J.W. Pepper Catalogs

2025 Fall Concert Band Catalog

J.W. Pepper Music Catalog

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91 Order Toll-Free! Call 1.800.345.6296 | jwpepper.com | [email protected] The Chimes of Liberty (March)—Edwin Franko Goldman/arr. Andrew Glover. One of the best-known marches by march master Goldman in an excellent new edition. Perfect as a contest march for school bands. 11571866 Band Set & Score. . . . . .70.00 Circus Days—Karl L. King/arr. Loras Schissel. Go ahead and sink your teeth into this rip-snortin' circus galop! Loras Schissel's new edition includes clear articulations for an accurate "circus" style performance that will thrill your audiences. And, if you prefer, Circus Days can be performed at a regular march tempo and still sounds great! 2378818 Band Set & Score. . . . . .74.00 Commando March—Samuel Barber/ ed. Collinsworth. Composed in 1943, this was Samuel Barber's first work scored exclusively for band. Since that time this stirring work has become a staple in the repertoire. This important critical edition includes a full score, plus historical notes and corrections from the original publication. 10072364 Band Set & Score. . . . . .80.00 Cuyahoga River March—John M. Pasternak. Cuyahoga River March is a delightfully tuneful new march from composer John M. Pasternak. It is written in standard American march form and classic in style. Musicians and audiences will leave humming every time! 11392906 Band Set & Score. . . . . .85.00 The Directorate—John Philip Sousa/ arr. Lauren Taylor. Written by John Philip Sousa in appreciation of an honor given to him by the Board of Directors of the 1893 St. Louis Exposition, The Directorate was one of the first pieces that he composed for his newly formed Sousa Band. Featuring lively wind parts, contrasting dynamics, interesting harmonic twists in the trio, and a rousing final strain, this march is ideal for teaching the classic march style. Rescored for contemporary concert band instrumentation from Sousa's original, this march is now ready to be discovered by a new generation of performers. 11516665 Band Set & Score. . . . . .85.00 El Capitan—John Phillip Sousa/ed. Brion & Schissel. This sparkling, bold march is the kind that made Sousa the undisputed "March King!" This historically accurate edition by Brion and Schissel comes complete with helpful notes about performance practices followed by the Sousa band. Outstanding in every respect! 2417293 Band Set & Score. . . . . .78.00 El Relicario—Jose Padilla/arr. Longfield. One of the most famous and best loved paso dobles ever written, this classic band work from the rich heritage of band literature is here presented in a setting by Robert Longfield that reveals all of its fiery rhythms and sweeping Spanish melodies, yet keeps it in a quite playable framework. This is a real winner! 2210813 Band Set & Score. . . . . .68.00 El Rey del Paso—Ray Lombrette. As the title already suggests, this piece for wind band is written in a typical Spanish style: paso doble. Written in a minor key, the introduction is very dynamic. A variety of sound and rhythmic effects place each instrument group in the spotlight. Impressive basses are followed by high brass, then the woodwinds play a more solemn melody. Finally, the major and minor key elements are combined to give the composition the specific charm of the paso doble. A great departure from the traditional march style. 11575113 Band Set & Score. . . . . .71.43 Emblem of Unity—J.J. Richards/arr. Swearingen. This highly regarded concert march has long been a favorite in the repertoire of outstanding concert bands throughout the world. This version, edited by James Swearingen and published in concert size with a full score, will allow directors the opportunity to once again experience the exhilarating sounds of one of the all-time great marches! 2197606 Band Set & Score. . . . . .78.00 Espana Cani—P. Marquina/arr. Longfield. Fiery rhythms and flowing Spanish melodies make this one of the most famous of all the great "paso dobles" and Robert Longfield's exceptional new arrangement makes it real a showstopper for band! From the opening trumpet fanfare to the whirlwind finish, this is perfect programming for high school groups, as well as community and college bands. A real winner for both performers and audiences! 2396307 Band Set & Score. . . . . .72.00 Fairest of the Fair—John Philip Sousa/ ed. Brion & Schissel. Take note of this excellent edition of one of Sousa's most outstanding marches! Released as part of the Sousa Centennial Editions authorized by the Sousa family corporation, this publication has been edited by Sousa scholars Loras Schissel and Keith Brion. As with all of the Centennial Editions, there are extensive program notes and performance suggestions included. 2438505 Band Set & Score. . . . . .78.00 Florentiner March (Grande Marcia Italiana) —Julius Fucik/arr. Lake & Fennell. Best known for his incomparable up-tempo march Thunder And Blazes (Entry Of The Gladiators), Julius Fucik has another strong contender for that inner circle of marches. Fennell tells us it was not meant for regimental review or street parade but demands interpretation and a stylistic approach. "A great and continuing tradition in American band performance lives on in this music." 2063113 Band Set & Score. . . . .110.00 Florentiner March—Julius Fucik/ed. John R.Bourgeois. Described as an Italian grand march, this wonderful march is now available in an edition based on the original European edition. Including a full score, this entertaining composition shows itself to be as much at home in the concert hall as on the parade ground! 2420719 Band Set & Score. . . . . .95.00 Flying High (March)—Larry Clark. A throwback to the old circus marches, this is a tour de force from start to finish! This traditional Fillmore-like march has everything you need to teach technique and style. Perfect for any concert program or festival adjudication - a winning selection! 11198536 Band Set & Score. . . . . .85.00 Gallantry March—Marsha Chusmir Shapiro. Although written in the traditional 6/8 march form, this march lets the lower instruments and horns get away from the usual offbeat accompaniment. With interesting melodies and countermelodies, use this march to teach dynamics and listening skills to your ensemble. Careful attention to the dynamic shifts and the balance of parts will bring this march to life. 11572104 Band Set & Score. . . . . .95.00 11572158 Additional Score . . . . . . .15.00 Galop Festivo—Randall Standridge. Hold on to your seats! The styles of Saint-Saens and Shostakovich have been channeled to create a rollicking galop that your players and audience are sure to love! Careful scoring, catchy melodies, and a rousing finale combine to create a true show- stopper for your next concert. Perfect as an opener, finale, or encore! 11515729 Band Set & Score. . . . . .75.00 Hands Across the Sea—John Philip Sousa/ed. Brion & Schissel. Another fine addition to the ongoing series of authentic Sousa marches edited from the set of parts used by Sousa himself. Authorized by the official family corporation of the Sousa heirs, this is the definitive edition of this rousing march, and an important addition to all good band libraries! Includes notes on the performance practices of the Sousa Band. 2379014 Band Set & Score. . . . . .74.00 His Honor—Henry Fillmore/ed. Frederick Fennell. This great march by Henry Fillmore is now available in concert size and edited by Frederick Fennell. 2032886 Band Set & Score. . . . . .95.00 In Storm and Sunshine—J.C. Heed/ed. Charles Booker. Composed in 1885 by a gifted young cornetist and bandmaster, this is one of the most enduring circus marches, or "screamers." The quick tempo and pounding rhythms evoke the chaos and thundering hooves of four-footed animals running into a circus arena instead of the steady, regimented pulse of men marching. Presumably, the title refers to minor and major modes, hence the "storms" and the "sunshine." 11558543 Band Set & Score. . . . . .85.00 Inglesina (The Little English Girl)— Davide Delle Cese/ed. John R. Bourgeois. Best known for his marches, Davide delle Cese was an Italian band leader, composer and teacher who enjoyed a long and rich musical career. His march, Inglesina, is one of his most popular marches and is an international favorite. This accomplished edition is based on the original 1871 Italian edition and brings new excitement and freshness to a European classic. 2446110 Band Set & Score. . . . . .95.00 The Klaxon—Henry Fillmore/arr. Fennell. Look carefully at this! It's Henry Fillmore's famous march which features woodwind runs, simple but exceptionally effective horn writing, lyrical melodies and a dramatic dogfight. An unusually good selection for contest or other important performances. 2139731 Band Set & Score. . . . . .95.00 La Fiesta Brava—Trestin Durant. This original Spanish-style march is one for the books. Superb stylistic writing and scoring help set the foundation for a solid performance and an even better experience for your musicians and audiences. 11562296 Band Set & Score. . . . . .80.00 The Liberty Bell—Sousa/ed. Brion & Schissel. Here's an authentic edition of the famous classic march! It includes copious notes and performance suggestions, including the chime parts used by Sousa himself. It truly is a great march that should be included in the repertoire of all experienced bands! Highly recommended! 2470462 Band Set & Score. . . . . .78.00 March of the Belgian Parachutists— Pierre Leemans/arr. Bourgeois. This immensely popular march, completed in Belgium near the end of World War II, is a lyrically upbeat European "walking" march. Newly researched by Col. John R. Bourgeois, this edition contains several strains omitted from a previous edition. 10317493 Band Set & Score. . . . . .75.00 Marche Des Parachutistes Belges (March Of The Belgian Paratroopers)— Pierre Leemans/arr. Wiley. This gem is the Official March of the Belgian Paratroopers, and has become a standard in the march repertoire. It's a European "walking" march that should be in everyone's library. 986232 Band Set & Score. . . . . .90.00 Concert Marches | Medium

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