Editors' Choice
New Basic Library A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
120
Blues & Swing | Easy / Medium-Easy
When the Saints Go Marching In—
arr. Dean Sorenson. A new take on this
timeless classic. Originally arranged for
advanced ensembles, this version has been
edited for less experienced musicians. After
a slow chorale-style opening, the iconic up-
tempo swing drum cadence shifts the chart
into high gear through modal and rhythmic
twists and turns fueled by powerhouse
ensemble passages.
11611616 Jazz Ensemble . . . . E 55.00
Work Song—Nat Adderley/arr. Terry
White. Cannonball Adderley made it
famous, brother Nat composed it and now
Terry White provides a terrific swing chart
for younger jazz groups. It swings hard,
features a catchy, easy to play melody,
and is mature sounding. Suggested solos
are provided for alto 1 and trumpet 1, plus
there's a great interlude and shout chorus.
Trumpet 1 top note is written F-sharp top line.
Playable with optional reduced or expanded
instrumentations. Highly recommended!
10303038 Jazz Ensemble . . . . E 44.00
Blues & Swing
Medium-Easy
At the Junction—Tom Molter. Swing
into your rehearsal with the smooth laid-
back groove of the Basie style in this
medium-tempo chart that blends big-band
sophistication with a soulful gospel feel.
Perfect for young ensembles ready to level
up their technique, every section gets a
moment in the spotlight on the melody, and
accessible written solos for trumpet 2 and
piano give developing players their chance
to shine. With its relaxed vibe and spirited
energy, this chart keeps both musicians
and audiences grinning from the downbeat
to the final note.
11688707 Jazz Ensemble . . .ME 59.30
Autumn Leaves—Joseph Kosma/
arr. Peter Blair. This is a great old tune!
Except...there's nothing "old" sounding
about it. It's a medium swing version of
a marvelous, often-played standard that
opens with an alto and trumpet duet and
is filled with tight ensemble punches. The
saxes are featured on a chorus and there is
a written or ad lib solo for piano.
2406361 Jazz Ensemble . . .ME 50.00
Backatown—Troy Andrews/arr. John
Wasson. From Trombone Shorty's
acclaimed CD Backatown, here is the hot
title cut arranged for big band in a funky
medium tempo. Combining the elements of
New Orleans second line and contemporary
rock styles, this unique chart features
a blend of catchy riffs, solid ensemble
passages, and stop-time breaks. There
are short written or ad lib solos for trumpet
and tenor. This chart exudes a spirited and
unmistakable New Orleans swagger!
10490289 Jazz Ensemble . . .ME 50.00
Battle of the Bands—Tom Molter. Inspired
by the classic showdowns where rival bands
battle for bragging rights, this intermediate
jazz chart delivers nonstop energy and
excitement. The drums take center stage with
a driving jungle beat before the chart kicks
into an up-tempo swing. Call-and-response
figures and written solos for tenor sax 1 and
trumpet 1 add to the fun, all building toward
a fiery, crowd-pleasing ending. This chart
makes an ideal closer for any middle school
concert or festival performance.
11688708 Jazz Ensemble . . .ME 59.30
Bayview Drive—Greg Yasinitsky. If you
are looking for a cooking shuffle for your
next performance, give this a listen. Well-
developed melodic ideas ensure that each
section of the chart brings a fresh spin to
the music. There is a ton of energy in this
chart, and it will be a blast for your band to
unleash it!
11615245 Jazz Ensemble . . .ME 50.00
Big Swing Face—Bill Potts/arr. Rich Sigler.
This chart, originally popularized by Buddy
Rich, has been scored at an accessible
level while maintaining the essence of the
original and more. The tempo is around
154 bpm, there are written solos for tenor
and trumpet 2, as well as nice dynamics to
show off your jazz band, plus optional parts
for expanded instrumentations. A fun chart
that you'll play for years to come!
10452096 Jazz Ensemble . . .ME 48.00
The Blue Room—Rich Woolworth. A
mid-tempo blues for high school jazz
ensembles, opening with a featured
trombone section melody that sets
the style immediately. Written or ad-lib
solo opportunities for piano and tenor
saxophone keep improvisation flexible and
approachable. Clear swing language and
clean scoring support ensemble balance
and style development. A fun, reliable chart,
it gives high school groups room to sound
confident while highlighting section feature
work and classic swing feel.
11686042 Jazz Ensemble . . .ME 55.00
Blues Control—Mike Collins-Dowden.
A swingin' up-tempo blues chart in F perfect
for younger groups. With limited ranges
and rhythms, this chart stays playable
so you can focus on swinging hard. The
solo section is open for any player in the
band, and the chart features sample written
solos for all instruments and a blues scale
sheet to help your students be successful if
they are new to improvising. Plenty of big
ensemble hits along with some great shouts
make this one a lot of fun for middle or high
school groups!
11686012 Jazz Ensemble . . .ME 55.00
Blues Wisely—Bret Zvacek. Driving swing
energy defines this high school blues chart,
led by tenor sax and first trombone against
punchy ensemble hits. A straightforward
F blues solo section supports developing
improvisers, followed by an extended
sax soli that drives into a powerful shout
chorus. Strong articulation and technique
are central throughout. A solid choice for
groups looking for an engaging ensemble
challenge while remaining approachable by
developing soloists.
11678931 Jazz Ensemble . . .ME 55.00
Border Collie Blues—Tom Molter. Bring
infectious swing energy to your jazz band
classroom with this straightforward blues in
B-flat, ideal for novice ensembles preparing
for concerts, festivals, or improvisation
practice. The arrangement features
dedicated soli sections for trombones
and saxophones playable as full sections
or individual solos, plus an open solo
section welcoming all instruments to shine.
Whether your students are learning the
ropes or performing on stage, this crowd-
pleasing tune delivers fun, engagement,
and genuine musical growth.
11688709 Jazz Ensemble . . .ME 59.30
Boss City—Wes Montgomery/arr. Mike
Kamuf. It's a funky rock groove, let's call it
a boogaloo, performed around 126 bpm. A
very catchy melody, with stop-time sections
and solos provided for alto, tenor, trumpet,
trombone, and guitar, plus some brief drum
solo interludes. Lead trumpet range is to
written G on top of the staff. This is a great
chart for any performance setting. (4:50)
11619657 Jazz Ensemble . . .ME 52.00
Bradford's Way—Steve Shanley. Built
around a relaxed shuffle swing with a
contemporary rock edge, this Grade 2
jazz chart delivers a cool groove that
developing players will enjoy. Accessible
sixteenth-note figures and a friendly solo
section support rhythmic growth and
improvisation confidence, while expanded
optional parts for flute, horn, and more add
flexibility for directors. A practical choice for
strengthening groove, style awareness, and
ensemble cohesion.
11686529 Jazz Ensemble . . .ME 50.00
Buckjump—Andrews & Ballard/arr. John
Wasson. Recorded by Trombone Shorty on
his 2011 album For True and featuring the
Rebirth Brass Band and 5th Ward Weebie,
this hot tune has a funky New Orleans style
groove with a moderate tempo and catchy
riffs. The trombones get the spotlight to start
with, followed by tight ensemble playing
and later space for an improvised or written
trombone solo. This chart is cool, confident
and colorful! Highly recommended!
10556780 Jazz Ensemble . . .ME 50.00
Can I Be Honest With You?—Dave Mills.
This up-tempo blues in the key of F is the
perfect opener for any concert. With blues
quotes galore, this tune features space
for alto, tenor, trumpet, and trombone to
improvise the F blues over some killer
band backgrounds. After the solo section,
there's a sax section soli before coming
back around to the infectious melody. With
a burning swing that just won't stop, your
band is sure to love this one!
11624016 Jazz Ensemble . . .ME 55.00
BEST
SELLERS
Blues & Swing
Medium-Easy
Best-Selling Charts! These selections,
listed in order of popularity, are chosen
most often by directors like you.
Sing, Sing, Sing—
Louie Prima/arr. Victor Lopez.
2702806 Jazz Ensemble. . . . . . . . . . . 52.00
The Jody Grind—
Horace Silver/arr. Mark Taylor.
11617955 Jazz Ensemble. . . . . . . . . . . 50.00
Stompin' at the Savoy—
Benny Goodman, Chick Webb
& Edgar Sampson/arr. Mike Kamuf.
11355030 Jazz Ensemble. . . . . . . . . . . 52.00
Can I Be Honest With You?—
Dave Mills.
11624016 Jazz Ensemble. . . . . . . . . . . 55.00
Boss City—
Wes Montgomery/arr. Mike Kamuf.
11619657 Jazz Ensemble. . . . . . . . . . . 52.00
Stolen Moments—
Oliver Nelson/arr. Mike Kamuf.
11199002 Jazz Ensemble. . . . . . . . . . . 52.00
Goin' off the Peep End—Kris Berg.
11619658 Jazz Ensemble. . . . . . . . . . . 52.00
Jumpin' at the Woodside—
Count Basie/arr. Rich DeRosa.
10028198 Jazz Ensemble. . . . . . . . . . . 62.00
Moanin'—
Bobby Timmons/arr. Mark Taylor.
2445690 Jazz Ensemble. . . . . . . . . . . 50.00
Autumn Leaves—
Joseph Kosma/arr. Peter Blair.
2406361 Jazz Ensemble. . . . . . . . . . . 50.00
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