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Gibraltar—Freddie Hubbard/arr. Mike
Kamuf. Gibraltar is a Freddie Hubbard
jazz standard recorded by many jazz
giants. It's a very hip samba that cooks
at around 180 bpm with written-out solos
provided for trumpet 2 and tenor sax 2,
plenty of action for the drummer, and
a lead trumpet range to written A. Also
included are a few snippets of Freddie
Hubbard licks throughout. Playable with
optional expanded instrumentations, this is
a smokin' chart in every way!
10593775 Jazz Ensemble. . . MA 52.00
Gregory is Here—Horace Silver/arr.
Michael Phillip Mossman. Even though
the sax section gets the bragging rights in
this outstanding arrangement of this classic
mambo chart by Horace Silver, the entire
ensemble gets a chance to flex some
muscle. Lead Trumpet plays to high D and
Lead bone plays to high C.
11617944 Jazz Ensemble. . . . . A 65.00
Iluminada—Michele Fernandez. Get
ready to move! Opening with a warm and
sultry flute solo (opt. Alto or Flugelhorn)
this chart transitions into a burning Son
Montuno with an infectious melody full of
lots of syncopations. Meticulously marked
percussion will teach your rhythm section
authentic interpretations of the Cáscara,
Campanéo and Songo grooves. Your
bass player is also in for a treat. Open solo
section. Lead Trumpet plays up to high Bb
and lead Bone plays up to high Ab.
11617945 Jazz Ensemble. . . MA 55.00
Kirk Out—Tom Garling. This exciting
chart is a must-have for more advanced
groups. Great ensemble writing over a
quasi-Brazilian feel with a funky backbeat
guarantees that this will be a favorite of
bands and audiences alike. The chart
features trumpet, trombone, baritone sax,
and guitar. Perfect for concert or festival!
11615271 Jazz Ensemble. . . . . A 60.00
La Fiesta—Chick Corea/arr. Michael
Mossman. Here is a sizzling Afro-Cuban
version of this Chick Corea classic that is
sure to be an impressive addition to any
concert or festival program for mature
bands. Perfect as a feature for your pianist,
but the flexible solo section allows other
players to be featured as well. Highly
recommended!
10098727 Jazz Ensemble. . . MA 65.00
La Suerte de los Tontos—Johnny
Richards/arr. Victor Lopez. Victor Lopez,
who knows the Latin idiom inside and out,
has given us a powerhouse 6/8 Latin chart
that will make your ensemble sound like the
Kenton Band. It's majestic, powerful and
noble and includes written solo space for
tenor sax and an optional Latin percussion
part. Optional parts are included for flute,
horn in F, baritone/tenor sax and tuba. This
is a "must-have" chart with pure excitement
from beginning to end!
10049728 Jazz Ensemble. . . MA 52.00
Muy Caliente—Erik Sherburne. This is a
challenging samba for the more advanced
jazz ensemble. From the beginning, you will
engage your audience with the Latin groove
and writing for winds. There are solos for
alto, tenor, trumpet, and trombone for you to
highlight some of your best players. There
are also some moments for your drummer
to shine. Have fun with this one!
11206082 Jazz Ensemble. . . MA 50.00
Newport Breeze—Len Pierro. A great
samba that includes some doubles in the
sax parts.
11621968 Jazz Ensemble. . . MA 50.00
A Night in Tunisia—Gillespie & Paparelli/
arr. Michael Mossman. A great showcase
for the entire ensemble, this Latin jazz
classic is now available for your advanced
jazz ensemble! Arranged for and recorded
by Mario Bauza, Michael Philip Mossman
adds his own unique flair to this Dizzy
Gillespie tune that exudes excitement from
beginning to end. The featured soloists
include trumpet (of course), as well as
trombone and alto. An ideal festival chart!
2481613 Jazz Ensemble. . . MA 65.00
Playing with Fire—Christopher Artau.
Perfect for concert or contest, this Latin rock
chart channels the styling of Carlos Santana
with a shimmering guitar part that is perfect
for a strong performer. From top to bottom,
this chart is hot and will make the perfect
closer to your set.
11393022 Jazz Ensemble. . . MA 50.00
Repetition and Reflection—Craig Malcor.
A great combination of rock and Latin feel
for the more advanced ensemble.
11621964 Jazz Ensemble. . . MA 50.00
Sofrito—Mongo Santamaria & Neal Creque/
arr. Michael Philip Mossman. This Latin jazz
classic was made famous by legendary
percussionist Mongo Santamaria. This
smoldering arrangement features a moderate
cha-cha groove and plenty of ensemble
excitement throughout. With feature spots for
the rhythm section, space for open solos, and
even optional band vocals, this one churns
from beginning to end!
11571821 Jazz Ensemble. . . MA 65.00
Tonight, We Tango—Rick Hirsch. You
can't help but smile when you play and hear
Tonight, We Tango. At around 112 bpm,
this tongue-in-cheek chart is tons of fun
and has a melody that just won't go away,
plus the groove is one that people will insist
on dancing to. It was arranged to feature
Grammy-nominated accordionist Alex
Meixner, but in the event you don't have
an accordionist in the band (really?), you
can feature any of your sauciest players on
the optional B-flat, E-flat and Bass Clef solo
parts. The solo parts are a combination of
written passages and improvised choruses
that will demonstrate the versatility of your
ensemble. Nice!
10734981 Jazz Ensemble. . . MA 60.00
Jazz-Rock & Funk
Very Easy
25 or 6 to 4—Robert Lamm/arr. Paul
Murtha. Recorded by the group Chicago,
this signature hit has gone on to become
a rock classic. Paul Murtha's easy
arrangement is playable with very limited
rehearsal time, but still has an authentic
and hard-driving feel. Included are optional
solos or solis for any sax and any brass
instrument. Suggested solos and scale/
chord sheets in all keys are included.
Playable with optional reduced or expanded
instrumentations, it also includes a CD.
Highly recommended!
10188529 Jazz Ensemble. . . . . . 45.00
Agave—Larry Clark. A high-energy Latin
rock tune is always fun, and this one fills
that slot perfectly. Students will get the
opportunity to practice blues form, and
solid ensemble writing will help this chart
come together with a minimum amount of
rehearsal time. Playable with two trumpets
and two trombones, your band and
audience won't get enough of the infectious
groove! The optional fourth trombone part
requires an F attachment.
11501759 Jazz Ensemble. . . . . . 45.00
Agent Undercover—Bryce Newton. Go on
a secret mission with this spy-film-inspired
chart. The open solo section is based on
minor blues changes, and changes are
written for all instruments.
11517920 Jazz Ensemble. . . . . . 45.00
Alligator Alley—Dean Sorenson. This
one's a New Orleans-style chart that will
have the bayou bouncing! It's an ideal
opener and a great way for young jazzers
to learn about the groove. The features
include flexible instrumentation, written
solos, and only four wind players are
needed in addition to the rhythm section.
Highly recommended!
10758597 Jazz Ensemble. . . . . . 55.00
Animal Control—Larry Neeck. Tame
your young beasts with this fun rock chart.
It has all the right stuff: a steady beat,
easy rhythms and ranges, and it's fun for
young players. Beginning improvisers can
develop confidence with the optional two-
bar solo sections over only one chord, or
they can play the included written solos.
It's also playable with optional reduced
or expanded instrumentations. Animal
Control is a great way to build confidence,
introduce improvisation and teach a fun
style. Highly recommended!
10757068 Jazz Ensemble. . . . . . 45.00
Awesome Sauce!—Larry Neeck. This
easy and fun beginning rock chart will be
a hit with young jazz band students. A
steady beat, easy rhythms, and modest
ranges provide the perfect introduction
to rock style. The two-measure solo
section, with suggested solo riffs included,
will encourage young improvisers. It's
also playable with optional reduced or
expanded instrumentations. Awesome
Sauce! provides all the ingredients needed
for a successful musical performance by
young jazzers.
10882804 Jazz Ensemble. . . . . . 45.00
BEST
SELLERS
Jazz-Rock & Funk
Very Easy & Easy
Best Selling Charts! These selections,
listed in order of their popularity, are
chosen most often by directors like you.
Pass the Hot Sauce—Brad Ciechomski.
11521139 Jazz Ensemble. . . . . . E 55.00
Isn't She Lovely—
Stevie Wonder/arr. John Berry.
11105220 Jazz Ensemble. . . . . . E 45.00
The Chicken—
Alfred Ellis/arr. Mike Story.
10303578 Jazz Ensemble. . . . . . E 47.00
Chameleon—
Herbie Hancock/arr. Michael Sweeney.
2123396 Jazz Ensemble. . . . . . E 45.00
Hey, Elephant!—Drew Zaremba.
11562054 Jazz Ensemble. . . . . . E 50.00
Birdland—
Josef Zawinul/arr. Michael Sweeney.
2230910 Jazz Ensemble. . . . . . E 45.00
Mercy, Mercy, Mercy—
Josef Zawinul/arr. Mike Story.
10355608 Jazz Ensemble. . . . . . E 44.00
Birdland—
Josef Zawinul/arr. John Berry.
10960676 Jazz Ensemble. . . . .VE 45.00
Ain't No Mountain High Enough—
arr. Paul Murtha.
11172129 Jazz Ensemble. . . . . . E 45.00
Curacao Blue—Zachary Smith.
11400504 Jazz Ensemble. . . . . . E 42.00
Latin Selections | Medium-Advanced & Advanced / Jazz-Rock & Funk | Very Easy
