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Concert & Contest | Medium
Return to the Imaginarium—Randall
Standridge. This reflective journey
continues into a world shaped by
imagination, movement, and rediscovered
inspiration in this follow-up to the popular
Imaginarium. Energetic passages race
forward with urgency before giving way to
a dreamlike lyrical section that lingers in
quiet wonder. Momentum steadily rebuilds
through soaring melodies, rhythmic drive,
and active percussion, carrying the music
toward a confident, triumphant close.
Both celebratory and introspective, the
work honors creativity, resilience, and the
enduring power of artistic exploration.
11684734 Band Set & Score . . . M 90.00
Rise Like the Dawn—Barry Milner. A calm,
lyrical atmosphere unfolds as this high
school band work opens with expressive
solo passages for horn and trumpet.
Gradually expanding into a full-ensemble
texture, soaring melodies and warm
harmonies encourage careful phrasing,
tone, and articulation. The dialogue
between intimate solo writing and broad tutti
moments gives students space to shape
musical lines thoughtfully. A strong high
school selection for developing expressive
playing and refined ensemble balance in a
concert or assessment setting.
11680823 Band Set & Score . . . M 80.00
Rising from the Earth—Adrian B. Sims.
Imagine the soundtrack accompanying
the formation of Earth's largest natural
superstructures. Inspired by the massive
rocks and lava rising up to create the
tallest mountains, this lively composition
juxtaposes moments of calm with volcanic
musical outbursts. A profound work to
feature powerful brass and percussion
sections! (4:00)
11616423 Band Set & Score . . . M 85.00
Rondo from Horn Concerto No. 4
(abridged) (for Horn or Trumpet Solo
and Band)—Wolfgang Amadeus Mozart/
arr. David Bobrowitz. Mozart's popular horn
concerto is arranged here for concert band
with either horn or trumpet soloist. The
abridged form supports stylistic phrasing
and ensemble sensitivity while staying
approachable by high school players. A
practical selection for highlighting a capable
soloist while introducing the Classical
concerto style in a manageable format.
11684420 Band Set & Score . . . M 75.00
Rozana—Reena Esmail. Clear phrasing
and imaginative use of color define
this expressive wind ensemble work.
Technically straightforward lines allow
students to focus on musical shaping,
balance, and tone rather than mechanics,
resulting in a sound that feels mature and
confident. The transparent textures highlight
expressive contrast and rich harmonic
language. A strong selection for developing
expressive awareness and musical
sensitivity through accessible material that
sounds mature and purposeful.
11628239 Band Set & Score . . M 125.00
Scramble—Todd Stalter. A tumultuous
concert opener or closer intended to depict
two characteristics of the title, the frantic
collecting of things together in a disorderly
way, and darting about quickly with a sense
of urgency. Once the theme is presented
the fun really starts! The action revs up
as the musical "parts" are separated and
combined in unique and haphazard
combinations, all at break-neck speed that
will leave everyone breathless!
10305668 Band Set & Score . . . M 78.00
Sea Songs—Ralph Vaughan Williams.
One of the simpler works by Vaughan
Williams for band, this setting of English
sea songs was originally written in 1924.
The scoring is direct and straightforward,
resulting in a most rewarding yet highly
playable work.
151928 Band Set & Score . . . M 95.00
The Seal Lullaby (Flexible Instrumen-
tation)—Eric Whitacre/arr. Robert J.
Ambrose. This is a flexible arrangement
of a beloved work by both band and choir
directors alike. Arranged with maximum
flexibility in mind, the work can be performed
by any of the following ensembles: concert
band (with as few as six wind players),
brass ensemble, clarinet choir, saxophone
choir, or woodwind choir.
11338298 Band Set & Score . . . M 75.00
The Seal Lullaby—Eric Whitacre. This loving
and dreamlike work captures the undulating
rhythm of a mother rocking her child to
sleep. The piece was inspired by the classic
Rudyard Kipling poem White Seal. Magical!
10281862 Band Set & Score . . M 125.00
Second Suite in F—Holst/arr. Longfield.
In this adaptation of the landmark work
for band, the extreme ranges have
been adjusted for young players, the
instrumentation has been updated to that of
the contemporary concert band and liberal
cues have been added, particularly for
oboe, bassoon and horn. The integrity of the
original is completely intact and will serve as
a wonderful experience for young bands.
10022289 Band Set & Score . . . M 95.00
Second Wind (Four Short Episodes
on the Sea)—Cody Jackson. Four short
movements - To the Sea; Securing the
Jib; Broadside Fury and Stormwind - chart
a nautical voyage in this medium-level
concert band work. Predominantly set in
a 6/8 sea-shanty style, the writing shifts to
9/8 for the final intensified scene, packing
complex rhythmic variation and technical
demands into a concise form. A vigorous
closer for high school band that delivers
clear character changes and sustained
rhythmic challenges within an exciting
programmatic design.
11680180 Band Set & Score . . . M 75.00
Shine on Me—Erin Keeton-Howard.
Rooted in southern gospel, this piece
celebrates connection and community
through soulful melodies, rhythmic energy,
and student-led expression. It's also a
great tool for teaching swing, rock, and
jazz styles, making it a vibrant and versatile
addition to any concert.
11640014 Band Set & Score . . . M 75.00
Skyward Spirits (A Micro-Symphony)—
JaRod Hall. Journey through ethereal
realms with this symphonic masterpiece
weaving tales of flight and fervor in this
dynamic yet short micro-symphony. Begin
with Takeoff as the brass fanfares and
woodwind flourishes ignite the sky with
anticipation. Drift into the embrace of Under
the Wing, a soulful reflection adorned with
expansive melodies. Feel the tempestuous
thrill of Cloudburst, a scherzo of storm
and spirit, only to be whisked into the
jubilant dance of Blue Skies, a finale that
revisits cherished motifs and culminates in
triumphant resonance. Let this masterpiece
take your spirit flight! (6:00)
11568589 Band Set & Score . . . M 90.00
Slava!—Leonard Bernstein/arr. Robert
Longfield. The transcription of this exuberant
overture has become a staple of band
repertoire and is a proven programming
favorite. Constructed using two contrasting
themes that combine near the end,
this careful adaptation puts it at a more
approachable grade level yet still retains the
energy and authenticity of the original.
10910736 Band Set & Score . . . M 85.00
Sleep—Eric Whitacre. Take a serious
look at this one! Eric Whitacre has crafted
an achingly beautiful work, magnificent in
its broad, sweeping lines and layering of
sound. This haunting chorale begins softly
and slowly blossoms to a powerful climax.
It makes a fine stand-alone band piece, but
can also be performed with SATB chorus,
with original text by celebrated American
poet Charles Anthony Silvestri. This is a
superior choice for creating an intimate
moment in your concert performance.
2475757 Band Set & Score . . M 125.00
Smiling After the Rain—Yukiko Nishimura.
This sonorous work for concert band will
stretch the musicianship of your players.
Harmonically rich, the scoring is used to
great effect to achieve significant moments.
The heartfelt inspiration behind the piece
makes it perfect for teaching expressive
concepts. A great selection for your bands if
you are looking to challenge them musically.
11198580 Band Set & Score . . . M 90.00
Solas Ane (Yesterday's Joy)—Samuel
Hazo. With a unique blend of flowing lines
and lush textures coupled with dynamic
Celtic drumming, this musical creation is a
very stylized and effective setting for wind
band. Interspersed are quiet moments with
soloistic woodwind lines that contrast nicely
with the emotional full-band passages.
10022282 Band Set & Score . . . M 80.00
Some treasures are heavy with human
tears—John Mackey. The story of this
work begins with a tragedy, but that's not
where it ends. Although it commemorates
a specific catastrophe, the piece is not
programmatic. Instead, it's a meditation
on grief, transcending elegizing a singular
horrific event and instead representing how
we cope with all tragedies. Beginning with
the peacefulness of a lullaby, the piece takes
a simple motive and transports it through a
series of emotions that include denial, shock,
fury, and anguish before finding acceptance.
Throughout, conflicting harmonies present
an internal turbulence that peaks in a
climactic wail of agony bordering on rage.
Although the ending projects a return to
peace, it is left incomplete with the final
gesture of a single muted trumpet rising
from the silence in a bright flash only to
be suddenly extinguished. - from program
notes by Jacob Wallace
11372156 Band Set & Score . . M 195.00
Sonic Pathways—Nathan Hervey. Jazz and
symphonic elements combine to create this
riveting work! It starts with a rhythmic groove
that gives way to fantastic melodic and
motivic development. Colorful percussion
writing and memorable orchestration add
to this unique new work that fans of Pat
Metheny are sure to love! Introduce students
and audiences to the limitless possibilities
when genres collide - a perfect choice for
any festival or concert performance.
11573994 Band Set & Score . . . M 85.00
South Fork Legacy (based on Hail
Sinfonia)—Robert Sheldon. An overture-
style work for concert band built on the
harmonic framework of Arthur Sullivan's
Hail Sinfonia. Heroic opening material gives
way to a lyrical middle before racing to a
close, with engaging roles and multiple key
changes throughout. The title honors South
Fork Elementary School, grounding the
piece in community pride. A strong concert
or festival opener when you want variety
and confident ensemble sound at the high
school level.
11680818 Band Set & Score . . . M 80.00
Southern Hymn—Samuel R. Hazo. The
original themes used in this beautiful setting
are intended to be played in the style of a
slow Southern folk hymn, similar to Amazing
Grace or Shenandoah. Using suspensions
and resolutions as well as calm moments
and powerfully emotional builds, this is
a marvelous work for expanding your
ensemble's stylistic and dynamic range.
10072347 Band Set & Score . . . M 85.00
Spark!—Robert Buckley. Overture-style
structure and bold dramatic contrast define
this concert band selection built to showcase
the stylistic range of your high school
players. Sweeping woodwind runs soar
over triumphant brass statements, balanced
by smooth legato passages and fast, light
allegro sections. The constant variety keeps
all parts engaged, making it a strong choice
for concerts or festival performance where
contrast and energy are key.
11678442 Band Set & Score . . . M 75.00
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