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More Lenten Anthems
9
The Old Rugged Cross—arr. Mary
McDonald. Here is a lush and beautiful
setting of George Bennard's beloved
Lenten hymn. In a refreshing twist, the
setting begins in a stately 4/4, eventually
moving into the traditional 3/4 where it
builds to a glorious finish.
11416796 SATB . . . . . . . . . . . . . . . . 3.25
11416797 Orchestration . . . . . . . . 89.95
Pie Jesu Domine—Victor C. Johnson.
This earnest, haunting setting of the
familiar Latin text includes sensitive,
skillful part-writing and seamless interplay
between the voices and accompaniment.
An outstanding piece for a mixed choir of
any size, it also includes a beautiful part for
optional cello. In a sacred setting, is useful
for Lent or Good Friday.
11416982 SATB . . . . . . . . . . . . . . . . 2.45
Prayer for Mercy—Mark Hayes. This
Lenten prayer pairs text from Luke 11:4
and Latin from the Roman Mass with
Beethoven's Moonlight Sonata. Hauntingly
beautiful, the harmonies and voice leading
are electrifying. Latin gives way to English
for each phrase sung, using the melody
from Beethoven's immortal classic, which
pianists will enjoy playing.
11416790 SATB . . . . . . . . . . . . . . . . 2.95
Search Me, O God (A Psalm of
Humility)—Heather Sorenson. This artful
setting of Psalm 139:23-24 creates a
spellbinding impact enhanced by beautiful
piano and cello accompaniment. Layered
vocal writing weaves luscious harmonies
with occasional clusters and divisi. Subtitled
A Psalm of Humility, it is appropriate for
worship throughout the year and especially
for Lent.
11393578 SATB . . . . . . . . . . . . . . . . 2.35
Seven Introits for Lent—David Lantz III.
This collection of seven Lenten introits is
written specifically for services starting with
Ash Wednesday and continuing through
Palm Sunday. The accompaniments for
these minute or less pieces are effective on
either piano or organ. With varied styles, the
music is very accessible to both vocalists
and accompanists.
11638563 SATB . . . . . . . . . . . . . . . . 2.80
11638564 SAB . . . . . . . . . . . . . . . . . 2.80
Speak to Me in Ashes—Douglas Nolan. A
touch of Let All Mortal Flesh Keep Silence
introduces this Ash Wednesday reflection
and recurs towards the end. The minor
original melody, introduced by optional
vocal solo, captures the ebb and flow of the
lyric. Simple yet profound, this anthem is a
quiet call to listen, learn, and live.
11166004 SATB . . . . . . . . . . . . . . . . 2.50
Take Up Your Cross, the Savior Said—
arr. Howard Helvey. The rugged early
American tune BOURBON provides an
assertive choice as a choir anthem during
the Lenten season. The energetic treatment
with its off-beat accents perfectly suits the
tune and text: "Take up your cross, the
Savior said, if you would my disciple be;
take up your cross with willing heart, and
humbly follow after me."
11416638 SATB or SAB . . . . . . . . . 2.35
The Spotless Lamb—Sean Paul. A
compelling new melody breathes life into
the familiar Nothing but the Blood text by
Robert Lowry. The accessible choral parts
provide a colorful support to the tune,
culminating in a satisfying climax before
fading away as the piano reminds us of the
traditional hymn melody.
11540061 SATB . . . . . . . . . . . . . . . . 3.00
11540062 Orchestration . . . . . . . . 95.00
Wayfaring Stranger—arr. Craig Courtney.
This haunting and soulful treatment of the
well-known American folk melody includes
instrumental echoes of the spiritual
Sometimes I Feel Like a Motherless Child
which adds further depth of expression. The
choral writing is refined yet simple.
11539984 SATB . . . . . . . . . . . . . . . . 2.75
11566449 Instrumental Parts-
Cello or Flute/Violin. . . . 20.00
We Shall Walk Through the Valley—arr.
Undine Smith Moore. The arrangement
of this African American spiritual is both
accessible and gorgeous. A short choral
section is used for the introduction,
interludes between verses, and at the
conclusion, adding cohesion to a lovely
setting. Perfect for the first Sunday of
Lent or as a companion anthem whenever
Psalm 23 is scheduled.
11416588 SATB . . . . . . . . . . . . . . . . 2.25
What Wondrous Love Is This—Lloyd
Larson. Based on the text of the familiar
Appalachian folk hymn but with new
music, this emotive arrangement features
a descending melodic figure in the piano
accompaniment that paints the recurring
portion of the text "When I was sinking
down." The hollow sound of open fifths with
a flowing piano accompaniment illustrates
the blend of despair of Christ's death and
the hope of the resurrection.
11375775 SATB . . . . . . . . . . . . . . . . 2.95
What Wondrous Love Is This—arr.
Eugene Oldham. This simple, ethereal
setting of the early American folk hymn
may be sung by two-part treble voices or
as an easy (parallel voicing) SATB anthem
using the included markings in the score.
Highly effective during Lent or Holy Week
with minimal difficulty!
11416636 SA or SATB. . . . . . . . . . . 2.35
What Wondrous Love Is This—arr. Robert
Sterling. One of our most enduring hymns
- with its beautiful, haunting, folk-like tune
and moving lyrics, it is a masterful blend
of traditional and modern that will surely
resonate with your choir and congregation.
Ideal for any service during Lent or Easter,
or any service focused on the love of God
and the sacrifice of Christ.
11639685 SATB . . . . . . . . . . . . . . . . 2.50
When I Survey the Wondrous Cross—
arr. Dan Forrest. Using the tune O WALY
WALY, solo violin, piano, and the sound
of a distant tenor drum, this most familiar
hymn is recast into a work of expressive
magnificence. Recalling the sounds of a
funeral procession from an earlier century,
it brings together the elements of mourning
and a kind of walk to the tomb, but pauses
to reflect on the "love so amazing, so divine"
that brought the Savior to His crucifixion.
10188421 SATB . . . . . . . . . . . . . . . . 2.50
10188422 Orchestration . . . . . . . . 90.00
When I Survey the Wondrous Cross—arr.
Gilbert Martin. Effective, simple part-writing
and exceptional use of dynamics have made
this piece an icon of sacred choral literature.
There is just no better way to express the
meaning of the cross, particularly during
Lent or Good Friday services.
984633 SATB . . . . . . . . . . . . . . . . 2.50
1584705 SAB . . . . . . . . . . . . . . . . . 2.50
When You Prayed Beneath the Trees—
Christopher Idle & Lloyd Larson. Especially
meaningful during the days of Holy Week,
the text relates to our Lord praying in the
garden of Gethsemane, and weaves
around the tree theme found in many
scriptures about the cross. The original
accompaniment is for piano, plus optional
flute, oboe, French horn and cello and
perfectly captures the somber mood.
8061841 SATB . . . . . . . . . . . . . . . . 2.95
10003067 SAB . . . . . . . . . . . . . . . . . 2.95
10292756 Two-Part Mixed. . . . . . . . 2.95
11165125 Unison . . . . . . . . . . . . . . . 2.95
11165126 SSA . . . . . . . . . . . . . . . . . 2.95
8061843 Instrumental Parts-
Fl/Ob/Horn/Cello . . . . . . 34.95
10425611 Vocal Solo Medium
Voice P.O.D. . . . . . . . . . 7.95
BEST
SELLERS
Adult Choir
Lenten Anthems
These bestsellers are chosen most often
by church directors! Look online for the
most current information on recordings,
instrumental parts, large print and digital
edition availability.
And Can It Be?—Dan Forrest.
10458750 SATB. . . . . . . . . . . . . . . . . . . . . .2.50
10554766 SSAA. . . . . . . . . . . . . . . . . . . . . .2.50
10554778 TTBB. . . . . . . . . . . . . . . . . . . . . .2.50
Come Find His Rest—
Erik Dewar/arr. Dan Forrest.
11416626 SATB. . . . . . . . . . . . . . . . . . . . . .2.75
Wayfaring Stranger—arr. Craig
Courtney.
11539984 SATB. . . . . . . . . . . . . . . . . . . . . .2.75
Arise, My Soul, Arise—Dan Forrest.
10341889 SATB with Violin . . . . . . . . . . . . .2.50
10341890 SSA with Violin . . . . . . . . . . . . . .2.35
11594022 TTBB with Violin. . . . . . . . . . . . .2.50
At the Cross (Love Ran Red)—
Matt Redman, Jonas Myrin,
Chris Tomlin, Ed Cash &
Matt Armstrong/arr. Mary McDonald.
11593931 SATB. . . . . . . . . . . . . . . . . . . . . .2.95
When I Survey the Wondrous Cross—
arr. Gilbert Martin.
984633 SATB. . . . . . . . . . . . . . . . . . . . . .2.50
1584705 SAB. . . . . . . . . . . . . . . . . . . . . . .2.50
We Shall Walk Through the Valley—
arr. Undine Smith Moore.
11416588 SATB. . . . . . . . . . . . . . . . . . . . . .2.25
Mercy—Craig Courtney.
10554825 SATB. . . . . . . . . . . . . . . . . . . . . .2.35
O Sacred Head—arr. Mary McDonald.
11539980 SATB. . . . . . . . . . . . . . . . . . . . . .2.50
What Wondrous Love Is This—
arr. Eugene Oldham.
11416636 SA or SATB . . . . . . . . . . . . . . . .2.35
MA-2 Digital Metronome
10986155 Blue and Black .......................................................... 39.99
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