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Classical Selections
Medium
1812 Overture—P.I. Tchaikovsky/arr.
Jerry Brubaker. Maintaining all of the
excitement and pageantry of the original,
this work has been paired down to six and
half minutes. Best known for its climactic
volley of cannon fire, ringing chimes and
brass fanfare, this piece is perfect for a
bicentennial celebration in 2012. You'll
have to hear it to believe it!
10310481 Full Orchestra. . . . . . . 73.00
10310482 Additional Score. . . . . . 8.00
Amadeus (from Symphony No.
25)—W.A. Mozart/arr. Jamin Hoffman.
Symphony No. 25 begins with one of
Mozart's most recognized themes, as
heard in the classic Oscar-winning film
"Amadeus." Hoffman has placed the first
movement in an accessible, practical format
that can be performed by school orchestras
with confidence.
10062533 Full Orchestra. . . . . . . 80.00
10084749 Additional Score. . . . . . 5.00
Bacchanale (from "Samson and
Delilah")—Camille Saint-Saens/arr. Merle
Isaac. This haunting Saint-Saens theme is
a favorite of audiences everywhere and is a
great change of pace on any program.
2143592 Full Orchestra. . . . . . . 85.00
2335644 Additional Score. . . . . 10.00
A Can-Can Festival—Jacques Offenbach/
arr. Todd Parrish. In this multi-level
arrangement for string or full orchestra,
both new and experienced students get
to enjoy the excitement of Offenbach's
famous dance. The piece can be performed
with strings only, with parts for beginning,
intermediate, and advanced levels. Or,
add optional advanced wind, brass, and
percussion parts for a full orchestra concert
- combined levels or advanced players
only. The perfect grand finale to your
pyramid concert that will motivate young
musicians with a great sense of pride and
accomplishment!
11500306 String Orchestra
Multi-Level . . . . . . . . . 80.00
11500403 Additional Score. . . . . . 9.50
Dance of the Hours—Amilcare Ponchielli/
arr. Richard Meyer. Your orchestra will love
the chance to play these ever-popular tunes
from Ponchielli's opera "La Gioconda."
Instantly recognizable to any audience,
this arrangement retains the sound of the
original and gives students a chance to
develop the variety of techniques needed
to perform two very different styles of dance
music. The key has been changed from E
major to G major and the time signature
simplified from 4/8 to 4/4, but none of the
fun is missing!
10738946 Full Orchestra. . . . . . . 59.00
10738978 Additional Score. . . . . 10.00
Farandole (from "L'Arlesienne Suite No.
2")—Georges Bizet/arr. Merle J. Isaac. This
spirited, well-loved work by Georges Bizet
is an absolutely delightful work for both
rehearsal and performance!
2156024 Full Orchestra. . . . . . . 73.00
4956280 Additional Score. . . . . . 7.00
Finlandia—Jean Sibelius/arr. Owen
Goldsmith. There's a cold mystique about
this work from Finland's most famous
composer, but at its heart is a warmth that
overflows with beauty. Well known to many
listeners, Finlandia displays a strong sense
of nationalistic strength in its mighty brass
and soaring strings. Owen Goldsmith's
adaptation eliminates a few of the technical
difficulties and includes generous cross-
cuings. The brass double tonguing is still
there, but so is all the power!
2376036 Full Orchestra. . . . . . . 80.00
5627229 Additional Score. . . . . . 9.00
The Firebird—Igor Stravinsky/arr. Jack
Bullock. This thrilling selection provides
a great introduction for younger players
to Stravinsky! This transcription provides
access at the perfect level.
10453875 Full Orchestra. . . . . . . 55.00
10453917 Additional Score. . . . . . 7.00
The Holberg Suite—Edvard Grieg/arr.
Victor Lopez. With string parts as close to
the original as possible, this full-orchestra
arrangement of two movements from
Grieg's Holberg Suite is superb! It may
be performed by string or full orchestra,
and, for ultimate flexibility, each movement
can be performed alone. Featuring the
Sarabande and the Gavotte, careful
attention has been paid to maintain the
original intentions of the composer.
10594781 Full Orchestra. . . . . . . 73.00
10594825 Additional Score. . . . . 10.00
Jupiter, Bringer of Jollity (from "The
Planets")—Gustav Holst/arr. Vernon
Leidig. This magnificent work by Gustav
Holst is scored in a very playable
arrangement for school orchestras.
2155315 Full Orchestra. . . . . . . 73.00
4957247 Additional Score. . . . . . 9.00
Light Cavalry Overture—Franz von
Suppe/arr. Merle J. Isaac. A truly excellent
addition to any orchestra library! Completely
re-edited for advanced full orchestra in its
original length, this exciting work is always
a concert favorite. Opening with its famous
horn calls and strong chords, it contains the
celebrated theme for which the overture is
always remembered, depicting the gallop
of the cavalry. A bright, energetic concert
feature for both school and community
ensembles, sure to delight!
2200913 Full Orchestra. . . . . . . 70.00
5390109 Additional Score. . . . . 12.00
Marriage of Figaro—W.A. Mozart/arr.
Merle J. Isaac. Here's Mozart's most
famous overture, carefully arranged and
edited by Merle Isaac. Staying very true
to the original, this one challenges the
strings, but often becomes their favorite! An
excellent opener or closer.
2127850 Full Orchestra. . . . . . . 69.00
5761507 Additional Score. . . . . . 9.00
Nutcracker Ballet, Set 1 (Dance of the
Sugar Plum Fairy and Waltz of the
Flowers)—P.I. Tchaikovsky/arr. Merle
Isaac. For decades, the skilled arranging
of the late Merle Isaac made great works
playable by developing orchestras. Here he
presents the beloved "Nutcracker" in two
sets that sound like the originals. Feature
a good pianist in Dance of the Sugar Plum
Fairy. Show off the entire orchestra in Waltz
of the Flowers. Perform as is or make your
own suite with the addition of Set 2 (Pepper
#2041903).
2041911 Full Orchestra. . . . . . . 73.00
2362671 Additional Score. . . . . . 9.00
Nutcracker Ballet, Set 2 (March of
the Nutcracker and Trepak)—P.I.
Tchaikovsky/arr. Merle Isaac. This second
set features two of the most well-known
holiday favorites of all time: March of the
Nutcracker and Trepak. As always, Merle
Isaac remained as true to the originals as
possible. Playable alone or with Set 1 as a
suite (Pepper #2041911). Trepak makes
a fantastic finish to your holiday concert!
Wonderful music!
2041903 Full Orchestra. . . . . . . 69.00
9562514 Additional Score. . . . . . 9.00
Overture from Carmen—Georges Bizet/
arr. Richard Meyer. Your students will
love rehearsing and performing this fine
arrangement containing some of the most
recognizable music ever written! Very
faithful to the original, the orchestration will
give younger groups a mature, full sound,
and the multiple percussion parts will keep
your percussionists engaged. Best of all,
every instrument gets to play the famous
melody of the majestically stirring Toreador
Song! (3:00)
11568652 Full Orchestra. . . . . . . 75.00
11568803 Additional Score. . . . . 10.00
The Pines of Rome—Ottorino Respighi/
arr. Stephen Bulla. Long considered to
be one of the most dramatic symphonic
movements of all time, Respighi's finale
is arranged to make it accessible and
effective for advancing groups. The
tension-building final section of this
monumental work has been carefully
crafted by Stephen Bulla to give your
orchestra the opportunity to perform the
triumphant "ending of all endings."
2481823 Full Orchestra. . . . . . . 85.00
10004523 Additional Score. . . . . . 7.50
Procession of the Sardar (from
"Caucasian Sketches")—Ippolitov-
Ivanov/arr. Merle J. Isaac. This very
pompous, march-like setting by Merle
Isaac is perfect for assemblies and
concert openings. This is quite full
sounding, and there is a nice balance of
melody between winds and strings.
2066645 Full Orchestra. . . . . . . 69.00
5535877 Additional Score. . . . . . 9.00
Radetzky March—Johann Strauss/arr.
Merle J. Isaac. This famous, stately march is
a fantastic program selection on virtually any
concert! Expertly arranged for advanced full
orchestra, this familiar bright tune just might
make your audience clap along. Thanks to
the Vienna Philharmonic, it has become a
staple on New Year's and winter concerts,
but this classic march is a perfect choice for
programs and festivals all year round.
2158871 Full Orchestra. . . . . . . 65.00
2427672 Additional Score. . . . . . 8.00
BEST
SELLERS
Full Orchestra
Classical
Medium to Advanced
Buy with confidence! These works,
listed in order of their popularity, are
chosen most often by directors.
A Can-Can Festival—Jacques
Offenbach/arr. Todd Parrish.
11500306 String Orchestra
Multi-Level . . . . B-M 80.00
11500403 Additional Score . . . . 9.50
Symphony No. 5 Finale—Dimitri
Shostakovich/arr. Stephen Bulla.
10042883 Full Orchestra . MA 100.00
10054684 Additional Score . . . 15.00
Bacchanale (from "Samson and
Delilah")—Camille Saint-Saens/
arr. Merle Isaac.
2143592 Full Orchestra . . . M 85.00
2335644 Additional Score . . . 10.00
An American in Paris Suite—
George Gershwin/arr. John Whitney.
2440956 Full Orchestra . . MA 80.00
5912597 Additional Score . . . 11.00
Two Puccini Arias (I. O mio babbino
caro, II. Nessun dorma)—Giacomo
Puccini/arr. Chris M. Bernotas.
11568636 Full Orchestra . . . M 80.00
11568787 Additional Score . M 10.00
Jupiter, Bringer of Jollity
(from "The Planets")—
Gustav Holst/arr. Vernon Leidig.
2155315 Full Orchestra . . . . . 73.00
4957247 Additional Score . . . . 9.00
Overture from The Barber of Seville—
Giacomo Rossini/arr. Merle J. Isaac.
2139368 Full Orchestra . . MA 82.00
8059048 Additional Score . . . 12.00
Amadeus (from Symphony No. 25)—
W.A. Mozart/arr. Jamin Hoffman.
10062533 Full Orchestra . . . M 80.00
10084749 Additional Score . . . . 5.00
Hoe Down (from "Rodeo")—
Aaron Copland.
973776 Full Orchestra . . . .A 80.00
2428340 Additional Score . . . 20.00
Sleeping Beauty Waltz—
P.I. Tchaikovsky/arr. Merle J. Isaac.
2143618 Full Orchestra . . . M 75.00
5390133 Additional Score . . . 10.00
Classical Selections | Medium
