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More Lenten Anthems
7
More Lenten Anthems
A Fountain Filled with Blood—David
Lantz III. William Cowper's outstanding
Holy Week text is given a new and
refreshing setting. With an early American
Appalachian sound and a flowing, rhythmic
piano accompaniment, this selection has a
subtle upbeat feel. Its melodious nature and
moving text tell the story of Christ's sacrifice.
11638548 SATB . . . . . . . . . . . . . . . . 2.60
11638549 SAB . . . . . . . . . . . . . . . . . 2.60
Alas, and Did My Savior Bleed—arr. Mary
McDonald. Set to the tune
KINGSFOLD,
this Isaac Watts hymn text takes on a
mysterious and somber character in this
exquisite arrangement. Simply scored for
piano, choir, and solo violin, the harmonic
structure and emotive text come together
to create an impactful and stirring work.
Accessible vocal ranges and singable
choral writing make this selection a good
choice for Holy Week or during Lent.
11377242 SATB . . . . . . . . . . . . . . . . 2.95
11398381E Violin ePrint . . . . . . . . . . . 7.95
And Can It Be?—Dan Forrest. Sometimes
the mere thought of Christ's immeasurable
love can wash over the believer in an
overwhelming wave. This choral anthem
is reserved for those moments in worship.
Using Charles Wesley's beloved text
and an original melody, this tender work
captures the wonder of Christ's sacrifice
in a devout and uplifting statement that will
penetrate the soul.
10458750 SATB . . . . . . . . . . . . . . . . 2.50
10554766 SSAA. . . . . . . . . . . . . . . . 2.50
10554778 TTBB . . . . . . . . . . . . . . . . 2.50
10509104 Orchestration
for SATB . . . . . . . . . . . . 90.00
10554770 Orchestration
for SSAA . . . . . . . . . . . . 90.00
10554779 Orchestration
for TTBB . . . . . . . . . . . . 90.00
Arise, My Soul, Arise—Dan Forrest.
Offering a fresh perspective on a Charles
Wesley text, Dan Forrest has fashioned a
new hymn tune, Chodan, that is a tender
yet emphatic statement of faith from the
believer. Scored for SATB, SSA or TTBB
with piano and optional violin, this anthem
is suitable for Lent, communion or general
worship during a time of confession and
assurance of pardon. A must for your Holy
Week services.
10341889 SATB with Violin . . . . . . . 2.50
10341890 SSA with Violin . . . . . . . . 2.35
11594022 TTBB with Violin . . . . . . . 2.50
10425394 Instrumental Parts-
Violin Part for SSA Only . 4.95
At the Cross—arr. Mary McDonald. The
well-known Good Friday text is creatively
paired here with the
WAYFARING
STRANGER
tune. This inspired, fresh take
on these well-known classics envelops us
in the pathos of the crucifixion story. Lovely
and straightforward, the SAB voicing is
easily learned.
11540070 SAB . . . . . . . . . . . . . . . . . 2.95
Behold the Lamb of God—John A.
Behnke. This Baroque-like anthem
incorporates accessible contrapuntal
technique, making it satisfying for
singer and listener alike. With a voicing
for smaller ensembles, use for Lent
or communion.
11373283 SAB . . . . . . . . . . . . . . . 2.25
Beneath the Cross of Jesus—arr. Cindy
Berry. This setting of a time-honored
hymn perfectly displays the arranger's
distinctive style including beautiful
reharmonizations, an impeccably written
piano accompaniment, subtle dynamic
gradations, and well-crafted part-writing.
Use for Lenten worship or any service
remembering the Lord's sacrifice.
11415828 SATB . . . . . . . . . . . . . . 2.75
By the Way You Love—Pepper Choplin.
With words based on John 13:35, this
original ballad has a light contemporary
rhythm and melody that brings an intimacy
to the familiar scripture. It reminds all that
no matter what we try to do as a church,
the world will know we are disciples of
Christ "by the way we love." This originally
appeared in Pepper's Lenten cantata God
So Loved.
11639165 SATB . . . . . . . . . . . . . . 3.25
11639166 Instrumental Parts . . .49.95
Carry Him Sweetly—Ruth Elaine
Schram. Tender and expressive, this
moving anthem for Good Friday worship
has a poignant original text. The melody
is seamlessly woven together with the
beloved hymn Were You There? Its rich
harmonies and optional cello obbligato
make this a powerful addition to any
Lenten or Holy Week service.
11642122 SATB . . . . . . . . . . . . . . 2.85
Come Find His Rest—Erik Dewar/arr.
Dan Forrest. This hauntingly beautiful
anthem weaves together a newly written
hymn with I Heard the Voice of Jesus Say
(
KINGSFOLD). With piano and optional
strings, it uses a soloist and offers the
congregation an option to join on one
verse. A powerful experience for Lenten
worship and memorial services.
11416626 SATB . . . . . . . . . . . . . . 2.75
11423138 Instrumental Parts . . .30.00
Come unto Me—Matthew J. Armstrong.
Exquisite writing for voices, piano, and violin
is on full display in this musical tribute to
the composer's mother. The comforting
text of Matthew 11:28-29 is brought to life
through lush harmonies and a swelling
piano accompaniment. Program this
beautiful piece during the Lenten season
or to complement worship themes of grace,
forgiveness, commitment, and healing.
11416966 SATB . . . . . . . . . . . . . . . . 2.65
Create in Me a Clean Heart—Matthew
Culloton. Set in an accessible style, Psalm
51 is useful for the beginning of Lent or
other times in the church year. A beautiful
descant appears over the established
melody for an inspiring conclusion to this
lovely piece.
11373285 SATB . . . . . . . . . . . . . . . . 2.65
Create in Me a Clean Heart—Mary Lynn
Lightfoot. Created as a tribute to her mother,
Mary Lynn Lightfoot's setting of Psalm 51
is a beautiful anthem for choirs and small
ensembles. The vocal parts weave phrases
together, guiding listeners and singers alike
in prayer and reflection. An excellent option
for Ash Wednesday and Lenten worship as
well as for themes of renewal and healing.
11416959 SATB . . . . . . . . . . . . . . . . 2.25
11416960 SAB . . . . . . . . . . . . . . . . . 2.25
11375582 Two-Part . . . . . . . . . . . . . 2.75
Dust I Am—Mark Miller. A very picturesque
text setting, well written and meaningful; this
is the perfect anthem for Ash Wednesday.
Easily accessible to adult or youth choirs,
it is scored for mixed voices, soprano
descant, piano, and optional congregation
(part included).
11166989 SATB . . . . . . . . . . . . . . . . 3.30
Dust, Remember You Are Splendor—
Anne Krentz Organ. The poetry of Susan
Palo Cherwien brings new imagery and
depth to the traditional Ash Wednesday
themes of dust and repentance. In this
setting, the beautifully written original
hymn tune
DUST SPLENDOR underscores
the hopeful and contemplative text. The
assembly can be invited to join in on the
last stanza.
11539773 SAB . . . . . . . . . . . . . . . . . 2.75
Father, Let This Pass—Victor C. Johnson.
A compelling text is perfectly matched to a
haunting melody in this breathtaking new
offering for Holy Week. Placing a spotlight
on Christ as He agonizes in the garden, the
lyrics plumb the depths of His despair, as
well as His ultimate submission to the Father
by lovingly bearing the sins of the world. This
tremendous anthem will find its place in your
choir's repertoire for years to come.
11415836 SATB . . . . . . . . . . . . . . . . 3.20
Forgive Us, Lord, for We Know What
We Do—Mark Burrows. A truly profound
anthem crafted for Lent and Holy Week
- the convicting text reflects on the many
ways we confess Christ with our mouths
yet fail to follow Him with our actions. The
setting gently guides all toward a more
authentic faith.
11641200 SATB with Piano. . . . . . . 2.65
11641201E SATB with Piano ePrint . 2.65
Forsaken—Dan Forrest. No one could
presume to know Christ's thoughts as he
awaited the suffering just hours before
he was crucified. This anthem combines
scriptures from the Psalms and the New
Testament into a first-person account of
what Jesus' thoughts might have been. With
masterfully composed music, instrumental
textures and an aura of deep sadness, the
resulting anthem is a penetrating look at
the Good Shepherd during his moments of
deepest agony.
10489739 SATB . . . . . . . . . . . . . . . . 2.50
10489740 Instrumental Parts-
Violin/Cello . . . . . . . . . . 17.50
God So Loved the World—Bob Chilcott.
For SATB choir and soprano solo. Fresh
and unsentimental, this setting of the much-
loved text is as beautiful as the familiar
anthem by Stainer and a worthy alternative.
While a cappella, with some work this
anthem is achievable by dedicated directors
and singers.
8030579 SATB . . . . . . . . . . . . . . . . 3.95
God So Loved the World (from "The
Crucifixion")—John Stainer. Stainer's
enduring work is possibly the most
sublime musical expression of a beloved
text from the Gospel of John. It is a stellar
anthem that deserves a place in every
church's choral library. An excellent choice
throughout the year and particularly for
Good Friday services.
400051 SATB . . . . . . . . . . . . . . . . 2.25
God So Loved the World—arr. Keith
Christopher. This update to the classic
setting includes more accessible voicing
and a beautiful piano accompaniment
that provides both support and creativity.
Optional flute (included) and string quartet
(available separately) add additional color.
11540788 SATB . . . . . . . . . . . . . . . . 2.40
11540796 Orchestration
CD-ROM . . . . . . . . . . . . 25.00
Hear Our Prayer—Mark Patterson. A
wonderful resource for your children's choir
or small adult choir, this trilogy includes
short anthems for Ash Wednesday, Lent,
and Holy Week. The first simple prayer
anthem can be sung as a partner song and
used with the congregation. The second
anthem is a prayer for God's guidance and
strength. The final piece sets the hymn text
Beneath the Cross of Jesus to a beautiful
new melody - a prayer for God's grace. A
must-have for your choral library!
11166873 Unison/Two-Part . . . . . . . 3.95
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