2025-26 Editors' Choice
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38
General Anthems
Love Always Echoes True—Victoria
Schwarz/arr. Roger Thornhill. This original
setting of a beloved scripture passage
combines joyful, dance-like sections
with contrasting episodes of expressive
lyricism, making this approachable anthem
a splendid choice for spring or summer
worship gatherings. A timeless scripture
held gently in the arms of song!
11596030 SAB . . . . . . . . . . . . . . . . . 2.35
A Love-Filled LIfe—Paul Nicholson/arr.
Patrick Sinozich. This text was written
in memory of the late composer Paul
Nicholson, whose hymn tune DEMING has
been thoughtfully arranged. An uplifting
description of a disciple's life dedicated to
God and others.
11642149 SATB . . . . . . . . . . . . . . . . 2.55
Lux Aeterna—Tim Winebrenner. Meaning
"light eternal," this pensive setting of the Latin
text affords choirs musical development of
dynamic colors, range, and musicianship.
With conservative ranges and options to
sing a cappella or with the notated piano
accompaniment, this is a fantastic choice to
explore modern harmonies and musicality in
an accessible setting.
11609585 SAB opt. Piano . . . . . . . . 2.15
10990305 TTB opt. Piano . . . . . . . . 2.25
Neither the Moon by Night—Thomas
LaVoy. A lyrical setting of Psalm 121, this
simple and beautiful piece may be sung as
a single treble line or as a soprano solo with
piano accompaniment - or add the optional
ATB parts. The flowing piano accompaniment
has an improvisatory quality with the vocal
harmonies moving slowly over it.
11572442 SATB . . . . . . . . . . . . . . . . 2.75
A New Day Canticle—Joseph M. Martin.
With a sparkling lilt and a positive message
to rejoice and be glad in a new day, this
anthem is a perfect call to worship. Perform
as a complete anthem, or use just the
opening few pages at the beginning of a
service and reprise the same section at the
end for a bookended sending forth.
11620157 SATB . . . . . . . . . . . . . . . . 2.80
Now Rest, Ye Pilgrim Host—Don Meeks/
arr. Heather Sorenson. This setting is
a distinctive treatment of a classic text
that celebrates the journey of faith and
honors those who have gone before us.
This energetic, Celtic-inspired anthem is a
delightful choice for churches dedicated to
musical diversity. Services for Pentecost and
All Saints would be inspired by this choice.
11620233 SATB . . . . . . . . . . . . . . . . 2.65
O Bread of Life from Heaven—arr. Ralph
M. Johnson. This lyrical and rhapsodic
setting of the cherished chorale has
occasional divisi in the soprano line. The
overall work is accessible and easily
prepared. Ideal for communion services,
Maundy Thursday, or any occasion
highlighting the bread of life theme.
11642701 SATB . . . . . . . . . . . . . . . . 2.50
O Most High (Psalm 92)—Jonathan Reid.
This cheerful song of praise sets portions of
the beloved Psalm, "It is good to give thanks
to the Lord, to sing praises to your name,
O Most High." The composer's experience
as both a choral musician and a pianist
shines brightly in this luminous anthem.
11621088 SATB . . . . . . . . . . . . . . . . 2.50
One Thing Have I Asked—Terre Johnson.
This original composition is based on
Psalms 27:4, 84:1-2, and 23:6, with special
emphasis on dwelling in the house of the
Lord forever. The choral writing features
independent lines for each voice part and
includes an optional violin part that adds
extra color to this beautiful composition.
11640748 SATB . . . . . . . . . . . . . . . . 3.20
11640749 Instrumental Parts-
Violin . . . . . . . . . . . . . . . . 6.00
Open Our Eyes, Lord (Illumination
Hymn)—Josh Sparkman. Quiet and
meditative, this song offers a prayer to God
for understanding and grace. With a simple
accompaniment that includes a solo violin
part, this tranquil anthem can provide the
perfect transition during worship to a time
of prayer or preaching.
11639078 SATB . . . . . . . . . . . . . . . . 2.50
11639079 Accompaniment CD . . . 25.00
Our Life Has Its Seasons—Allen Pote.
This familiar scripture from Ecclesiastes
confirms for all of us how God shapes our
lives through a flow of seasons. The long
lyrical vocal lines achieve a continuous
momentum toward the climax. An optional
flute or violin will add an enhancing color to
the rich choral harmonies.
11614321 SATB . . . . . . . . . . . . . . . . 3.50
The Peace Gift—Rebecca Hogan &
Douglas Nolan. Precious and fragile, this
anthem rises like a prayer, surrounding the
heart with a serenity of purpose. Reserved
ranges and an approachable yet supportive
piano part make this beautiful sacred song
easy to learn and appropriate for groups of
any size.
11620238 SATB . . . . . . . . . . . . . . . . 2.50
Praise the King of Heaven—Mark
Shepperd. This original setting of the well-
known hymn text is vibrant and rhythmically
exciting with percussion and mixed meters.
Vocal parts are supported by a lively piano
accompaniment. The optional percussion
part is particularly effective and provides an
irresistible driving pulse to this setting.
11640750 SATB w/Percussion . . . . 3.20
11640751 Instrumental Parts-
Percussion . . . . . . . . . . . 6.00
Prayer of St. Francis—Allen Pote. The
text from the prayer of St. Francis of Assisi
is perhaps one of the most gorgeous
and thought-provoking ever written. The
composer has skillfully set this lovely text
with a warm, flowing melody that is sure to
inspire a spirit of peace and unity.
1596683 SATB . . . . . . . . . . . . . . . . 2.95
11576566 Two-Part Mixed,
SA or TB . . . . . . . . . . . . . 2.95
The Promise of the Call—Mark Hayes.
This powerful anthem sets an original
text from Pamela Stewart that is largely
based on Philippians 1:3. The piano
accompaniment incorporates a sixteenth-
note flourish that accentuates the vocal
writing. This majestic setting is useful at
many times throughout the church year.
11618290 SATB . . . . . . . . . . . . . . . . 3.20
11640765 Full Score Orchestra. . . 17.50
11640766 Instrumental Parts-
Orchestra . . . . . . . . . . . 55.00
Psalm 16 (My Refuge)—Craig Courtney.
This setting adapts portions of Psalm 16:
"Keep me safe, O my God, for you are
my refuge." Beautifully arching lines float
over flowing piano accompaniment in
this heartfelt prayer for God's protection
and care, turning to an affirmation and
assurance of God's comfort.
11621082 SATB . . . . . . . . . . . . . . . . 2.50
Psalm 47—John A. Behnke. Bring energy
and excitement to your congregation with a
joyful setting of Psalm 47 using handclaps
and keyboard accompaniment. The two-
part mixed and unison setting is useful for
choirs of all sizes.
11593487 Two-Part Mixed. . . . . . . . 2.25
Psalm 63 (O God, You Are My God)—
Benjamin David Knoedler. This exquisite
anthem gives voice to one of scripture's
most heartfelt prayers of longing and
praise. Featuring masterful choral writing
and an expressive piano accompaniment,
it is suitable for a variety of worship
settings. Choirs have an opportunity to
lead congregations in worship that is both
personal and communal.
11642478 SATB . . . . . . . . . . . . . . . . 3.25
Psalm of Praise and Rejoicing—John
Purifoy. Lilting with jubilant melodic waves
and elegant rhythmic gestures, this song
of praise is the perfect Sunday morning
anthem. Wonderfully flexible in subject
and crafted for success, this will be a
welcome addition to both traditional and
liturgical services.
11596033 SATB . . . . . . . . . . . . . . . . 2.35
Put on Love—John Helgen. With a text
based on Colossians 3:12-17, this gentle
setting is suitable for general use in a
worship service and for themes of love
and unity. The optional C instrument and
handbells add a lovely layer to this warm,
inviting piece.
11614310 SATB . . . . . . . . . . . . . . . . 4.40
Rejoice! Salvation's Come!—Glenn L.
Rudolph. A tribute to the pure joy of singing
in harmony at church with dear family and
friends, this arrangement is based on the
southern gospel hymn The Gate Ajar for Me
from the 1938 Cokesbury Worship Hymnal.
The tune is changed from 6/8 to 9/8 to give
it more swing, and the Rev. John A. Dalles
penned a new text.
11640753 SATB . . . . . . . . . . . . . . . . 2.90
Rest (from "These Ancient Words")—
Heather Sorenson. Lush harmonies and
elegant accompaniment patterns support the
lyrical melody, inviting the listener to come to
the Savior for rest and healing. This fourth
movement from the extended work "These
Ancient Words" comes straight from Matthew
11:28-30. Written for SATB, accompanied by
piano or chamber orchestration.
11595143 SATB . . . . . . . . . . . . . . . . 2.75
11608556E Instrumental Parts-
ePrint . . . . . . . . . . . . . . . 86.20
BEST
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Adult Choir
General Anthems
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often by church directors! Look online
for the most current information on
recordings, instrumental parts, large
print and digital edition availability.
All Things New—Elaine Hagenberg.
11375949 SATB. . . . . . . . . . . . . . . . . . . . 2.75
11594021 SSA. . . . . . . . . . . . . . . . . . . . . 2.75
You Do Not Walk Alone—
Elaine Hagenberg.
11166201 SATB. . . . . . . . . . . . . . . . . . . . 2.75
11210446 SSAA. . . . . . . . . . . . . . . . . . . . 2.75
11314797 TTBB. . . . . . . . . . . . . . . . . . . . 2.75
I Believe—Mark A. Miller.
10335690 SATB. . . . . . . . . . . . . . . . . . . . 2.65
10757190 SSA. . . . . . . . . . . . . . . . . . . . . 2.65
Draw the Circle Wide—Mark A. Miller.
10061177 SATB. . . . . . . . . . . . . . . . . . . . 2.50
Can We Sing the Darkness to Light?—
Kyle Pederson.
10994208 SATB. . . . . . . . . . . . . . . . . . . . 2.80
Shalom—Dan Forrest.
11314187 SATB. . . . . . . . . . . . . . . . . . . . 2.75
11416605 Two-Part Mixed . . . . . . . . . . . 2.75
11314188 SSA. . . . . . . . . . . . . . . . . . . . . 2.75
11314189 TBB . . . . . . . . . . . . . . . . . . . . . 2.75
I Choose Love—Mark A. Miller.
10661699 SATB. . . . . . . . . . . . . . . . . . . . 3.25
11100143 SSA. . . . . . . . . . . . . . . . . . . . . 3.15
In All Things Love—Dan Forrest.
11594028 SATB. . . . . . . . . . . . . . . . . . . . 2.50
Umoja Tunaimba (United We Sing)—
Victor C. Johnson.
11393661 SATB. . . . . . . . . . . . . . . . . . . . 3.25
11567238 Three-Part Mixed . . . . . . . . . . 3.25
11567239 Two-Part . . . . . . . . . . . . . . . . . 3.25
Come by Here—arr. Kyle Pederson.
11199621 SATB. . . . . . . . . . . . . . . . . . . . 3.20
Worship Planning
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