7
Order Toll-Free! Call 1.800.345.6296 | jwpepper.com | [email protected]
Hear & See the Music at jwpepper.com/ec The Best New Concert & Festival Selections
Music Makers, Dreamers of Dreams
Victor C. Johnson.
A jubilant setting of Arthur O'Shaughnessy's beloved text, this festive
selection works perfectly as a concert opener or closer. A bold fanfare
reveals the syncopated statement of the main theme, which then
transitions into a lyrical, flowing middle section and propels back to the
opening motive for a truly exhilarating finish!
11640114 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.65
11640115 SA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.65
Music Will Sing
Karen Marrolli.
"When words fail, music will sing!" An inspiring original text and musical
setting, this work is highly accessible with moderate ranges for all voice
parts. Its socially responsive themes speak to the power of music - a
strong programming choice for mixed ensembles of all ages.
11639330 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.80
My Lord, What a Mornin'
arr. Adam Podd & Matt Podd.
Balancing deep tradition with fresh energy, this vibrant arrangement
reimagines the classic spiritual with the drive and spirit of modern
gospel music. Careful attention to ranges and accessibility makes this
possible for choirs of all ages, and the creative harmonic writing makes
this a joy to sing!
11641783 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.50
My Lord, What a Morning
arr. Baptiste Trotignon & Susan LaBarr.
Inspired by Reginald Mobley's performance on the Grammy-nominated
album Because, this setting of the traditional spiritual features jazz
piano by Baptiste Trotignon and warm vocal harmonies. A fresh take
on a beloved classic, this compelling arrangement brings this important
song to life in a new way.
11640200 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 3.40
My Mother Told Me
Ehan Hartung.
Set to an ancient Viking poem, this powerful and approachable work
brings the spirit of Norse adventure to young choirs. With a strong,
singable melody and optional percussion, it captures the energy and
determination of seafarers setting sail for distant shores.
11636469 TB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.95
|Nau maire
Cedrick Howoseb/ed. Ryan Main.
Featuring the unique clicks and pops of the Damara language, this
blazing-fast original work from Namibian composer Howoseb is an
exciting challenge. It includes a rhythmic djembe accompaniment, easy-
to-learn movements, and moments of nicely constructed contrast in feel
and tempo. A pronunciation guide and translation are included along
with a notated line for djembe. The movement resource can be found
on the publisher's website as a free download.
11589495 SATB w/ Djembe. . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.95
11641787 SSAB w/ Djembe, opt. Divisi . . . . . . . . . . . . . . . . . . .M 2.95
11589496 SSAA w/ Djembe . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.95
11589497 TTBB w/ Djembe. . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.95
Love Never Leaves
Jacob Narverud.
Heartfelt and memorable, this beautiful original work about
remembering a loved one is both hopeful and poignant. Written in a
popular song style, the lyrical melody begins in unison and eventually
blossoms into full harmony as the wistful music-box-like piano
accompaniment gradually builds into a rhythmic heartbeat.
11578682 SATB Divisi or SSATBB . . . . . . . . . . . . . . . . . . . . . ME 2.75
11630529 SAB or Three-Part Mixed . . . . . . . . . . . . . . . . . . . . ME 2.75
11606110 Two-Part or SA . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.75
11561254 SSA or SSAA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.75
11638400 Full Score & Parts (All Voicings) . . . . . . . . . . . . . . ME 39.99
Mama Wawa
Nyi Nyi Myin.
A traditional nursery rhyme from Myanmar, this is the first text a child
may learn as an introduction to the Burmese language. A curriculum
guide authored by Coty Raven Morris and Colleen McNickle with lesson
plans and extension activities is available as a free PDF download.
11537981 Three-Part Mixed. . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.90
11593300 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.90
11640805 TBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.90
Mangisondele Nkosi Yam
arr. Michael Barrett.
An arrangement of a traditional song from the Zulu culture, this is
written in the isicathamiya style that originated among Zulu mine
workers during the apartheid years. Two soloists open with a call
followed by response from the choir. Dramatic and powerful, it builds
throughout with an exciting rhythmic section at its center.
10761752 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.70
11639333 SSAA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.90
11202479 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.25
May a Rainbow Run Beside You
Mark Burrows.
With a text taken from a variety of traditional Irish blessings, this lyrical
original is the perfect way to close a concert, celebrate a graduation or
moving on ceremony, or establish as a signature song for your choir.
With the opportunity to teach balance and blend, all voice parts have
the opportunity to sing both melody and harmony.
11641815 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 2.20
11641816 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 2.20
10866281 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 2.05
Meet Me in the Afterglow
Kate Crellin.
Thoughtful and creative, this work reflects on the proverbial nature of
moving on, whether from current experiences or in a broader, more
eternal sense. With warm a cappella harmonies and a contemporary
yet nostalgic feel, the piece celebrates the lasting bonds formed through
shared journeys. "With all you were and all you'll be, in the afterglow
we'll meet."
11641425 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.50
Michael Finnegan
arr. Mark Burrows.
Full of clever vocal writing and playful rhythmic interplay between the
parts, this setting of the beloved American folk song keeps listeners
engaged from start to finish. A bright and bouncy piano accompaniment
adds to the charm, making this an irresistible choice for choirs looking
to showcase spirit, humor, and musicality.
11640110 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.45