J.W. Pepper Catalogs

2025 Fall Concert Band Catalog

J.W. Pepper Music Catalog

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171 Order Toll-Free! Call 1.800.345.6296 | jwpepper.com | [email protected] Blues & Swing | Medium-Advanced Caveat Emptor (The Attack of the Pink Dolphins)—Ellen Rowe. Commissioned by the Florida Bandmasters Association, this chart is a celebration that combines hip-hop and straight-ahead jazz. The band will need to play with some swagger on this piece - it has serious attitude, and the whole band will need to be in the groove! 11615258 Jazz Ensemble. . . . . . 60.00 Count Bubba—Gordon Goodwin. Here's a monster of a swinger that's designed to feature the entire ensemble. In addition to a wonderful riff-based theme and a very satisfying shout chorus, the chart includes section feature spots for saxes, trumpets and trombones, without the rhythm section. Very effective! 2471427 Jazz Ensemble. . . . . . 65.00 10012412 Dual Disc CD & DVD Swinging For The Fences Audio . . . . . . . . . . . . . 19.95 Crisis—Freddie Hubbard/arr. Mike Kamuf. The entire ensemble gets a workout on this highly creative chart! The overriding style is driving swing alternating with some Latin statements of the melody. Suggested solos are included for trombone, tenor, trumpet, and guitar or optional alto sax, but improvised solos are welcome. The tempo is 164-172 bpm, the lead trumpet range is to written B above the staff, and there's a roaring shout chorus. Optional parts are included for flute and vibes. This chart will be a highlight on any program! 11198970 Jazz Ensemble. . . . . . 54.00 Curveball—Paul Baker. Featuring a tenor saxophone soloist, Curveball is in the style of the Ray Charles big band. It opens with huge ensemble brass and bluesy sax lines that switch in and out of a double-time swing feel. The navigation from swing ballad style, double-time feel, and true medium swing and the return to the original swing ballad style helps to define the chart throughout. A soulful melody for the soloist, which is written and improvised, is icing on the cake, along with an improvised solo and cadenzas at the end. Brass ranges: trumpet to written high D and trombone to written G. This is a real powerhouse chart for the entire band and an important addition to the tenor sax solo repertoire! 10999408 Jazz Ensemble. . . . . . 55.00 Deep in the Scene—Mike Sailors. An incredibly hip swing chart steeped in the language of the hard bop era. Tempo is a very manageable 165 bpm, but the language is more advanced than a typical swing-era chart. Trumpet and tenor sax state the melody as it gains strength throughout the first chorus. Even though the melody may be challenging, the solo changes are a familiar D minor blues progression. Solo opportunities are provided for numerous players, and there is a written solo provided for the bassist later in the piece. Following a short shout section, the drums get 16 bars to solo (with additive backgrounds) before returning to the top of the chart via D.C. al Coda. Trumpet range is to written C; trombone range is to G. 11572301 Jazz Ensemble. . . . . . 55.00 Giddyup!—Rick Hirsch. Better big bands will have a great time with this chart that features a catchy, upbeat swing groove with a hip-hop vibe. There are idiomatic melodic and rhythmic themes in all the horn sections which keep returning, thanks to a uniquely modified rondo form. The improvised solos are scored for tenor and trombone and the brass ranges are moderate for this difficulty level. Come on, let's go! 10844009 Jazz Ensemble. . . . . . 60.00 I Can't Stop Loving You—arr. Quincy Jones. Every jazz fan knows it, loves it and has wished it was in print! And now, this quintessential big-band arrangement is finally available! As recorded by the Count Basie Orchestra on their album This Time by Basie: Hits of the 50s & 60s, Quincy Jones' arrangement of I Can't Stop Loving You will bring your audiences to their feet. Beginning with the Count's rubato piano tremolo, this laid-back shuffle chart features in-your-face ensemble writing at its finest. There is short, written-out solo space for trombone and piano, but mostly this chart simply swings its tail off with the entire ensemble from beginning to end! Never has a sad song sounded so happy! Very highly recommended! 10368505 Jazz Ensemble. . . . . . 55.00 Invitation—Bronislau Kaper & Paul Francis Webster/arr. Erik Morales. A standard performed by all the jazz greats. This light swing chart arranged by Erik Morales has a mysterious yet exciting character as it changes grooves from swing to Afro- Cuban, then a faster swing. Check out the fine solis for saxes, trumpets, and trombones! The lead trumpet range is to written A above the staff. Power and excitement in a dynamic chart! 11355034 Jazz Ensemble. . . . . . 52.00 Magic Flea (Full Score Edition)—Sammy Nestico. Recorded on the landmark album Basie Straight Ahead, the tempo Sammy has indicated on the score is "mucho fasto" - which gives you an idea of the flag-waver that is Magic Flea. A full workout for the entire ensemble! 11576720 Jazz Ensemble. . . . . . 60.00 Makin' Whoopee—Walter Donaldson/ arr. Dave Wolpe. Bass trombone players can count on one hand the good charts available for their instrument. Well, here is one of the best yet - arranged in the style of the great George Roberts. With a medium- swing feel, this showcase tune will bring out the best in your bass trombone player with no improvisation, just written melody. There is some written or improvised jazz for second trumpet in Harmon mute, and the lead trumpet has a unison line to written high E. A nice sax soli is the icing on the cake. An outstanding feature chart! 10071915 Jazz Ensemble. . . . . . 60.00 Moanin'—Charles Mingus/arr. Sy Johnson. This is an awesome Mingus double-time swing chart in the original version as recorded on the Mingus Big Band 93 CD. It kicks off with a hot bari sax intro, features some really tight licks, an extended open solo section, and an infectious bari sax line that drives the whole piece. Serious jazz for serious bands! 2388650 Jazz Ensemble. . . . . . 65.00 Moment's Notice—John Coltrane/arr. Alan Baylock. Alan Baylock crafts a great swinger on one of Coltrane's brilliant compositions. Set around 208 bpm, this chart includes solo space for alto and tenor and a lead trumpet range to written high C. A big shout chorus and sax soli complete the package. Outstanding chart! 10452152 Jazz Ensemble. . . . . . 60.00 My Foolish Heart—Victor Young/arr. Alan Baylock. Feature your trumpet 2 player on this superb ballad arrangement. Opening with a lush rubato section and then shifting into a double-time section, this piece will show off the strengths of your group. This is a fantastic addition to your library! 11400558 Jazz Ensemble. . . . . . 52.00 N o r w e g i a n W o o d — L e n n o n & McCartney/arr. Bill Holman. Buddy Rich's band recorded this Beatles tune, and it is one of Holman's best-known charts. Treated as a jazz waltz, full of excitement and energy, it features solos for alto sax and trombone. Lots of raw power and blistering figures make this the ideal concert opener or closer! 2471103 Jazz Ensemble. . . . . . 60.00 Ornithology—Parker & Harris/arr. Greg Yasinitsky. Greg Yasinitsky has set Charlie Parker's great bebop tune to swing at about 172 - 200 bpm. Featuring plenty of excellent sax section solis, brass solis, solo spaces (suggested written solos included) for tenor sax, and piano, this is fine big band swing chart on a great tune. The lead trumpet range goes up to written B-flat above the staff and optional flute and vibraphone parts are included. This is essential jazz repertoire, and this chart is very highly recommended! 10355616 Jazz Ensemble. . . . . . 52.00 Proove Your Groove—Alan Baylock. Yes, it's funky in many ways, performed around 88 BPM. The groove is deep and full of harmonic colors start to finish. Lead trumpet range to written high C, solos re for trombone 1, with a suggested written-out solo, and for drumset. Optional parts include vibes and flute. Although there is no written percussion part, adding congas is suggested. This is festival material. (5:00) 11619662 Jazz Ensemble. . . . . . 62.00 Shiny Stockings—Frank Foster/arr. Sammy Nestico. As recorded by the Count Basie Orchestra, here is Sammy Nestico's classic chart on this Frank Foster jazz standard! Featuring all the signature piano stylings, muted brass on the first strain, a sax soli, a trumpet solo, and a shout chorus that roars, this timeless chart deserves a place in every band's library! 10052507 Jazz Ensemble. . . . . . 65.00 Sing Sang Sung—Gordon Goodwin. This monster chart takes its cues from Sing Sing Sing and goes right over the top! Not many tunes can match the energy of that big band classic, but this one sure does. You'll know it from Gordon Goodwin's Grammy- nominated CD Swingin' for the Fences, and it is one very hot chart! 2470788 Jazz Ensemble. . . . . . 65.00 10012412 Dual Disc CD & DVD Swinging For The Fences Audio . . . . . . . . . . . . . 19.95 So Here's the Thing—Rick Lawn. Based on the chord progression from the Duke Ellington-Billy Strayhorn classic Take the "A" Train, this chart opens with the train's arrival at the station where it's "All aboard!" for a fun swinging adventure. Trombone and alto sax solos (written solos provided) are followed by trading fours between the brass and the bassist (written solos are provided here as well). A full-bodied shout chorus follows, including an 8-bar sax soli. The musical adventure comes to a close with the train pulling back into the station with smiles all around. Trumpet range to written high D. Trombone to A. Written piano and bass parts are provided. 11621730 Jazz Ensemble. . . . . . 55.00 Space City Shuffle—Mark Taylor. Commissioned by the Houston Jazz Orchestra, here's a hard-driving shuffle tune that will make your mature ensemble sound first-rate. The rhythm section sets the table for the saxes on the melody, answered by punches from the brass. Solo spots for tenor and trumpet are interspersed with inventive lines for the full ensemble. A soli for the trombone section follows, and a rousing shout chorus caps things off. 11571822 Jazz Ensemble. . . . . . 65.00 BEST SELLERS Blues & Swing Medium-Advanced Best Selling Charts! These selections, listed in order of their popularity, are chosen most often by directors like you. Moanin'— Charles Mingus/arr. Sy Johnson. 2388650 Jazz Ensemble. . . . . . . . 65.00 I Can't Stop Loving You— arr. Quincy Jones. 10368505 Jazz Ensemble. . . . . . . . 55.00 Well You Needn't— Thelonious Monk/arr. Mike Kamuf. 10513924 Jazz Ensemble. . . . . . . . 55.00 Sing Sang Sung—Gordon Goodwin. 2470788 Jazz Ensemble. . . . . . . . 65.00 Count Bubba—Gordon Goodwin. 2471427 Jazz Ensemble. . . . . . . . 65.00

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