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75
Concert Marches | Medium-Easy / Medium
La Fiera Asturiana (Spanish March)—
Michele Fernandez. This fiery, dramatic
paso-doble-style march burns with Spanish
authenticity and tells the poignant, inspiring
true story of a tenacious flamenco dancer
with an indomitable spirit. Written for, and
dedicated to, the composer's grandmother,
who was a flamenco artist in Asturias, Spain.
11581314 Band Set & Score . .ME 75.00
March of the Belgian Paratroopers—
Pierre Leemans/arr. Swearingen. Moderate
in tempo and light in style, this appealing
and unique march is now available for
developing players in this masterful
arrangement. The skillful scoring and
modest technical demands ensure success
with this time-tested march classic.
10033483 Band Set & Score . .ME 75.00
March of the Centurions—Brian Balmages.
A powerful group of Roman centurions
process into the hall in perfect formation.
Their collective movement is punctuated
with bold melodic statements, a military-
style cadence, and layered rhythmic
and countermelodic elements. Optional
antiphonal brass parts are perfect to include
local high school or college students. A jaw-
dropping performance event! (4:00)
11616352 Band Set & Score . .ME 75.00
March of the Shadows (Flex Band)—
Haley Woodrow. Paying homage to the
traditional march form, this work steps
outside the box in this delightfully dark and
unique piece for young players. It is scored
for flexible instrumentation and features
clever effects and a minor mode.
11517371 Band Set & Score . .ME 65.00
March of the Trolls (from "Lyric Suite,"
op. 54)—Edvard Grieg/arr. Brian Beck.
Here's a terrific transcription that provides a
contrasting selection for concert programs.
The soft but intense opening builds in
intensity and draws the listener in as it grows
in energy and volume. A welcome work that
bands at all levels will want to perform.
10093405 Band Set & Score . .ME 80.00
March of the Woodland Patrol—Brian
Monroe. A lively sense of motion animates
this march written in 6/8 to introduce
compound meter in an approachable
way. Rhythms stay simple and idiomatic,
allowing students to internalize the feel
while focusing on pulse and march style.
Brief moments of marching in place add
physical engagement and fun – a clever
concert choice that reinforces 6/8 while
energizing young players.
11684409 Band Set & Score . .ME 50.00
March Pasodoble—Jack Wilds. Everyone
will enjoy this tribute to the flashy, charismatic
Spanish march genre. A perfect vehicle for
teaching march form and style, this work is a
traditional pasodoble that is highly accessible
and tons of fun. A perfect departure from the
typical concert march! (2:30)
11616429 Band Set & Score . .ME 65.00
Marche Diabolique—Brian Balmages.
This sinister-sounding march is perfect for
directors looking for something completely
different. Using elements from a traditional
march set in a contemporary framework,
the music is based on tritone intervals
surrounded by expansive, dark harmonic
language. A wealth of percussion adds
great color to the unsettling character of the
music. Quite effective and intriguing!
10459831 Band Set & Score . .ME 75.00
Midway March—John Williams/arr. Moss.
This is the tuneful John Williams march
written for the W.W. II era movie, "Midway."
In this very playable version, Williams' lilting
6/8 style and shifting key centers give the
march format a fresh and stirring feel.
2306553 Band Set & Score . .ME 75.00
Mil Estrellas (Concert March)—Jorge
Vargas. Add an air of excitement to your
next concert with this dazzling pasodoble.
Following the traditional march structure,
this festive work uses harmonies and
sounds of Latin America to create gorgeous
melodies and moments of pure excitement!
Colorful orchestration enhances this thrilling
work that will be a marvelous addition to
your next concert or festival performance.
11573959 Band Set & Score . .ME 70.00
Noble Pathway March—Lee Shook.
An excellent choice for festival or concert
performance, this spirited concert march
contains a wealth of valuable teaching
material for young bands. All sections get
an opportunity to play the melody, complete
with march-style articulations and dynamic
expressions that are clearly marked in the
score. Instrument ranges are well suited
to second- to third-year performers, and
the orchestration helps to ensure that
this piece will work for bands with limited
instrumentation. The opening features a
solo snare drum and solo flute, with trumpets
highlighted in the interlude section, and the
rousing conclusion will leave your audience
whistling the tune to this memorable march.
11688700 Band Set & Score . .ME 55.30
Razzmatazz—Matthew R. Putnam.
Quirky and unique while still conforming
to traditional march form, this gem is the
perfect introduction to march style. Sure to
be a crowd favorite!
11562003 Band Set & Score . .ME 65.00
Silver Valley March—Hunter Strobel. A
spirited and traditional Grade 2 march brings
energy and excitement to any concert band
program. Carefully scored with accessible
ranges, it is perfectly suited to solid middle
school groups and developing high school
ensembles. Featuring bright flute trills, a
classic dogfight section, and a rousing final
strain, this march captures the timeless
style of the band tradition. A welcome
and versatile addition to the school band
repertoire that students and audiences will
thoroughly enjoy.
11688702 Band Set & Score . .ME 53.50
St. Petersburg March—Johnnie Vinson.
This original march is reminiscent of the
Russian city's rich and exciting history of
intrigue, revolution and mystery. Expertly
scored for young bands, this unique and
fresh-sounding work paints a musical
picture of frigid winters, magnificent castles
and imposing cathedrals. A wonderful
addition to the march repertoire for band.
2481708 Band Set & Score . .ME 65.00
Stepping Forward (Concert March)—
Alexandre Carlin. The spirit of progress and
confidence is manifest in this uplifting and
dynamic concert march, perfect for inspiring
young bands! Written in the classic march
tradition, it features memorable melodies,
strong rhythmic drive, and engaging interplay
between sections. Directors will appreciate its
excellent teaching value and approachable
Grade 2.5 scoring, which still sounds full
and mature. It is the ideal choice for concert,
contest, or ceremonial performances when
you want your band to shine!
11686760 Band Set & Score . .ME 68.00
Sturdy Men March—Ted Mesang/arr.
Quincy C. Hilliard. A traditional march for
concert band updated from a classic 1957
score to suit modern ensembles. Range
reductions and creative scoring keep the
music accessible while preserving the
character and purpose of the original.
Clear form and familiar march style make
it comfortable to rehearse and a reliable
concert selection for introducing young
players to standard march repertoire with
confidence and clarity.
11687476 Band Set & Score . .ME 75.00
Thameside March—Morley Calvert.
This great concert march contains all the
elements you would expect in a well-crafted
march. There are some chromatic twists that
give this piece almost a circus march feel. A
guaranteed toe-tapper for audiences.
11638498 Band Set & Score . .ME 65.00
The Thin Red Line (March)—Kenneth
J. Alford/arr. Quincy Hilliard. Written for
developing concert band, this arrangement
brings a classic British march into an
accessible modern setting. The music
grows from a regimental bugle call into
a buoyant ceremonial march, balancing
rhythmic vitality with a contrasting dignified
trio. Clear form and idiomatic scoring
preserve the historical character to create
a solid choice for teaching march style
while connecting students to British military
heritage and disciplined ensemble playing.
11680416 Band Set & Score . .ME 68.00
This Great Legacy—William Owens.
A spirited Grade 2.5 concert march
with seamless transitions between 6/8
and 2/4 meters, rich harmonies, and a
strong melodic focus, this work offers an
excellent opportunity to teach march style
and changing meter. A tribute as well
as a teaching tool, this is a meaningful
and exciting choice for concert or
festival performance.
11622924 Band Set & Score . .ME 70.00
Ticker Tape March—Jorge Vargas.
Bright, spirited, and full of character, this
Grade 2 concert band march evokes the
excitement of a celebratory parade. Tuneful
melodies and engaging rhythms provide
an approachable introduction to traditional
march style. Each section receives
moments in the spotlight, while steady
rhythmic patterns build confidence and
precision. Upbeat and accessible, it serves
as both a strong teaching piece and an
energetic selection for concerts or festivals.
11684742 Band Set & Score . .ME 65.00
Washington Post March—John Philip
Sousa/arr. Balent. This one is a must-do! If
your developing band hasn't had the thrill
of playing one of the most familiar marches
of all time, here's a great opportunity to
expose them to the magic of Sousa! On the
easier side of this grade level, you'll find this
comes together nicely for performance and
will let your band really shine! Outstanding!
2465383 Band Set
& Score . . . . . . . . .ME 105.00
Concert Marches
Medium
Aerialist—Larry Clark. Circus imagery
comes to life through whirling chromatic
lines and a classic march structure. Written
for high school bands, there are plenty of
technical demands, especially in the upper
woodwinds. The lively style and colorful
writing make it an appealing alternative to
a typical march for experienced players.
11677804 Band Set & Score . . . M 80.00
Americans We—Henry Fillmore/ed.
Foster. This may be one of the most popular
marches of the hundreds written by Henry
Fillmore. Inconsistencies in the original
quick-step size edition have been clarified
and extensive program notes on performing
this marvelous march have been included.
New to this edition is a full score not
previously available. A perfect addition to
your school or community band's library!
10279573 Band Set & Score . . M 100.00
Amparito Roca—Jamie Texidor/arr.
Aubrey Winter. The granddaddy of all
Spanish marches! This excellent work is
unquestionably the epitome of the Spanish
march and deserves an active place in every
good band library. Highly recommended!
147512 Band Set & Score . . . M 90.00
Arsenal—Jan Van der Roost. An exception-
ally grandiose and festive concert march.
2361665 Band Set & Score . . M 100.00
Bayou View March—Aaron D. McMichael.
Quirky character gives this fun march for
concert band a fresh edge, mixing traditional
form with fast-tongued sixteenth notes
and abundant grace notes. Thoughtful
orchestration keeps every section active as
momentum builds, briefly breaking tradition
at the end with an accelerating return to the
opening key and theme. A fun high school
march, it rewards precision while adding
stylistic flair to any concert program.
11680207 Band Set & Score . . . M 75.00
The Black Horse Troop—John Philip
Sousa/ed. Frederick Fennell. Here's an
excellent example of a proud 6/8 Sousa
march published in full concert size.
987586 Band Set & Score . . . M 82.00
Brighton Beach—William P. Latham. This
standard of the repertoire is indeed a fine
example of the great tradition of concert
marches. If you have not yet performed
it with your band, you should definitely
consider doing so. It's easy to understand
why it's been around for years, and is still
going strong!
4014841 Band Set & Score . . . M 77.00
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