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17
Concert & Festival
Moonlit Apples—Luke Flynn. With the cinematic
quality this film composer is known for, this
creative work sets John Drinkwater's text with
accessibility and impact. The stunning choral lines
evoke a sense of mystery and wonder that match
the quality of the text in a serene soundscape that
is ideal for fall or general concert programming.
11639325 SATB . . . . . . . . . . . . . . . . . . . M 2.70
Most Precious Light—Paul Smith. Chromatic
lines and gentle dissonances weave together in
this expressive SATB a cappella piece, creating
a rubato flow that mirrors the reflective text. Best
suited to advanced high school or collegiate
ensembles, it offers a contemplative addition to
programs inspired by the VOCES8 repertoire.
11640809 SATB . . . . . . . . . . . . . . . . . . . M 3.00
Muhona—Cedrick Howoseb/ed. Ryan Main.
Sung in the Otjiherero language of southwest
Africa, this joyful and upbeat original a cappella
work by Nambian composer Howoseb features
claps, easy-to-learn movements, and djembe
accompaniment. You can also showcase soloists
or small groups of singers on the descants
that soar over the rhythmic choral lines. A
pronunciation guide and translation are provided
along with a notated djembe part.
11589488 SATB . . . . . . . . . . . . . . . . . . . M 2.95
11606108 SAB . . . . . . . . . . . . . . . . . . . . M 2.95
11589489 SSAA. . . . . . . . . . . . . . . . . . . M 2.95
11589490 TTBB . . . . . . . . . . . . . . . . . . . M 2.95
The Music of Living—Dan Forrest. A dynamic
opening selection for mixed, treble, or tenor-bass
choirs, this powerful and inspirational piece with
an original text has an active and rhythmic piano
accompaniment that supports the strong choral
lines. Optional instrumental parts for violin, horn,
timpani, and percussion are available.
10304256 SATB . . . . . . . . . . . . . . . . . . . M 3.50
11597428 SSAA. . . . . . . . . . . . . . . . . . . M 3.30
10356635 TTBB . . . . . . . . . . . . . . . . . . . M 3.30
10427513 Instrumental Parts. . . . . . . . . . 55.00
Nadiya Provede—Kseniia Sydko. Written by
a Ukrainian refugee in the wake of war, this
selection, whose title translates to "hope will
guide," is a poignant reflection on the journey from
darkness to light. With storm-like textures, rising
refrains, and the steady promise of hope, this
original work offers a universal message: even in
the darkest moments, hope endures. While most
of the text is in English, there is a translation and
pronunciation guide for the Ukrainian text.
11641936 SATB . . . . . . . . . . . . . . . . . . . M 2.95
No Mo', My Lawd (Prison Work Song)—arr. Stacey
V. Gibbs. Drawing on authentic field recordings,
this arrangement of a work song reflects themes
of resilience, faith, and determination. A powerful
setting for more advanced a cappella tenor-bass
choirs, it offers the opportunity to study the history,
context, and style. A woodblock part is included.
11640852 TTBB . . . . . . . . . . . . . . . . . . . M 3.20
No Time—arr. Susan Brumfield. This outstanding
setting of a traditional camp meeting song is
growing in popularity as a top choice for choirs!
10291521 SATB . . . . . . . . . . . . . . . . . . . M 2.10
3225539 SSAA. . . . . . . . . . . . . . . . . . . M 2.15
10436447 TTBB . . . . . . . . . . . . . . . . . . . M 2.15
Non Nobis, Domine—Rosephanye Powell.
This work is pure magic! Short rhythmic phrases
repeating and building on top of one another,
contrasting sections, a dynamic and rewarding
conclusion. The traditional Latin text makes it
appropriate for sacred or secular performance.
3297026 SATB . . . . . . . . . . . . . . . . . . ME 2.75
11200408 SAB . . . . . . . . . . . . . . . . . . . ME 2.25
3701688 SSAA. . . . . . . . . . . . . . . . . . ME 2.95
8071663 TTBB . . . . . . . . . . . . . . . . . . ME 2.25
Northern Lights—Andy Beck. A musical tribute
to the aurora borealis, this original work flickers
and flashes with colorful imagery. Carefully
crafted for beginning harmony singers, it opens
with independent parts that come together in a
glowing chorus like lights swirling in the winter sky.
An optional descant at the end adds even more
sparkle. Easily learned and effectively performed.
11566020 Two-Part . . . . . . . . . . . . . . . . E 2.30
O Love—Elaine Hagenberg. This beautiful setting
of George Matheson's familiar hymn text functions
perfectly in both sacred or secular settings. Here,
O Love is given a fresh new melody with equally
refreshing and gorgeous harmonies. You will not
want to miss this for use as a sacred meditation
in a worship service or in a concert setting as a
tribute to the glory of love itself. Simply stunning!
10667410 SATB . . . . . . . . . . . . . . . . . . . M 2.50
10954544 SSAA. . . . . . . . . . . . . . . . . . . M 2.50
10954546 TTBB . . . . . . . . . . . . . . . . . . . M 2.50
10954547 Instrumental Parts. . . . . . . . . . . 4.95
One Ripple—Kathryn Parrotta. Flowing vocal
lines are beautifully woven together to create a
ripple effect in this stunning treble feature. A song
of purpose and belonging, the lyrics explore being
a part of something greater than oneself: "I am
one ripple, one thread in the fabric of the blanket
we weave. I am one ripple. But just one ripple
makes a wave."
11634673 SSA . . . . . . . . . . . . . . . . . . . . M 2.80
The Owl, the Wind, and the Moon—Mark
Burrows. Three nighttime characters emerge one
at a time to "weave their nocturnal tune" in this
imaginative, mysterious original. Singers become
storytellers with a creative text, text painting,
dramatic dynamics, and sound effects that imitate
the whispering wind.
11611135 Three-Part Mixed . . . . . . . . ME 2.40
11611136 Two-Part . . . . . . . . . . . . . . . ME 2.40
11613325 P/A CD- Pianotrax 17 . . . . . . 54.99
The Parting Glass—arr. MaryAnne Muglia. A
heartfelt closer or a special song for a send-off
celebration, this timeless a cappella setting of
the beloved Scottish folk song could become
a tradition for your choir year after year. The
expressive melody is passed seamlessly from
section to section, and gentle rubato phrases
invite choirs to savor every moment.
11641818 SATB . . . . . . . . . . . . . . . . . . ME 2.20
I Have a Dream—
Kim Noller.
11393035 Two-Part . . . . . . . . . . . . E 2.15
MLK—
U2/arr. Bob Chilcott.
3018843 SATB . . . . . . . . . . . . . .M 2.30
Music Lead the Way—
Laura Farnell.
10352197 SATB . . . . . . . . . . . . ME 2.75
11559834 SAB. . . . . . . . . . . . . . ME 2.30
10352159 SSA. . . . . . . . . . . . . . ME 2.75
11501672 TB or TTB . . . . . . . . . ME 2.50
My Feet Are Tired, but My Soul Is
Resting—Francis Smith Thomas/
arr. Shawn Kirchner.
11348866 SATB . . . . . . . . . . . . . .M 2.25
Sing to Martin Luther King—
Jill Gallina.
11388609 Two-Part . . . . . . . . . . . . E 2.50
We Shall Overcome—
arr. Rollo Dilworth.
11385856 Three-Part Mixed . . . ME 2.50
11385854 Two-Part . . . . . . . . . . ME 2.15
Honor the Dream
Through Music
Celebrate the life and legacy of Dr. Martin Luther
King Jr. with music that inspires unity, hope, and
justice. Explore sheet music selections that echo his
timeless message of peace and equality.
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