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Choral Performance Music | Concert & Festival
The Lonely Tree—Glenda E. Franklin.
Inspired by seeing a bent, older tree among
younger, healthier ones, the composer
wrote this song with the message that while
we might not always be at our best, we still
have so much to offer. Perfect for young
singers, this stately yet gentle selection
features simple harmonies and accessible
part-writing. Add the optional flute for even
more lyrical beauty.
11605646 Two-Part . . . . . . . . .ME 2.50
The Lovely Valley—Tim Winebrenner.
Delicate and lyrical, this setting of an
adaptation of Joseph Horatio Chant's
Buttercups and Daises text poignantly
captures the beauty of nature. Tender
harmonies and vivid imagery paint a serene
picture of growth and resilience, making
it a perfect addition to spring concerts or
performances at any time of year.
11611479 SA or Two-Part . . . .ME 2.15
Mi Gallo (My Rooster)—arr. Andy Beck.
With only ten words of Spanish text, this
traditional Spanish folk song is easy to learn
for any choir. The small-range melody is
presented first in unison and then in canon
before a simple ostinato adds another layer,
closing with echoing rooster calls "Cocori,
cocora!" Parts for maracas and claves are
included, or you may improvise your own
percussion. A translation and pronunciation
guide is included.
11564473 Two-Part . . . . . . . . .ME 2.30
Michael, Row the Boat Ashore!—arr.
Russell Robinson. Set in an island style,
this arrangement of the South Carolina
Sea Island song is very easy for developing
choirs to learn. The harmonies and
interplay between the voices are nice,
the lightly syncopated rhythms are very
catchy, and there are even some short a
cappella sections that highlight the voices
in harmony. Add the optional percussion for
added excitement!
11593359 Two-Part . . . . . . . . . . E 2.75
The Moon—Andy Beck. Written especially
for two-part choirs, this inquisitive piece
features lyrical unisons, echo singing, and
sensible duet harmonies. A haunting piano
motive represents the moon throughout as
the childlike text ignites your choir's collective
imagination. "O moon, shining in the night...
come again tomorrow night..." A marvelous,
luminous nocturne for young voices!
10047188 Two-Part . . . . . . . . . . E 2.05
Moonglow—Kim Noller. A celestial tribute
to the beauty and reassurance of the
moon's light, this selection features poetic
lyrics and a serene melody that evokes
the wonder of the night sky. Accessible
to young voices, the vocal lines are easily
sung, and the harmony is optional.
11611396 Unison . . . . . . . . . . .ME 2.15
A Mountain Medley—arr. Earlene Rentz.
Three classic American folk tunes come
together in this lighthearted medley
featuring easy rhythms, playful lyrics,
and lively key changes. A fitting choice
for developing choirs exploring traditional
repertoire with a touch of frontier charm,
the medley comprises Rocky Mountain;
Sourwood Mountain and She'll Be Comin'
'Round the Mountain.
11620348 Two-Part . . . . . . . . .ME 2.25
Music Is Always There—Teresa Jennings.
Hang onto your hats for this one! With an
important message that no matter where
you go or whatever you do, music will
always be there for you, this original
song sounds like a fast-paced American
folk song with a hoedown feel. It can be
performed in unison throughout or in two
parts with optional handclaps that enhance
the style and performance. Your singers
and audience will love it!
11567654 Two-Part . . . . . . . . .ME 2.30
My Shadow—Susan Thrift & Earlene
Rentz. Robert Louis Stevenson's text is
given a playful treatment in this original
composition for young choirs. Text painting
keeps the piece light and humorous,
depicting the childlike thrill of discovering
one's shadow.
11609587 Two-Part . . . . . . . . .ME 2.15
Nonsense Limerick Rounds—Tim
Winebrenner. Featuring Edward Lear's
whimsical limericks from A Book of
Nonsense, this playful collection helps
young singers develop blend, tone,
and part-singing skills. Flexible and
fun, all three rounds can be performed
completely a cappella, or with optional
Orff instrumentation. Sure to bring
smiles to performers and audience
members alike!
11609588 SA . . . . . . . . . . . . . . . E 1.75
Northern Lights—Andy Beck. A musical
tribute to the aurora borealis, this original
work flickers and flashes with colorful
imagery. Carefully crafted for beginning
harmony singers, it opens with independent
parts that come together in a glowing
chorus like lights swirling in the winter sky.
An optional descant at the end adds even
more sparkle. Easily learned and effectively
performed, it is a great choice for December
or winter concerts.
11566020 Two-Part . . . . . . . . . . E 2.30
Notes from Emily—Robin McLaughlin
Conine. Deftly weaving two famed Emily
Dickinson poems together, this whimsical
musical setting expresses the nature of her
poetry with charm and creativity. The piano
adds a playful motive with meter changes,
while the singable syncopated melody is
presented in unison, canon, and with easily
learned harmony. It's a delightful piece for
treble choirs of all ages.
11593362 Two-Part or SA . . . .ME 3.20
Oborozukiyo (Misty Moonlit Night)—
Teiichi Okano/arr. Douglas E. Wagner.
Written in 1919 with lyrics by Tatsuyuki
Takano, this song is a much-loved and
treasured reflection on the natural beauty
of Japan. Perfect for young singers, the
peaceful arrangement incorporates lovely
unison, simple harmonies, and optional
handbells or glockenspiel.
11604285 Two-Part . . . . . . . . .ME 2.35
Oh the Wheel, It Keeps A-Turnin—
Douglas E. Wagner. Celebrating the
rhythms of life, this vibrant song is perfect for
moving-up ceremonies, year-end concerts,
or any time of year. Accessible harmonies
and a supportive piano accompaniment
make this a fitting selection for singers at
the elementary or middle school level.
11593363 Two-Part . . . . . . . . . . E 2.95
Oh, Sing!—Karen Crane. A vibrant
and joyful celebration of music and
togetherness, this song features lively
rhythms and uplifting lyrics. An invitation for
singers to clap, cheer, and sing in harmony,
this accessible selection is sure to fill the air
with the power of music.
11611411 Two-Part . . . . . . . . .ME 2.15
Onomatopoeia—Mark Burrows. The only
lyric in this piece that is not an onomatopoeia
is the word "onomatopoeia," making this
original song so much fun to sing! Unison
singing, echoes, and spoken parts make this
piece accessible to elementary and other
young choirs. Perfect for teaching rhythmic
and cross-curricular concepts, your students
will not only learn something, but they'll also
have a good time!
11559640 Two-Part . . . . . . . . . . E 2.60
Ooey-Gooey Cinnamon Bun—Andy
Beck. With its happy groove and deliciously
clever lyrics, this tasty tribute to a favorite
sweet treat is sure to be the most flavorful
moment of any concert, at any time of year!
Three layers in the "roll, roll, roll" refrain
spice up otherwise beginning two-part
harmony, and the accompaniment track is
the icing on top!
11613741 Two-Part . . . . . . . . .ME 2.20
The Owl, the Wind, and the Moon—
Mark Burrows. Three nighttime characters
emerge one at a time to "weave their
nocturnal tune" in this imaginative,
mysterious original. Singers become
storytellers with a creative text, text painting,
dramatic dynamics, and sound effects that
imitate the whispering wind. Perfect for fall
or any time of year!
11611136 Two-Part . . . . . . . . .ME 2.40
11613325 P/A CD-Pianotrax 17 . . 54.99
Peace Like a River—arr. James DesJardins.
A fresh take on the beloved spiritual, this
vibrant arrangement features partner-song
harmony, a rhythmic piano accompaniment,
and a modern gospel flair. Perfect for
churches and schools alike, this selection
is not only easy to learn but so much
fun to sing!
11609593 Two-Part or SA . . . . . E 2.15
Pizza Love—Teresa Jennings. Written in
a retro Motown style, this novelty number
is a tongue-in-cheek romantic ode to pizza!
Perform it as a unison song or with the
optional three-part background vocals. So
much fun to sing and hear!
11597300 Unison . . . . . . . . . . .ME 2.30
Reach Out With Love—Jeannine Lasky &
Masa Fukuda. With a message of inclusion,
this song reminds children to reach out and
lift others up. Opportunities for solo, unison
singing, or optional two-part harmony make
this compelling number fit for elementary,
middle school or community choirs.
11593825 Unison/Two-Part . . .ME 3.50
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