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More Lenten Anthems
71
African Psalm—Victor C. Johnson.
With lively call and response, options for
percussion, and repetition to enable quick
learning, this energetic arrangement of a
traditional Zambian folk song will have your choir
and congregation responding to the call. Simple,
well-written and effective. Not to be missed!
10601337 SATB . . . . . . . . . . . . . . . . . . . .3.20
10882035 SAB . . . . . . . . . . . . . . . . . . . . .3.20
10601338 P/A CD . . . . . . . . . . . . . . . . .29.95
An African Worship Song—
Joseph M. Martin & John R. Paradowski.
Based on the Ghanaian folk song Nanuma,
this anthem highlights important elements of
worship: praising God in song, praying, and
going forth to share God's love. Written for
children, youth, and adults, the piece can
be sung by one choir or multiple choirs for a
multigenerational presentation. Handclaps,
percussion instruments, and a rhythmic piano
accompaniment join with other options to create
an unforgettable multicultural experience.
11376214 SATB . . . . . . . . . . . . . . . . . . . .2.35
11376213 Unison/Two-Part . . . . . . . . . . .2.95
Bonse Aba—arr. Victor C. Johnson.
Sizzling with celebratory rhythmic energy, this
Zambian folk song loosely translates as: "Those
who sing have the right to be called the children
of God." The only accompanying instruments are
hand drum (treble drum), djembe (bass drum),
and shaker, which add authentic flavor and
opportunities for improvisation. The vocal parts
are easily learned due to their repetition and call-
and-response style.
10302661 SATB . . . . . . . . . . . . . . . . . . . .3.20
10089711 Three-Part Mixed . . . . . . . . . .3.20
10089722 Two-Part . . . . . . . . . . . . . . . . .3.20
10307386 SSA . . . . . . . . . . . . . . . . . . . . .3.20
10307387 TTB . . . . . . . . . . . . . . . . . . . . .3.20
10089725 P/A CD . . . . . . . . . . . . . . . . .26.95
Hands Are Knockin'—Kyle Pederson.
A fascinating mix of English and Arabic text
reinforces the universal message to open our
minds, hearts, and hands to each other. The
lively piano accompaniment, notated djembe
percussion part, and syncopated vocal lines
that highlight the text come together to create a
meaningful piece that will be long remembered.
Exceptional! The djembe part is available as a
download from the publisher.
10981924 SATB . . . . . . . . . . . . . . . . . . . .3.00
11424998 SAB . . . . . . . . . . . . . . . . . . . . .3.20
11592524 Two-Part . . . . . . . . . . . . . . . . .3.20
11196420 SSAA or SA divisi . . . . . . . . . .2.90
11313918 TB divisi or TTBB . . . . . . . . . .2.70
Hine Ma Tov—arr. Allan Naplan. Inspired
by Psalm 133, Hine Ma Tov is translated "How
good it is for all of us to dwell together in peace."
The meaning of the Hebrew text is universal, as
is the appeal of the lively music, which cleverly
shifts between major and minor. The delightful
"lai lai lai" refrain will make your audience want
to clap along!
10370730 SATB . . . . . . . . . . . . . . . . . . . .2.35
1978097 Two-Part . . . . . . . . . . . . . . . . .2.50
How Sweet the Sound—Christi Jones.
A longtime favorite, Amazing Grace gets a whole
new musical setting that is truly inspired. Upbeat,
with pleasantly syncopated lines and optional
percussion, this a cappella original surely
encapsulates the text "how sweet the sound"!
11501671 SATB . . . . . . . . . . . . . . . . . . . .2.50
11501676 SSA . . . . . . . . . . . . . . . . . . . . .2.50
11397037 TTB . . . . . . . . . . . . . . . . . . . . .2.50
Jaya Ho (The Solid Rock)—
arr. Diane Hannibal. This singular choral
offering pairs a traditional Hindhi melody with
the traditional hymn text The Solid Rock. The
a cappella texture features layered ostinati
("jaya, jaya ho") supported by percussion (part
included). Program this for general worship or
commemorations of the global church.
11393959 SATB . . . . . . . . . . . . . . . . . . . .2.20
Let Us Talents and Tongues Employ
—arr. Doreen Potter. This delightful piece based
on a traditional Jamaican melody with optional
hand chimes will add an island feel to bring the
spirit of joy, hope, and love into this communion
anthem. The writing is approachable and
perfectly crafted for this unique message that
celebrates the community of faith.
11374120 SATB . . . . . . . . . . . . . . . . . . . .2.30
11374121 SAB . . . . . . . . . . . . . . . . . . . . .2.30
11374122 Two-Part . . . . . . . . . . . . . . . . .2.30
11402740E Instrumental Parts ePrint . . .17.30
3
Oye (Listen)—Jim Papoulis. Full of life
and energy, this work in Spanish and English
expresses the plea of Mexican children to the
rest of the world to listen to their cry for help.
The percussion and bass parts (included in the
score) really make it percolate from beginning to
end, and the performance notes make it easy to
pronounce and understand the Spanish. This is
a very cool multicultural feature with an important
message for today's world.
10030085 SATB . . . . . . . . . . . . . . . . . . . .2.50
11202990 Unison . . . . . . . . . . . . . . . . . . .2.50
3301378 Three-Part Treble or SSA . . . .2.75
10001346 P/A CD . . . . . . . . . . . . . . . . .29.99
Singabahambayo—arr. Victor C. Johnson.
Fun to sing and surprisingly rehearsal-friendly,
this South African musical celebration of freedom
and hope is sure to have instant appeal. Lending
itself to simple stage choreography and with an
exciting, driving beat throughout, it will enthrall
choirs and audiences alike.
10736801 SATB . . . . . . . . . . . . . . . . . . . .2.95
10513128 Three-Part Mixed or SAB . . . .3.20
10882886 Two-Part w/ Piano. . . . . . . . . .2.95
11348337 SSA . . . . . . . . . . . . . . . . . . . . .3.20
11172871 TTB . . . . . . . . . . . . . . . . . . . . .3.20
11199207 TTB P/A CD . . . . . . . . . . . . .26.95
Siyahamba—arr. Victor C. Johnson.
A stellar setting for developing singers of the
well-known South African folk song, with logical
part-writing, stylistic rhythms, and an energized
accompaniment! The optional percussion parts
for shaker, small drum, and djembe will make it
even more fun to learn and perform.
11566094 Three-Part Mixed . . . . . . . . . .2.40
11566095 Two-Part . . . . . . . . . . . . . . . . .2.40
Wana Baraka—arr. Glenn Eernisse.
This setting of the traditional Kenyan folk song
begins with the primary melody and is joined by
optional percussion, Orff instruments, and two
optional melodic parts. The song layers into an
uplifting chorus. A teacher resource featuring
song teaching steps, colorful classroom visuals,
and score and parts for djembe and xylophone is
available separately.
11619579 Unison/Two-Part or
opt. 3-Part, opt. Djembe
& Xylophone . . . . . . . . . . . . . .2.40
MULTICULTURAL ANTHEMS
