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Blues & Swing | Medium-Easy / Medium
Softly as in a Morning Sunrise—Oscar
Hammerstein II/arr. Mathew Montgomery.
Flexible scoring and modern harmony
shape this arrangement of a classic jazz
standard playable with as few as four horns
and rhythm section. Modal reharmonization
gives the old standard a fresh sound, while
easy swing feel and simple chord changes
keep solos approachable. A practical
choice for ensembles of varied size that
want contemporary color, accessible
improvisation, and a relaxed swing groove
in performance.
11685314 Jazz Ensemble . . .ME 45.00
Soul Chicken—Kris Berg. A very soulful
alto sax 1 feature with a relaxed rock-
flavored groove played around 86 bpm.
Everything is written out for the alto
including a suggested ad-lib solo section.
Trumpet 1 range is to written G on top of the
staff. An electric piano and bass will provide
a nice texture. An outstanding chart for any
performance. (4:05)
11570898 Jazz Ensemble . . .ME 52.00
Stolen Moments—Oliver Nelson/arr. Mike
Kamuf. Every developing jazz ensemble
should play this chart! This arrangement
of the Oliver Nelson classic falls right in
the pocket at about 110 bpm. The iconic
melody is unforgettable, and there are
written or improvised solos for alto sax and
trumpet. The lead trumpet range goes to G
above the staff and there are options for
reduced instrumentation. This is a fine chart
for almost any band at any ability level.
11199002 Jazz Ensemble . . .ME 52.00
Stompin' at the Savoy—Benny Goodman,
Chick Webb & Edgar Sampson/arr. Mike
Kamuf. This half-time shuffle is a unique
treatment of this classic standard. It is
superbly arranged to feature five soloists:
trombone, trumpet, tenor, alto, and drum
set. Lead trumpet range is to written G on
top of the staff. Features include section
solis, interludes, a kickin' shout chorus – it's
all here, enjoy!
11355030 Jazz Ensemble . . .ME 52.00
Sweetie Pie (from "The Jazz Command-
ments")—Jerry Tolson/arr. Peter Blair. This
is one of the many tunes from Jerry Tolson's
landmark book The Jazz Commandments
used to demonstrate jazz articulation and
style. The chart is loaded with standard
rhythmic figures that are the foundation
of jazz and will help students capture the
essence of the style.
11615243 Jazz Ensemble . . .ME 50.00
Swing is in the Air—Peter Blair. Minor-
mode swing writing anchors this high school
jazz band chart with roots in classic big
band styles from the 1930s and '40s. The
melody rotates through sections against
punchy figures, leading to a featured solo
for alto sax. Rhythmic unison in the shout
chorus builds from soft to strong, reinforcing
articulation, control, and ensemble style. A
strong chart for teaching unified swing style.
11678891 Jazz Ensemble . . .ME 55.00
Take Five—Paul Desmond/arr. Mike Lewis.
Take the most famous 5/4 jazz tune ever
written and combine it with a flawless and
playable arrangement for developing jazz
band and you've got a chart that should
be in everybody's library! Dave Brubeck
managed to make the 5/4 meter sound
like the most natural thing in the world,
and that's the way it plays, too. Who
would've thought that young players could
experience Brubeck's "Third Stream" jazz?
2381705 Jazz Ensemble . . .ME 48.00
That Warm Feeling (Full Score Edition)—
Sammy Nestico. Recorded in 1968 on
the album Basie Straight Ahead, this
slow swinger defines the Basie style at
this tempo. While not overly demanding
technically, this chart will challenge even the
best bands to play with balance, blend, and
rhythmic nuance. If you listen to the original
recording, you can hear Basie playing
Hammond organ behind the band. Bucket
mutes are essential for the brass to get the
right color for this music.
11576723 Jazz Ensemble . . .ME 60.00
Whirly Bird—Neal Hefti/arr. Peter Blair.
You may have heard Basie's band play this
great Neal Hefti swinger, but this version
is very accessible for younger players at
around 166 bpm. The features include a
written alto sax solo, a great sax soli, and
well-notated rhythm section parts. Includes
optional wind and vibes part, too!
10452088 Jazz Ensemble . . .ME 48.00
Blues & Swing
Medium
Ain't Worth the Squeeze—Andrew
Morgan Smith. Hard-swinging blues
energy and big band swagger drive a jazz
band chart built on a classic C blues form.
Humor and surprise shape the writing
through punchy riffs and ensemble shout
moments. Rooted in mid-century swing
and bop tradition, the playful character
keeps audiences smiling while reinforcing
authentic style and groove. The title says
it all: sometimes the juice just ain't worth
the squeeze – but the band is sure going to
have a good time trying.
11673269 Jazz Ensemble . . . . M 60.99
All the Things—Paul Baker. Built on
the chord changes of All the Things You
Are, this bebop-influenced chart for jazz
ensemble swings hard at 176 bpm, moving
from G minor to to F minor. Written and
ad-lib solo spaces spotlight every section,
supported by fully notated rhythm parts and a
building shout chorus. A strong choice when
developing advanced swing style, tempo
control, and balance while showcasing
improvisation and dynamic range.
11684559 Jazz Ensemble . . . . M 50.00
Alone Together—Howard Dietz & Arthur
Schwartz/arr. Mike Kamuf. A standard that
really hits the mark! It begins with a bass
solo and a trio of winds takes the head. The
lead trumpet range to written B above the
staff, and there is solo space for tenor with
a sample solo provided. The development
section features trombones plus the other
sections as well. Optional parts for vibes
and flute. A first-class chart!
11355032 Jazz Ensemble . . . . M 55.00
April in Paris—Vernon Duke/trans. Jeff
Hest. This chart is simply about style!
And with style is exactly how Count Basie
and his orchestra played it! From the silky
smooth sax soli on the head to the Pop
Goes The Weasel trumpet solo to the "...
one more time..." repeat of the last phrase,
every detail of this jazz standard has been
transcribed and reconstructed by Jeff Hest.
A remarkable, authentic way to tell your
audience what swing is really all about!
2422855 Jazz Ensemble . . . . M 60.00
Attack of the Killer Trombones—Chris
Sharp. Here is the trombone section feature
you've been looking for! The Sing, Sing, Sing
style and ensemble writing will give your
trombones plenty to sink their teeth into. The
lead trumpet range extends to high C.
11515273 Jazz Ensemble . . . . M 75.00
Basie-Straight Ahead (Simplified
Educational Version)—Sammy Nestico. In
this educational edition of the classic Basie
– Straight Ahead, the ranges and technical
demands have been modified, but you'll
still hear and feel all the excitement of the
original chart recorded by Count Basie in
1968 which is also available.
543157 Jazz Ensemble . . . . M 55.00
Better Get Hit in Your Soul (Better Get
It in Your Soul)—Charles Mingus/arr.
Andrew Homzy. Written in a fast 3/4, this
gospel-inspired burner is as fun to play as it is
to listen to. There's great interplay between
sections of the band as layers of sound move
in and out. Also included are hand claps and
some "play any note you want" opportunities
to really liven things up. The flexible solo
section allows you to customize this to fit the
strengths of your band. Also included are
optional parts for flute, clarinet and French
horn. Highly recommended!
10034434 Jazz Ensemble . . . . M 55.00
A Big Cuppa Joe—Paul Murtha. Featuring
a churning swing style and a catchy riff-
based melody, this well-crafted chart
spins its way through every section of
the ensemble. In the solo section, written
samples are provided for tenor, trumpet,
and trombone, however with the easy
changes and open format, anyone in the
band can take a solo. This chart is highly
caffeinated and a lot of fun!
11100136 Jazz Ensemble . . . . M 55.00
Blue Monk—Thelonious Monk/arr. Mark
Taylor. One of the signature tunes from jazz
legend Thelonious Monk is this quirky and
iconic blues! This great-sounding version
for big bands maintains the medium swing
feel and "Monk-isms" from the original, but
the arranger's own stamp of originality is
exemplified with crafty ensemble lines,
rhythmic twists, and some powerful full
ensemble statements in mixed meters.
Solos are included for tenor, trumpet and
drums, along with marvelous writing for the
entire band. Suggested solos are included
along with chord/scale sheets in all keys.
Highly effective!
10317217 Jazz Ensemble . . . . M 55.00
Blues for Gum—Mike Tomaro. This
straight-ahead swing chart lets everyone
get in on the action. There is plenty of full
ensemble work throughout, and the blues-
based changes provide ample solo space.
A superb choice for concert or festival.
11615269 Jazz Ensemble . . . . M 55.00
Blues with a Twist—David Samuel.
Momentum fuels this up-tempo swing
chart that pushes rhythmic precision at
every turn. Classic 12-bar blues form is
energized through layered rhythmic ideas,
dense syncopation, ties, and triplet runs.
An open solo section over the familiar
changes leads into a key change and final
shout, creating a high-impact showcase for
groups ready to demonstrate technical skill
and ensemble control.
11678874 Jazz Ensemble . . . . M 60.00
BEST
SELLERS
Blues & Swing
Medium
Best-Selling Charts! These selections,
listed in order of popularity, are chosen
most often by directors like you.
Wise Up—Gordon Goodwin.
11619663 Jazz Ensemble. . . . . . . . . . . 55.00
Things Ain't What They Used to Be—
Mercer Ellington/arr. Alan Baylock.
10513911 Jazz Ensemble. . . . . . . . . . . 55.00
Work Song—
Nat Adderley/arr. Erik Morales.
10513905 Jazz Ensemble. . . . . . . . . . . 54.00
Sing, Sing, Sing—
Louis Prima/trans. Mike Lewis.
2411486 Jazz Ensemble. . . . . . . . . . . 62.00
Dat Dere—
Bobby Timmons/arr. Erik Morales.
10277767 Jazz Ensemble. . . . . . . . . . . 55.00
(Meet) The Flintstones—
Hoyt Curtin/arr. Chris Sharp.
11622174 Jazz Ensemble. . . . . . . . . . . 75.00
Morning—
Clare Fischer/arr. Mike Kamuf.
11619664 Jazz Ensemble. . . . . . . . . . . 55.00
This Could Be the Start of
Something Big—Steve Allen.
11593025 Jazz Ensemble. . . . . . . . . . . 55.00
Shiny Stockings—
Frank Foster/arr. Greg Yasinitsky.
10071900 Jazz Ensemble. . . . . . . . . . . 55.00
In the Mood—Joe Garland.
2090959 Jazz Ensemble. . . . . . . . . . . 55.00
