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New Pop Titles for 2026!
Easy Stadium Jams, Vol. 2—arr. Paul Murtha.
Featuring Hot Blooded; R.O.C.K. in the U.S.A.;
Rock You Like a Hurricane and Separate Ways
(Worlds Apart), this collection for pep band offers
short, effective snippets of four iconic '80s rock
tunes heard in "Stranger Things." Each excerpt
delivers high energy and engaging rhythmic drive,
making the set well suited to stand use, pep rallies,
and other school spirit events.
11675159 Marching Band . . . . . . . . . ME 65.00
Georgia on My Mind—Hoagy Carmichael/arr.
Dallas C. Burke. A smooth triplet swing feel sets
the tone for this high school arrangement, offering
a warm, field-show-ready take on the Hoagy
Carmichael classic. The chart begins with a laid-
back style and room to feature a trumpet soloist
before building into a stronger swinging finish
that plays well outside. Scoring keeps things
approachable while still delivering musical payoff,
making it effective both as a show finale and as a
standout moment in the stands.
11675988 Marching Band . . . . . . . . . ME 65.00
Golden (from "K-Pop Demon Hunters")—arr.
Paul Murtha. A fiery take on the #1 song from the
hit Netflix film, this marching band arrangement
delivers the kind of groove that energizes
performers, student sections, and game-day
crowds. Nearly every instrument has a turn with the
melody for broad ensemble involvement. Designed
for more advanced groups, it works equally well in
the stands or as a compelling field-show closer.
11637202 Marching Band . . . . . . . . . . M 65.00
Gravity Falls (Main Title Theme)—arr. Michael
Brown & Omar Carmenates. Great for energizing
your game-day crowds, this Grade 2 arrangement
of the well-known Disney Channel theme gives
students and crowds a familiar tune to connect
with. The scoring rotates the melody throughout
the ensemble, ensuring that every section has a
featured moment in the spotlight.
11675160 Marching Band . . . . . . . . . ME 60.00
How It's Done (from "K-Pop Demon Hunters")—
arr. Paul Murtha. Under the excitement of Friday
night lights, this marching band arrangement of
the driving techno favorite from "K-Pop Demon
Hunters" gives the ensemble ample space to
groove and showcase its strength. The scoring
keeps every section actively involved, creating an
experience centered on full-ensemble energy and
bold musical presence.
11637204 Marching Band . . . . . . . . . . M 65.00
I Got Rhythm ("Great American Songbook"
Show - Part 1)—George Gershwin/arr. Dallas
C. Burke. Syncopated drive gives this marching
band arrangement of the Gershwin classic plenty
of musical spark. The arrangement sits well on
the field and works great as an opener for a jazz-
inspired field show, offering clear brass moments
and steady ensemble flow. It's a solid musical
choice for bands comfortable marching to more
intricate rhythms.
11675984 Marching Band . . . . . . . . . ME 65.00
I Just Might—arr. Andrew Yozviak. Infused
with Motown dance grooves, this marching
arrangement of the Bruno Mars hit brings a lively,
crowd-pleasing energy to game-day crowds. The
scoring maintains a rhythmic drive to support
ensemble coordination, and the included drum set
part adds stylistic clarity to the fun, dance groove.
11675161 Marching Band . . . . . . . . . ME 60.00
I Just Might—arr. Jordan Barker. A tight pop
groove drives this Bruno Mars chart for high
school marching band, with rhythmic complexity
and a few technical passages that keep players
on their toes. The writing translates well outdoors
and has enough spark to work as either a field
feature or a high-energy pep band tune. Clear
lines, solid impact, and a familiar hook make it a
crowd-pleasing choice for bands ready to handle a
bit more rhythmic detail.
11676396 Marching Band . . . . . . . . . . M 65.00
It Is Well (With My Soul) ("Great American
Songbook" Show - Part 4)—arr. Dallas C. Burke.
Rich full-ensemble scoring gives this chorale a
warm, resonant sound that works anywhere in
a high school marching program – on the field,
as a warm-up, or as a post-game performance.
With writing that allows bands to focus on blend,
balance, and sustained phrasing, it's a reliable way
to elevate ensemble tone while giving audiences
a moment of musical weight at the end of a
performance night.
11675987 Marching Band . . . . . . . . . ME 65.00
Jump—arr. Matt Conaway & Pam Nave. Opening
with percussion driving the pulsating K-pop beat,
the trumpets and low brass then come forward with
the main melodic line before expanding into the full
texture. The scoring reflects the syncopated synth
rhythms and groove of the original Blackpink hit,
offering a satisfying challenge for more advanced
groups and a strong choice for Friday night or
basketball game performances.
11675162 Marching Band . . . . . . . . . . M 65.00
Kiss Me—Matt Slocum/arr. Dallas C. Burke. A
relaxed mid-tempo pop groove gives this high
school marching chart its charm, with the melody
passed around so every section gets something
enjoyable to play. The scoring keeps things light
and accessible for field use, yet it works just as
naturally in the stands thanks to the instantly
recognizable tune. Fun writing, driving rhythms,
and approachable ranges make it an easy win for
a wide range of marching bands.
11675994 Marching Band . . . . . . . . . ME 65.00
Last Christmas—George Michael/arr. Mike
Story. Bright, straightforward scoring makes this
easy Christmas chart a quick learn for middle
or high school marching bands, whether they're
gearing up for a parade or adding a festive touch
to a late-season game. The groove stays steady
while on the move, and the arrangement projects
well outside. It's a simple, reliable holiday
hit that comes together fast and fits a wide range
of ensembles.
11676397 Marching Band . . . . . . . . . . E 60.00
Let's Do It (Let's Fall in Love) ("Great American
Songbook" Show - Part 2)—Cole Porter/arr.
Dallas C. Burke. Swing style takes the lead in this
medium-easy arrangement written as a production
number for a Great American Songbook field show.
The arrangement balances clarity and impact with
scoring that speaks well outdoors and keeps the
feel relaxed but focused. It's approachable for most
high school bands, offering a big band sound that
is still easy to march to.
11675985 Marching Band . . . . . . . . . ME 65.00
A Little Party Never Killed Nobody—arr. Matt
Conaway & Pam Nave. This marching band
arrangement of Fergie's infectious dance-pop hit
offers syncopated rhythms, sixteenth-note runs,
and driving percussion that keeps all players
actively engaged. The writing supports focused
work on rhythmic accuracy and ensemble
coordination while giving high school performers
a piece that is both enjoyable to play and
educationally meaningful.
11675153 Marching Band . . . . . . . . . . M 65.00
Mama, I'm Coming Home—arr. Paul Murtha.
Encourage crowd engagement while highlighting
your band's strength and musical presence with
this stadium-ready arrangement of Ozzy's iconic
power ballad. Expert orchestration supports
confident performances across the ensemble,
and a featured trumpet soloist adds an impactful
moment. The half-time feel reinforces stylistic
clarity and steady ensemble coordination on the
field or in the stands.
11675163 Marching Band . . . . . . . . . ME 60.00
Mystical Magical—arr. Doug Adams. A steady,
simple groove keeps this easy pop chart of the
Benson Boone hit moving cleanly on the field,
making it just as comfortable in the stands as it is
for a halftime show. The melody sits well across
the ensemble, giving every section something fun
to play. Quick to learn and easy to rehearse, it's a
reliable choice for young bands looking to bring a
hit to their next field show or performance.
11676398 Marching Band . . . . . . . . . . E 60.00
P.Y.T. (Pretty Young Thing)—James Ingram
& Quincy Jones/arr. Dallas C. Burke. This high-
school-level arrangement of the Michael Jackson
hit is driven by a rhythm-and-blues groove with
plenty of energy. It sounds solid on the field or in
the stands with its clean scoring, upbeat pep, and
simple yet fun grooves.
11675995 Marching Band . . . . . . . . . ME 65.00
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