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I Wish I Could Remember—Christopher Aspaas.
Shimmering lines for voices and oboe capture
both the anticipation of new beginnings
and the tenderness of Rossetti's words,
unfolding with lyrical warmth and expressive
depth. A meaningful choice for choirs looking to
feature a guest instrumentalist in collaboration
with choir.
11640794 SATB Divisi . . . . . . . . . . . . . MA 3.20
I've Got Joy—Otto Gross, Jayna Gross & Abigail
Flowers. Brimming with energy and joy, this
original work features an uplifting text, infectious
melodies, and rhythmic verses, making it a joy
to perform, see, and hear! With gospel flair in
the vocal harmonies and accompaniment, it is a
perfect way to open or close a concert. Add the
body percussion notated in the score to encourage
creativity and improvisation.
11589493 SAB . . . . . . . . . . . . . . . . . . . ME 2.95
11589494 Two-Part . . . . . . . . . . . . . . . ME 2.95
11589492 SSA . . . . . . . . . . . . . . . . . . . ME 2.95
If You Want to Sing Out, Sing Out—Cat
Stevens/arr. Matt Podd & Adam Podd.
This enduring song by Cat Stevens is an
encouragement to say what you want to say, do
what you want to do, and be who you want to
be. Now in an inspirational choral setting, this
heartfelt arrangement is perfect for graduation
or any time of year that you want your singers to
find confidence in who they are!
11641984 SATB . . . . . . . . . . . . . . . . . . ME 2.50
In All Things Love—Dan Forrest. Well-known
text from 1 Corinthians 13 is adapted and
paired with expressive vocal writing and elegant
accompaniment in this universal call to love
one another. Add the optional string quartet to
enhance the beauty of this flexible work, fitting for
concerts, weddings, and church services.
11594028 SATB . . . . . . . . . . . . . . . . . . ME 2.50
In Meeting We Are Blessed—Troy Robertson.
The use of a djembe imparts a traditional African
feeling to this easy original a cappella work. The
Gatsnahos text, inspired by John Donne, has a
theme of friendship and unity that all can relate
to. "We are met together and in meeting we are
blessed. Peace in coming and in going, peace in
labor and in rest..." This is accessible to choirs at
many levels, and it makes a wonderful processional!
10589968 SATB . . . . . . . . . . . . . . . . . . ME 3.25
10996247 SSA . . . . . . . . . . . . . . . . . . . ME 2.95
11169350 TTBB . . . . . . . . . . . . . . . . . . ME 3.25
In the Silence of the Night—Andrew Steffen.
A setting of Christina Rosetti's poem Echo, this
work is both contemplative and passionate. With
lyricism at its heart, the piece moves between
unison, canon, and homophonic harmony, guiding
the listener through the emotional ebbs and flows
of longing, nostalgia, and lost love.
11639572 SAB . . . . . . . . . . . . . . . . . . . . M 3.95
11639571 SSA . . . . . . . . . . . . . . . . . . . . M 3.95
11639573 TBB . . . . . . . . . . . . . . . . . . . . M 3.95
J'entends le Moulin (I Hear the Windmill)—arr.
Emily Crocker. Hear the steady sound of the mill
wheel in this brisk setting of the French Canadian
folk song, which uses alternate French and English
text. "I hear the windmill, tick-a tick-a tack-a..." Use
the pronunciation guide on the inside cover or the
Teaching P/A CD to practice the French lyrics.
This is easy and fun to sing!
11176683 SAB or SA(T)B . . . . . . . . . . ME 2.50
10030298 Two-Part . . . . . . . . . . . . . . . ME 2.35
10030299 Teaching P/A CD . . . . . . . . . . 22.99
Journey the Night—Lisa Longe. "In darkness,
we see more than we know." Carefully crafted
for developing groups with moderate-range voice
parts and a supportive accompaniment, this gentle
original work in 6/8 is a lovely choice. Poetic lyrics
about the mystique and wonder of nighttime evoke
sounds of singing shadows. Composed mostly
in minor, the final bars soften and slow with an
uplifting shift to the relative major.
11594286 Three-Part Mixed . . . . . . . . ME 2.30
11594287 Two-Part . . . . . . . . . . . . . . . ME 2.30
11613325 P/A CD- Pianotrax 17 . . . . . . 54.99
A Jubilant Psalm—Emily Crocker. With text
from Psalms 8 and 67, this quintessential concert
or festival opener begins with a spirited piano
introduction while the voices take off with power
and jubilance. Rhythmic vitality, mixed meter, and
full divisi in voices make this piece a strong choice
to showcase your choir.
1789007 SATB . . . . . . . . . . . . . . . . . . . M 2.25
11639226 SSA . . . . . . . . . . . . . . . . . . . . M 2.50
Jubilate Deo—Peter Anglea. This superb setting
of the traditional Latin text from Psalm 100 fairly
dances off the page in joy! Singable, natural-
sounding mixed meter, a memorable melodic line,
and a buoyant feel throughout make this one of
the most appealing and musically satisfying works
you will hear!
10445795 SATB . . . . . . . . . . . . . . . . . . . M 3.50
10873705 SSAA. . . . . . . . . . . . . . . . . . . M 2.95
Jubilate Deo—Joseph Twist. Engaging and
exciting, this work sets a celebratory sacred text
with syncopated rhythms and pentatonic modal
writing. Utilizing overlapping musical ideas and
featuring a strong rhythmic drive, your audience is
sure to be captivated by this concert showstopper!
11640195 SATB . . . . . . . . . . . . . . . . . . MA 3.50
Concert & Festival
Celebrate the Music of John Rutter
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life, inspiration, and lasting influence on the world of choral music.
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