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2025-26 Editors' Choice New Basic Library Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
Concert Marches | Easy/Medium-Easy
Luna y Fuego—Jorge Vargas. This original
march is written in a true and exciting paso
doble (double step) style which originated
as a Spanish military march that allowed
troops to march at double their pace.
This is written to be playable by younger
musicians, full of memorable melodies,
countermelodies, and stirring rhythmic
figures to create an authentic-sounding
work that will thrill everyone.
11201785 Band Set & Score. . . . . .70.00
Luz y Sombra—Jorge Vargas. This original
concert march is sure to be a favorite at
your next concert! Delightful melodies and
harmonies are utilized within the traditional
march form to create a piece that sounds
both new and familiar. A great addition to
the march repertoire.
11400083 Band Set & Score. . . . . .60.00
Mad Dash—Timothy Loest. Step back
in time with this thrilling circus galop
composed in the style of Karl L. King.
Experience an evening inside the Big Top,
complete with capricious clowns, amazing
aerialists, enormous elephants, and a
superlative spectacle of downright death-
defying feats. Get ready, you're about to
make a mad dash!
10607776 Band Set & Score. . . . . .55.00
March Forward—Chris Sharp. An
outstanding introduction to the march
form for developing bands, the A-B-A form
makes for easy preparation, and limited
ranges and rhythmic responsibilities make
for smooth sailing. Perfect for your next
concert program.
11574229 Band Set & Score. . . . . .65.00
March of the Arachnids—Randall D.
Standridge. The second movement from
Randall Standridge's "Garden Suite."
The Itsy Bitsy Spider and Shoo Fly are its
primary melodic material, though they are
given some quirky little twists. Standridge
shows off his creative writing skills by
combining the two melodies for a rousing
ending. A strikingly original march that will
help teach students to play in 6/8.
11000426 Band Set & Score. . . . . .70.00
March of the Irish Guard—arr. James
Ployhar. A spirited march treatment of the
tune known as The Boys of Wexford, this
lively arrangement really moves along!
After a contrasting middle section in 6/8
featuring bagpipe effects, the opening
returns to finish off the piece with a grand,
fully scored climax.
2196921 Band Set & Score. . . . . .70.00
March Phantasma—Randall Standridge.
Looking for a fresh and nontraditional
march? Look no further! This march creates
a decidedly creepy vibe while staying true
to the traditional march form. Minor modes,
catchy melodies, and plentiful percussion
help make this an excellent and unique
selection for your next concert or festival
performance.
11400071 Band Set & Score. . . . . .65.00
March to Nowhere—Vaclav Nelhybel/
arr. Chris M. Bernotas. The brilliant Czech
composer Vaclav Nelhybel originally
published March to Nowhere in 1976.
This arrangement has been scored for
intermediate-level bands as the perfect
vehicle to introduce students to this
significant composer. The work's unique
character and intriguing musical lines and
textures will captivate your students. (3:40)
11511659 Band Set & Score. . . . . .70.00
March Wunderbar—Randall D.
Standridge. Guten Tag! This charming
march takes inspiration from the polka
music and fall festivals of Germany. The
folk-like melodies and dynamic changes
bring life to the traditional march form.
And how many concert marches feature
handclaps in the trio? A great choice for
your next concert or festival - sure to make
your audience exclaim "Wunderbar!"
11399660 Band Set & Score. . . . . .60.00
Marching Song—Holst/arr. Moss. Here's
a rare gem from the band literature
archives, rescored with more practical
instrumentation and part writing. Originally
taken from an orchestral work entitled Two
Songs Without Words, Marching Song is
vintage Holst style, tuneful and engaging.
John Moss' new version makes an ideal
program number for concert band.
2402212 Band Set & Score. . . . . .65.00
National Emblem—E.E. Bagley/arr.
Balent. This famous march has been
played for generations, and Andrew's
excellent arrangement makes it accessible
to younger groups. A recommended march
for this level, and one that your audience will
be whistling all the way home! (Grade 2 1/2)
2308559 Band Set & Score. . . . . .70.00
New Delta Force—Amy Webb. An exciting
full-on concert march with trio and an old-
fashioned dogfight before the return to the
A theme, this is bursting with joy and pride!
11568039 Band Set & Score. . . . . .75.00
Radetzky March—Johann Strauss, Sr./
trans. Balent. In grand European style,
this Strauss favorite will delight your
audience! This enchanting piece is familiar
and as Balent has successfully maintained
the quality of the original in this transcription,
it's destined to become a classic.
2477418 Band Set & Score. . . . . .65.00
Slava March—Randall Standridge.
"Slava," Ukrainian for "glory," serves as the
inspiration for this stirring Grade 2 concert
march in minor mode. Bold rhythms, active
percussion, and soaring countermelodies
combine to create a worthy vehicle for
teaching march style to your young
musicians. Vocal effects add the final heroic
touch. An excellent selection for your next
concert, festival, or honor band.
11515771 Band Set & Score. . . . . .65.00
Southampton March—Robert Sheldon.
The charm and style of a British-style march
is brought front and center in this delightful
concert march for young band. The tuneful
melodies are reminiscent of English folk
tunes and create a tasty international
palette with which to open a concert or
festival performance.
10739115 Band Set & Score. . . . . .52.00
The Thunderer (Flex Band)—John
Philip Sousa/arr. Bocook. One of the
march master's most popular and tuneful
works! Here is this Sousa classic in an
impressive arrangement playable with
virtually any combination of instruments.
10084118 Band Set & Score. . . . . .60.00
The Washington Post—John Philip Sousa/
arr. Story. Sousa's legacy is formidable, and
it's because of classic marches like this!
Everyone knows the Washington Post, the
quintessential 6/8 march, and Mike Story's
fine arrangement reduces the technical
difficulties but maintains the integrity of
the original. You owe it to your students to
program this famous march!
2400646 Band Set & Score. . . . . .62.00
Concert Marches
Medium-Easy
Aces of the Air (March)—Karl King/
arr. James Swearingen. All the colorful
ingredients of a traditional march can be
found in this fun-to-perform piece by the
preeminent composer of circus music.
King's timeless pieces are performed
around the world - an exciting march for
your students!
10280589 Band Set & Score. . . . . .65.00
Alamo March—Karl L. King/arr. James
Swearingen. When it comes to writing
marches that sound great with bands at
all grade levels, Karl King has no peer.
Dedicated to the heroes of the Alamo, this
very playable march has that certain quality
which made it one of King's favorites at the
easy grade level. With a full concert band
instrumentation and subtle changes in the
instrumental scoring and percussion lines,
this arrangement enhances its charm even
further. A guaranteed winner!
2231751 Band Set & Score. . . . . .72.00
Allied Honor—Karl L. King/arr. Swearing-
en. This is exceptionally good! Musicians
all over the world love to perform marches
from the pen of this march genius, and
James Swearingen's outstanding edition
of this famous march allows bands once
again to experience this Karl L. King
masterpiece! Highly recommended!
2210649 Band Set & Score. . . . . .65.00
American Big Top—Brian Balmages. The
spirit of Charles Ives comes alive in this
wacky and clever American-style circus
march! Featuring snippets of many patriotic
favorites, a wealth of original material, and
layered harmonies and rhythms, this is a
highly entertaining and unique piece that
works equally well as a march, festival
selection, or closer.
10907715 Band Set & Score. . . . . .70.00
The American Way (March)—Karl L.
King/arr. James Swearingen. A stirring
performance of a King march is the perfect
way to round out your concert program.
Audiences love marches, and this well-
crafted arrangement is a guaranteed
toe-tapper. Singable themes, strong
countermelodies and interesting percussion
parts make this the perfect selection for that
special concert.
10458956 Band Set & Score. . . . . .65.00
Amparito Roca—Jaime Texidor/arr.
Gary Fagan. This classic Spanish march
has been expertly recast in an authentic-
sounding edition for younger players. Brass
ranges and the instrumentation have been
modified while all the charm and energy
of the original remain. A most welcome
addition to band repertoire.
10052942 Band Set & Score. . . . . .75.00
Big Four March—Karl L. King/arr.
Swearingen. Here's one of Karl King's
most outstanding marches! Lively and
upbeat, this stellar arrangement by James
Swearingen is not to be missed. It's
a real classic march in a very classy
arrangement. You'll want to program this
one again and again. We are proud to give
this our highest recommendation!
2472470 Band Set & Score. . . . . .68.00
Big Top Melody Shop (March)—Joshua
Hobbs. This circus march cooks! Composer
Joshua Hobbs brings us a ripping and
roaring march that is guaranteed to dazzle
and excite your crowd! The only thing
missing is the flying trapeze!
11562289 Band Set & Score. . . . . .75.00
Bonds of Unity—Karl L. King/arr.
Swearingen. This is a super arrangement
of one of Karl King's most popular
marches! An excellent selection for
concert, festival, or contest use by bands
of all levels. Karl King was a master at
writing memorable marches and this
one is exceptionally nice from start to
finish. Highly recommended!
2304822 Band Set & Score. . . . . .78.00
British Eighth—Zo Elliott/arr. Hilliard. This
delightful British march is stately, yet light in
tone. Formerly only available in a quickstep
edition, this edition offers a full score. A classic!
5873187 Band Set & Score. . . . .120.00
Bunker Hill (March)—Karl L. King/arr.
James Swearingen. Known throughout the
world, this legendary composer created a
treasure trove of wonderful marches that
have stood the test of time. This entertaining
6/8 march is no exception; its pronounced,
steady beat and jaunty melody are sure
to generate enthusiastic toe tapping from
beginning to end. A simply can't-miss
choice for popular march programming.
10908336 Band Set & Score. . . . . .68.00
Camelia City March—R. Alan Carter.
Written to celebrate Quitman, Georgia,
nicknamed "the Camellia City," this march
is written in the traditional style of Henry
Fillmore. Starting with a light, happy
woodwind melody with simple flourishes
from the low brass, it then moves through
dynamic changes before a trio that features
low clarinets and euphonium with a unique
woodblock percussion accompaniment.
The march ends with a return to brass
flourishes. With minimal technical and
range demands, this work is accessible to
a wide range of ensembles. Use this work
to teach the classic march style.
11516617 Band Set & Score. . . . . .65.00
Castles in Europe (The Innovation Trot -
Ragtime March)—James Reese Europe/
arr. Chandler L. Wilson. Originally written
by the first African-American bandmaster
in the United States Army, Europe gained
great popularity as a dance band leader, a
military band leader, a recording artist, and a
composer of merit. This will have toes tapping
and is an enjoyable ragtime work from an
American composer to be remembered!
11206812 Band Set & Score. . . . . .82.00
