186
2025-26 Editors' Choice New Basic Library Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
Vocal Solo with Jazz Ensemble | All Levels
I Can't Believe That You're in Love with
Me—Jimmy McHugh/arr. Darmon Meader.
Feature your vocal quartet or SATB vocal
ensemble with your jazz ensemble! Plus,
this chart also includes an additional part for
vocal soloist if you prefer. A medium-swing
arrangement by Darmon Meader, the musical
director and chief arranger of the sensational
jazz vocal group, The New York Voices, this
was arranged for them with jazz ensemble.
The solo vocal range is from G below middle
C up to F top line, treble clef. The lead trumpet
range is to high D above the staff. Jazz vocal
quartets/groups are happening!
10069098 Jazz Ensemble & Vocal Group
(or Vocal Solo) . . . MA 62.00
10067398 Octavo . . . . . . . . . . . . . 2.95
I Could Write a Book—Richard Rodgers/
arr. Darmon Meader. Have a jazz vocal
group or quartet? Here is a stunning chart
arranged by Darmon Meader, the musical
director and chief arranger of the jazz vocal
group New York Voices. This stellar tune is
scored for SATB voices and jazz ensemble.
Also included are female or male solo
parts in the event you want to perform it
as a vocal solo feature. The vocal group
arrangement and the jazz ensemble chart
are both superb. Solo vocal ranges: female
part is G below middle C to top space E;
male part is D below middle C to G above
treble staff. Check out this outstanding
chart! Highly recommended!
10049782 Jazz Ensemble & Vocal Group
(or Vocal Solo) . . . MA 62.00
I've Got You Under My Skin—Cole
Porter/arr. Dave Wolpe. Dave Wolpe
delivers a classic swing vocal feature chart
in the Sinatra style. Arranged in two keys
for flexibility, this one features a full band
interlude in the middle and a trombone solo
in the shout chorus. High key is Eb (range
is Bb below middle C to top line F), low key
is Bb (range is F below middle C to third line
Bb). There is an alternate tenor saxophone
solo part included that substitutes for the
vocal solo. Highly recommended!
10028161 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . .M 62.00
It Don't Mean a Thing (If It Ain't Got That
Swing)—Duke Ellington/arr. Victor Lopez.
Swingin' and singin' with big band! This
vocal feature chart with a hard swing feel
practically plays itself. The key is F minor,
the vocal range is middle C to 3rd space
C, and the lead trumpet range is to written
F top line. The solo space is for tenor,
trombone, alto, and trumpet, or optional
vocal scat, all written out. It's Ellington, it's
Lopez, it's great! Highly recommended!
10310223 Jazz Ensemble
& Vocalist . . . . . . . ME 57.00
It Had to Be You—Isham Jones/arr. Rick
Stitzel. Few standards have maintained the
staying power of this popular ballad, having
been recorded by such luminaries as Frank
Sinatra and Bing Crosby to more recent
versions by Harry Connick Jr., Barbra
Streisand, and Michael Buble. This silky-
smooth chart is a perfect choice for your
vocal or tenor sax soloists. Vocal key: E-flat
11172103 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . ME 55.00
It's Only a Paper Moon—Harold Arlen/arr.
Jerry Nowak. Natalie Cole's Unforgettable
album met with incredible popularity and
acclaim, and this great old standard is hot!
Jerry Nowak's solid, medium swing chart
cooks all the way, and is a fantastic feature
for your vocal soloist! Vocal in Eb.
2262590 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . ME 55.00
Jingle Bells—arr. John Clayton. Adapted
from the chart he did for Diana Krall and
recorded with the Clayton-Hamilton Jazz
Orchestra on her Christmas Songs CD,
here is Clayton's joyous, up-tempo swing
chart on this holiday favorite. These jinglin'
bells never sounded so good! Vocal keys:
B-flat, B and C.
10052515 Jazz Ensemble
& Vocalist . . . . . . . MA 65.00
10058233 CD-Smack Dab In The Middle
Jazz Ensemble . . . . . 14.95
Just Friends—John Klenner/arr. Dave
Wolpe. Dave Wolpe's superb chart on
this great jazz standard is for vocalist and
jazz ensemble and it is arranged in two
keys for flexibility. The low key is C and
the high key is F...just flip the page for the
preferred key! In addition, an optional part
is provided for tenor sax as an alternative
to the vocal. A terrific stop-time sax soli
and a jazz solo for 2nd trumpet are more
highlights of this swinger. The low key vocal
range is Gb below middle C to second
space A. The high key range is B below
middle C to fourth line D treble clef. A great
vocal feature that swings all the way home!
10028165 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . .M 65.00
Let It Snow! Let It Snow! Let It Snow!—
Jule Styne/arr. Roger Holmes. With the
vocal part in the key of D-flat modulating to
the key of E-flat, this great holiday standard
works super in a swing feel and is a perfect
choice for your holiday concert!
2249704 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . ME 55.00
The Look of Love—Burt Bacharach/arr.
Mark Taylor. This well-known Latin classic
has been recorded by many jazz artists and
lends itself to an easy relaxed feel. Written
in a very comfortable range for vocalist, this
exceptional chart by Mark Taylor will be a
joy to perform. Vocal in C minor.
2476956 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . .M 55.00
Mack the Knife—Kurt Weill/arr. Dave
Wolpe. Look out, old Mackie is back! This
fabulous vocal chart modulates four times,
up a half-step each time and has a written
tenor sax solo and a big shout chorus.
Arranged in two keys, the high key begins in
B-flat and the vocal range is from middle C
to F top line, treble clef. The low key begins
in E-flat and the range is from low F below
middle C to B-flat, second space. A "must-
have" vocal chart! Highly recommended!
10277802 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . .M 62.00
My Funny Valentine—Richard Rodgers/
arr. Dave Wolpe. Here's a wonderful
ballad for solo vocalist and jazz ensemble
arranged in two keys for flexibility. Arranger
Dave Wolpe, one of the best in the
business, has written this swing ballad in
G minor and C minor with reversible parts,
just flip the page! There are no individual
solos, but plenty of superb ensemble work
and the usual, excellent band chorus in the
middle. The vocal ranges are: low key, G
below middle C to third line Bb and, high
key: middle C to fourth space Eb. This just
may be the ultimate jazz ballad, done here
in another great Wolpe arrangement! Very
highly recommended! Vocal in G minor or
C minor.
2480791 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . .M 62.00
(You Make Me Feel Like) A Natural
Woman—Carole King & Gerry Goffin/arr.
Paul Murtha. Written specifically for Aretha
Franklin, the "Queen of Soul" released this
as a single in 1967 and it became one of
her signature songs. This chart is a powerful
version for vocal solo and jazz ensemble
that's sure to be a concert highlight! No
vocalist? No problem! An optional tenor sax
solo part is included. Highly recommended!
Vocal Key: A-flat
10960656 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . ME 55.00
Night and Day—Cole Porter/arr. Dave
Wolpe. Night and Day never sounded
so good! Here's a solo vocal feature with
jazz ensemble arranged in the Sinatra style
with a tenor sax solo and superb ensemble
writing. It's arranged in two keys for vocal
flexibility... just flip the page for the best key
for the vocalist. Vocal solo ranges: female
key (low) key of C, G below middle C to 3rd
space C; male key (high) of Eb, Bb below
middle C to top space Eb, treble clef. An
excellent chart on this timeless standard!
Highly recommended!
10049773 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . .M 62.00
EXCELLENT JAZZ
CHARTS WITH CHOIR
OR VOCAL ENSEMBLE
Great for combined performances with your school's choir or
vocal ensemble!
I Can't Believe That You're in Love with Me—
Jimmy McHugh/arr. Darmon Meader.
Feature your vocal quartet or SATB vocal ensemble with your jazz
ensemble! Plus, this chart also includes an additional part for vocal
soloist if you prefer. A medium-swing arrangement by Darmon
Meader, the musical director and chief arranger of the sensational jazz
vocal group, The New York Voices, this was arranged for them with
jazz ensemble. The solo vocal range is from G below middle C up to
F top line, treble clef. The lead trumpet range is to high D above the
staff. Jazz vocal quartets/groups are happening!
10069098 Jazz Ensemble & Vocal Group
(or Vocal Solo) . . . . . . . . . . . . . . . . . . . . . . . . . MA 62.00
It Don't Mean a Thing (If It Ain't Got That Swing)—
Duke Ellington/arr. Mike Carubia.
This one is pure Duke Ellington magic! The band really cooks, and the
support for the vocal lines is just right. Give this one a serious look if
you've got some hot vocal jazzers! Vocals in F.
2325017 Jazz Ensemble & Vocal Group . . . . . . . . . . . . . .M 54.00
On a Clear Day (You Can See Forever)—
Burton Lane/arr. Darmon Meader.
Jazz vocal quartet, jazz choir, or an individual vocal soloist... any way
you like it, this is a great chart! It's arranged by Darmon Meader, the
musical director and chief arranger for the New York Voices. This
chart is for SATB choir and jazz ensemble, but it also includes a solo
vocal part for performances by a vocal soloist with jazz ensemble. A
swing chart with wonderful jazz harmonies throughout, it has a written
vocal scat solo plus a written tenor sax solo. The lead trumpet range
is to written B above the staff. If you have the vocalists, it doesn't get
better than this! Highly recommended!
10093219 Jazz Ensemble & Vocal Group
(or Vocal Solo) . . . . . . . . . . . . . . . . . . . . . . . . . MA 62.00
