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More Lenten Anthems
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All My Trials—arr. Norman Luboff.
Beautiful harmonies, lush-sounding chords and
lots of expression combine for this arrangement
of the familiar Bahamian spiritual. It's a cappella
with some divisi as well.
11567934 SSAA opt. Flute (or Violin) . . . . . 2.75
All Things New—Elaine Hagenberg.
Known for her exquisite lyricism and soaring
melodies, Hagenberg delivers an exceptional
original setting of Frances Havergal's text that
provides a message of hope that is so needed.
A shimmering accompaniment and easily learned
vocal lines open this up to choirs of all sizes for
concert or service use.
11594021 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.75
Begin Anew—Karen Marrolli. Based on
Jeremiah 29, this accessible anthem for two-
part mixed or SSA voices explores the themes
of transformation and new beginnings. Original
music moves into the old revival hymn tune
REVIVE US AGAIN for an anthem of joy and glory.
11640713 SSA. . . . . . . . . . . . . . . . . . . . . . . 3.00
Down in the River to Pray—
arr. Jace Wittig. In the SSAA voicing, this piece
went viral when the Colorado All-State Treble
Choir sang from the balconies in a hotel lobby!
This a cappella arrangement of the folk hymn
made popular in the movie "O Brother, Where
Art Thou?" utilizes body percussion, compelling
harmonies, and an authentic vocal style to create
an unforgettable choral piece. Great to open or
close a concert!
10999983 SSAA divisi . . . . . . . . . . . . . . . . . 3.25
Festival Sanctus—John Leavitt.
A long-time favorite on the festival circuit, this
dynamic, exciting, joyous selection surpasses
the ordinary! Syncopated rhythms and changing
meters, combined with a sizzling piano part,
make this a uniquely rewarding work. Very
accessible for school and church choirs, it is a
first-rate choice for any performance situation!
10047612 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.05
For the Beauty of the Earth—John Rutter.
This masterful anthem has connected with singers
and congregations all over the globe. It is a
timeless hymn you'll come back to each and every
year. Full instrumentation includes strings, winds,
harp (playable on keyboard), and drums. Reduced
orchestration includes flute, oboe, harp, and
organ. Instrumental lines soar as beautifully as the
vocal melody. A multigenerational favorite, this is a
tasteful blend of text and musical expression.
1363399 SA . . . . . . . . . . . . . . . . . . . . . . . . 3.95
I Will Be a Child of Peace—Elaine
Hagenberg. "For well I know Thy hand will bless
the seeker after righteousness." This sensitive,
worshipful prayer is arranged from a Shaker
hymn and superbly expresses the deepest
longing of the redeemed soul. Breathtaking with
luscious piano writing.
10805750 SSAA . . . . . . . . . . . . . . . . . . . . . 2.35
I'm Gonna Sing When the Spirit Says
Sing—arr. James M. DesJardins. This piece
combines musical elements of traditional African-
American spirituals and Protestant church music.
Inspirational and great fun to sing, with optional
claps and hand moves, singers will ride on the
energy and excitement of the driving bass line in
the highly rhythmic piano accompaniment.
10872487 SA . . . . . . . . . . . . . . . . . . . . . . . . 2.50
Keep Yo' Lamps—arr. Rosephanye Powell.
A traditional field shout, singers will enjoy
learning this spiritual presented with care and
authenticity. Percussive part writing supports the
powerful melody, creating a driving rhythm that
will keep audiences on the edge of their seats.
It's a wonderful programming option at any time
of year.
10067917 SSAA . . . . . . . . . . . . . . . . . . . . . 2.65
Lord of All Hopefulness—
arr. David M. Cherwien. This inspired setting
of the beloved hymn for treble voices features
melodic sensitivity and rich harmonies that offer
a fresh perspective on the timeless text. The
optional violin obbligato weaves an elegant
counterpoint to elevate the entire arrangement.
11640740 SSA w/ Organ. . . . . . . . . . . . . . . 2.90
11640741 Instrumental Parts- Violin . . . . . . 6.00
Lord of the Small—Dan Forrest. This tender
hymn of praise reminds us that in the end we
are all weak and broken and that the Heavenly
Father deals lovingly and mercifully with all of His
children. Written in memory of little Erin Buenger,
who lost her battle to cancer at the age of 10, this
beautiful anthem will challenge your congregation
to live life in all circumstances to the glory of
God –just as she did. A fitting tribute for memorial
services and services of remembrance.
10293855 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.35
Lux aeterna—Josu Elberdin. A tender setting
of the traditional Latin text, this two-part treble
work is a beautiful choice for treble choirs of all
ages. A light, lyrical melody is supported by a
close harmony part and a supportive, flowing
piano accompaniment. It's ideal for concert,
festival, or service use.
11643860 SA . . . . . . . . . . . . . . . . . . . . . . . . 2.50
Nothin' Gonna Stumble My Feet—
Greg Gilpin. Brimming with dynamic contrasts,
rhythmic nuances and textual percussiveness,
this spiritual is an absolute thrill to sing and hear.
"When I go to walk that golden street, nothin'
gonna stumble, stumble my feet!"
10274237 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.65
O Love—Elaine Hagenberg. This beautiful
setting of George Matheson's familiar hymn
text functions perfectly in both sacred or secular
settings. Here, it is given a fresh new melody
with equally refreshing and gorgeous harmonies.
You will not want to miss this for use as a sacred
meditation in a worship service or in a concert
setting as a tribute to the glory of love itself.
Simply stunning!
10954544 SSAA . . . . . . . . . . . . . . . . . . . . . 2.50
Shalom—Dan Forrest. This tender and
comforting work "passes the peace" as its simple
yet elegant melody washes over the listener,
gently unfolding its text with increasing texture:
"Peace I leave with you, my peace I give to you,
not as the world gives; do not be afraid." The
Hebrew word "shalom" forms the refrains, and
whispers of the word "peace" further paint the
spirit and promise of the text. With piano and
optional violin, this piece is equally at home in
worship or concert settings.
11314188 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.75
11314190 Vocal Duet . . . . . . . . . . . . . . . . 12.95
Wade in the Water—arr. Dan Davison.
Written specifically with young developing choirs
in mind, this exciting spiritual arrangement
features comfortable vocal ranges and easy-to-
learn two-part harmonies. The rhythmic setting
abounds with solo opportunities for a variety of
voice types and presents outstanding teaching
opportunities for style and historical context.
Equally appropriate for the concert stage or
worship service.
10990226 SA . . . . . . . . . . . . . . . . . . . . . . . . 2.50
The Word Was God—Rosephanye Powell.
What an impact this august anthem will have on
both choir and listeners! Its rhythmic structure
develops from the superb interplay between the
voices, and the layering of sound upon sound
creates a musical tapestry. Written in an almost
spiritual style, but definitely not a spiritual, this will
make a stunning choice for larger church choirs!
10055030 SSAA . . . . . . . . . . . . . . . . . . . . . 3.50
GENERAL ANTHEMS
FOR TREBLE CHOIR
