written in memory of a fellow band director. Inspired by the choral and orchestral styles of Morton Lauridsen, John Rutter, and Leonard Bernstein, the piece offers a rich emotional journey moving through moments of quiet sorrow, gentle remembrance, and, ultimately, hope. A tender flute solo near the beginning sets the tone, supported by warm wind scoring and thoughtfully crafted percussion lines. Suitable for high school and college ensembles, this is the second movement of "Aspects," a larger suite commissioned by the American School Band Directors Association; it may be performed independently or as part of the complete work. 11622905 Band Set & Score. . . . . .85.00 Incantations—Robert W. Smith. The invigorating rhythms and striking tone colors in this work convey a primitive, earthy feeling, involving the listener in a thrilling musical event! An intensely exciting showcase for the maturing band! 2261469 Band Set & Score. . . . . .72.00 Invasion of the Unicyclists—Kelly Bennette. These delectable melodies will please just about everyone. The bright 6/8 meter gives a lilting feel to this traditional- sounding yet highly original work. No blistering woodwind runs, no audacious brass licks - just solid scoring and singable tunes! 11624065 Band Set & Score. . . . . .65.00 Irish Tune from County Derry—Percy Grainger/ed. R. Mark Rogers. Long available in combination with Shepherd's Hey, and only with Grainger's compressed score, this is a new edition that comes with a full score. No changes have been made to the music except for careful editing and corrections in the parts, which make this edition a joy to use. 2297356 Band Set & Score. . . . . .95.00 Irving Berlin (A Musical Showcase)— Irving Berlin/arr. Charles Booker. An Irving Berlin extravaganza comprising Alexander's Ragtime Band (1911), an enormous hit selling a million copies in its first year; Always (1925), composed as a wedding gift to his wife Ellin McKay; What'll I Do? (1923), a chart-topper covered by numerous artitst; and Blue Skies, finished overnight in December 1926 for the Broadway show "Betsy" and later used in many landmark films. 11621836 Band Set & Score. . . . .195.00 Isabella Air—B.J. Brooks. This piece was written as a collection of sounds that serves as a vehicle to transport the mind through space and time, to a place, a person, a moment. The interplay of sounds mirrors Gary's internal dialogue, creating a reflective musical narrative that honors the sentiment encapsulated in that unopened pill bottle of Isabella air. 11622762 Band Set & Score. . . . . .98.00 Jitterbug!—Robert Buckley. At the height of the Jazz Age, each of the major swing bands had their own signature sound that fans recognized immediately. This swinging composition puts these styles and rhythms together in homage to a vibrant and innovative time in American music. A fun way to teach your ensemble to swing and get your audience's toes tapping! 10910739 Band Set & Score. . . . . .85.00 Juba Dance (from Symphony No. 1)— Florence Price/arr. Jay Bocook. Florence Price (1887-1953) is noted as the first African-American female composer of symphonic works, and is only in recent years beginning to receive the recognition so richly deserved. Her Symphony No. 1 was completed in 1932 and first performed in 1933 by the Chicago Symphony Orchestra. Here is a sparkling transcription for band of the third movement (Juba Dance). (Grade 4) Dur: 3:50 11401352 Band Set & Score. . . . . .85.00 Kinetic Dances—Randall D. Standridge. Experience this high-energy work that uses achievable shifting meters and layered percussion writing to superb effect! The rhythmic excitement builds throughout before reaching a truly thrilling climax. A pops-influenced concert piece that will make an exciting opening or closing statement at your next concert! 10520999 Band Set & Score. . . . . .75.00 Kinetic Dances (Full Flex - for any combination of instruments)—Randall D. Standridge. This flexible version of the original is a high-energy work that uses achievable shifting meters and layered percussion writing to superb effect! The rhythmic excitement builds throughout before reaching a truly thrilling climax. A pops-influenced concert piece that will make an exciting opening or closing statement at your next concert. Accessible to many instrumentations! 11343125 Band Set & Score. . . . . .65.00 Kirkpatrick Fanfare—Andrew Boysen, Jr. This work has a definite Irish flavor, including a strain of Danny Boy that seems to rise out of nowhere for a powerful finale. The entire works grows in texture and excitement after opening with a drum and piccolo duet. The "Fanfare" features driving rhythms and exciting brass figures that climax with a resounding finish. 2700327 Band Set & Score. . . . . .95.00 Lacuna—Henry Dorn. The Merriam- Webster dictionary defines the word Lacuna as "a blank space or a missing part: gap." It comes from the Latin word lacus, or lake. That word was modified to lacuna, or "pit." It can be used to mean a void or missing part of a narrative or gap in historical records. In this context, lacuna refers more directly to historical lacuna that our educators help fill with their students. That lacuna could range from insight on American English and literature, to music education, and/ or the history of the middle passage. Our educators give their lives to filling in this "void" and standing in the gap on behalf of their students 11605323 Band Set & Score. . . . .200.00 Land of Harp and Song (A Collection of Irish Folk Songs)—arr. Timothy Loest. This enchanting, three-movement collection of Irish songs opens with a lilting version of "The Kerry Dance." The second movement features a sentimental setting of "The Last Rose of Summer" before the work concludes with the resolute anthem "The Minstrel Boy." Land of Harp and Song is a fantastic arrangement by Timothy Loest that will showcase every member of the band! (4:45) 11616410 Band Set & Score. . . . . .80.00 Laude!—Robert Sheldon. Opening with an uplifting fanfare, it transitions through playful meters and thoughtful, lyrical sections, culminating in a rousing conclusion. Titled to reflect its roots in Catholic liturgy and its Latin meaning "to praise," this composition promises to inspire and delight. Composer Robert Sheldon does it again! 11615362 Band Set & Score. . . . . .75.00

Articles in this issue

Links on this page

Archives of this issue

view archives of J.W. Pepper Catalogs - 2025 Fall Concert Band Catalog