New Large Print A Cappella Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
8
Pop, Jazz,
Stage & Screen
After You've Gone—Turner Layton/arr. Nathan
Farrell. Written in a laid-back swing, this a cappella
arrangement features rich harmonies and a playful
feel. With a nostalgic yet contemporary sound, this
is the perfect selection for vocal jazz ensembles or
concert choirs of all ages.
11611266 SATB . . . . . . . . . . . . . . . . . . . . . 2.25
At the End of the Road—Irving Berlin/arr. Anita
Cracauer. A hidden gem, this Irving Berlin song
holds an important place in black history – it was
written for "Hallelujah," one of the first major-studio
films to feature an all-black cast, and first recorded
by Ethel Waters, an early pioneer for African
American women in the arts. The lyrical message
presents an optimistic view despite hardship, and
the arrangement features a treble soloist, easy-
to-learn jazz harmonies, and a swingin' big finish!
A complete digital bundle is also available that
includes all the voicings, instrumental parts and an
accompaniment track, and part-dominant tracks.
If you're not dance-savvy, want to save time, or
want to save money hiring a choreographer, a
complete choreography video is also available
with step-by-step instructions.
11639723E SATB ePrint. . . . . . . . . . . . . . . . 3.00
11639728F Choreography Video Bundle. . 75.00
The Ballad of the Witches' Road (Sacred
Chant Version)—Kristen Anderson-Lopez &
Robert Lopez/arr. Roger Emerson. From Marvel
Television's "Agatha All Along," this spooky setting
is the perfect addition to any fall or Halloween
concert. Incorporating modal mixture, pedal tones,
stepwise motion, and rounds, this arrangement is
filled with teaching – and haunting – moments!
11620622 SATB . . . . . . . . . . . . . . . . . . . . . 2.50
A Beautiful Friendship—Donald Kahn & Stanley
Styne/arr. Kirby Shaw. Performed by icons like
Ella Fitzgerald, Nat King Cole, and Tony Bennett,
this jazz standard has stood the test of time!
This upbeat swing arrangement features tight
harmonies that will satisfy vocal jazz groups of all
ages and experience levels. A fully harmonized
notated scat section in the middle adds a flourish
before the final verse.
11614484 SATB . . . . . . . . . . . . . . . . . . . . . 2.35
Blue Moon—Richard Rodgers/arr. Kirby Shaw.
Just in time for the movie of the same name, this
Great American Songbook standard remains
timeless as ever in this swingin' arrangement.
Tasteful vocal jazz harmonies and singable
swing rhythms freshen up this beloved Rodgers
and Hart classic. It's an accessible arrangement
with scaled-down optional instrumentation for just
guitar, bass, and drums.
11641792 SATB . . . . . . . . . . . . . . . . . . . . . 2.35
I Saw What I Saw—Sara Groves/arr. Susan LaBarr.
"Your courage asks me what I'm afraid of and what
I know of love." Penned by singer-songwriter Sara
Groves, this song was inspired by her thoughts after
a trip to help people in need overseas. Expressing
empathy and compassion, this choral adaptation
with piano and optional cello is a gorgeous concert
setting that is timely and impactful.
11618471 SSA . . . . . . . . . . . . . . . . . . . . . . 3.50
I Shall Be Released—Bob Dylan/arr. Adam Podd
& Matt Podd. Bob Dylan's iconic song of universal
connection and desire for freedom is reimagined
for a modern concert setting by the Podd brothers.
Warm choral harmonies and a beautiful piano
accompaniment bring the words to life: "I see my
light come shining from the west unto the east.
Any day now, I shall be released."
11641980 SATB . . . . . . . . . . . . . . . . . . . . . 2.50
I'll Be There for You (Theme from "Friends")—
Michael Skloff/arr. Andy Beck. Sophisticated yet
simple, this sensitive treatment of the theme from
"Friends" makes you hear the song in a whole
new way. When you slow down the tempo and
take out those iconic handclaps, it becomes a
timeless ballad worthy of concert performance.
Accompanied by piano with optional cello, the
voice parts use a variety of textures to give this
emotional arrangement a poignant perspective.
11641807 SATB . . . . . . . . . . . . . . . . . . . . . 2.35
If I Were a Rich Man (from "Fiddler on the
Roof")—Jerry Bock/arr. Roger Emerson. Ideal
for tenor-bass choirs, this classic show tune from
"Fiddler on the Roof" has a timeless quality. The
lyrics and style lend themselves to a fun, animated,
and memorable performance. With conservative
ranges and a supportive accompaniment, it can
be enjoyed by singers of all ages.
11611672 TBB . . . . . . . . . . . . . . . . . . . . . . 2.50
It's You I Like (from "Mister Rogers' Neighbor-
hood")—Fred Rogers/arr. David von Kampen.
Fred Rogers' sincere message of gratitude
and appreciation is captured in this lush and
timeless concert jazz arrangement crafted for
the Oakwood Aeolians. With an optional trumpet
feature, this otherwise a cappella setting is sure
to be an emotional and musical statement in any
concert program.
11620651 SATB w/ opt. Bb Trumpet . . . . . 2.85
Keep on the Sunny Side—J. Howard Entwisle/
arr. Dwight Bigler. In a world with never-ending
difficulties, this song reminds us to find the positive
things in life and be kind to one another. Featuring
fun, quick-to-learn choir parts and optional double
bass, this arrangement is accompanied by a lively
swing piano part inspired by 1900s New Orleans.
Perfect as a concert closer!
11640196 SATB . . . . . . . . . . . . . . . . . . . . . 3.20
Lazarus Drug (from "Bluey")—Meg Washington/
arr. Katerina Gimon. Australian singer-songwriter
Meg Washington's song was immortalized as
the final music in the special episode of Disney's
"Bluey" entitled The Sign. A powerful testament
to love, hope, and faith, this concert arrangement
complete with optional Bluey-influenced
instrumental parts enhances the narrative with
cascading melodic vocal lines that embody
renewal and transformation.
11614977 SATB divisi . . . . . . . . . . . . . . . . 2.95
Leaving on a Jet Plane—John Denver/arr. Mac
Huff. An early John Denver ballad from the mid
'60s that became a #1 hit for Peter, Paul and Mary,
this poignant song carries emotion in its heartfelt
lyrics and memorable melody. It translates
beautifully in this smooth and satisfying concert
pop version with close harmonies for divisi choirs
with piano.
11620655 SATB divisi . . . . . . . . . . . . . . . . 2.95
Moon River (from "Breakfast at Tiffany's")—
Henry Mancini/arr. David von Kampen. Winning
an Academy Award for Best Original Song as well
as Grammys for Song of the Year and Record
of the Year, this has become a timeless classic
since its appearance in the 1962 film "Breakfast at
Tiffany's." Crafted for the Oakwood Aeolians, this
concert arrangement is a rich tapestry of lush jazz
harmonies and emotional depth.
11620665 SATB divisi or SSAATTBB . . . . 2.65
Music—Carole King/arr. Mac Huff. Carole King's
timeless song delivers a positive message of hope
through the power of music. With a jazz-waltz feel,
this arrangement incorporates scat singing, tight
harmonies, and upbeat energy throughout.
11620668 SSA . . . . . . . . . . . . . . . . . . . . . . 2.50
Adult Community Choir | Pop, Jazz, Stage & Screen
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