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76
Concert Marches | Medium
Circus Bones (Circus March)—David Shaffer.
A ringmaster's call sets the scene as this
fast-paced circus march leaps into motion,
bursting with color and flair. A stirring
introduction launches a whirlwind of exciting
music, driven by bright rhythms and vintage
circus style. The trombone section takes a
featured role, adding character with plenty
of glissando effects. It pays lively tribute
to a circus tradition that once dominated
the American musical spotlight, creating
an exciting opener or closer for your high
school band.
11686729 Band Set & Score . . M 130.00
Commando March—Samuel Barber/
ed. Collinsworth. Composed in 1943, this
was Samuel Barber's first work scored
exclusively for band. Since that time this
stirring work has become a staple in the
repertoire. This important critical edition
includes a full score, plus historical notes
and corrections from the original publication.
10072364 Band Set & Score . . . M 80.00
El Rey del Paso—Ray Lombrette. As
the title already suggests, this piece for
wind band is written in a typical Spanish
style: paso doble. Written in a minor key,
the introduction is very dynamic. A variety
of sound and rhythmic effects place each
instrument group in the spotlight. Impressive
basses are followed by high brass, then the
woodwinds play a more solemn melody.
Finally, the major and minor key elements
are combined to give the composition the
specific charm of the paso doble. A great
departure from the traditional march style.
11575113 Band Set & Score . . . M 81.43
Florentiner March—Julius Fucik/ed.
John R.Bourgeois. Described as an Italian
grand march, this wonderful march is now
available in an edition based on the original
European edition. Including a full score, this
entertaining composition shows itself to be
as much at home in the concert hall as on
the parade ground!
2420719 Band Set & Score . . . M 95.00
Gallantry—Ted Mesang/arr. Alex Hilliard.
Traditional march style meets originality in
this concert band setting, offering a familiar
framework with unexpected chromatic color
woven throughout. Updated instrumentation
aligns comfortably with modern ensembles
while preserving the character of the
original writing. A dependable concert
march for any high school program.
11684423 Band Set & Score . . . M 70.00
Gallantry March—Marsha Chusmir
Shapiro. Although written in the traditional
6/8 march form, this march lets the lower
instruments and horns get away from
the usual offbeat accompaniment. With
interesting melodies and countermelodies,
use this march to teach dynamics and
listening skills to your ensemble. Careful
attention to the dynamic shifts and the
balance of parts will bring this march to life.
11572104 Band Set & Score . . M 105.00
Galop Comique (Aspects: Movement
III)—Randall Standridge. Delivered with wit
and whirlwind energy, this fast-paced and
humorous concert galop keeps performers
and audiences on their toes. With playful
nods to Mozart's Eine kleine Nachtmusik
and a show-stopping xylophone solo
in the trio section, this piece balances
musical sophistication with spirited fun.
The third movement of "Aspects," a suite
commissioned by the American School
Band Directors Association, it may be
performed independently or as part of the
complete work.
11622907 Band Set & Score . . . M 80.00
Galop Festivo—Randall Standridge. Hold
on to your seats! The styles of Saint-Saëns
and Shostakovich have been channeled to
create a rollicking galop that your players
and audience are sure to love! Careful
scoring, catchy melodies, and a rousing
finale combine to create a true show-
stopper for your next concert. Perfect as an
opener, finale, or encore!
11515729 Band Set & Score . . . M 75.00
Guardians of the Golden Star (Symphonic
March)—Timothy Loest. Honoring fallen
service members and the families they
leave behind, this symphonic march tells a
meaningful story. The title references Gold
Star families who have lost family members
serving in the armed forces. This musical
tribute is built on a driving rhythmic motif,
bold melodies, and quotes of famous bugle
calls. Light sixteenth-note figures add motion
and some light technical demands while
remaining accessible to high school players.
A meaningful selection for traditional or
patriotic concerts that combines musical
discipline with remembrance, encouraging
students to perform with focus, respect, and
expressive intent.
11680825 Band Set & Score . . . M 85.00
His Honor—Henry Fillmore/ed. Frederick
Fennell. This great march by Henry Fillmore
is now available in concert size and edited
by Frederick Fennell.
2032886 Band Set & Score . . M 100.00
Inglesina (The Little English Girl)—
Davide Delle Cese/ed. John R. Bourgeois.
Best known for his marches, Davide delle
Cese was an Italian band leader, composer
and teacher who enjoyed a long and rich
musical career. His march, Inglesina, is
one of his most popular marches and is an
international favorite. This accomplished
edition is based on the original 1871 Italian
edition and brings new excitement and
freshness to a European classic.
2446110 Band Set & Score . . . M 95.00
The Klaxon—Henry Fillmore/arr. Fennell.
Look carefully at this! It's Henry Fillmore's
famous march which features woodwind
runs, simple but exceptionally effective
horn writing, lyrical melodies and a dramatic
dogfight. An unusually good selection for
contest or other important performances.
2139731 Band Set & Score . . M 100.00
La Fiesta Brava—Trestin Durant. This
original Spanish-style march is one for
the books. Superb stylistic writing and
scoring help set the foundation for a solid
performance and an even better experience
for your musicians and audiences.
11562296 Band Set & Score . . . M 80.00
La Sevillana (Concert March)—Jorge
Vargas. Fiery and full of energy, this Grade
3 concert march is inspired by the passion
and intensity of the Spanish pasodoble.
Driving rhythms, bold articulations, and
tuneful melodies combine to create a
work that is both exciting and expressive.
Contrasting lyrical sections provide
moments of warmth and shape, while the
more aggressive style of the march offers
opportunities to explore articulation and
dynamic contrast. Colorful and engaging,
a strong choice for high school concert or
festival performance.
11684726 Band Set & Score . . . M 75.00
March: On the Air—Fred Jewell/arr.
Brian Monroe. A buoyant march for high
school band set in a lilting 6/8 meter. The
standard march structure keeps the form
familiar while capturing the spirit of early
radio broadcasts through light textures and
forward energy. A solid concert choice that
reinforces compound meter while offering a
traditional march with charm.
11684410 Band Set & Score . . . M 55.00
McGill's March—Terry White. Bright
momentum and clear contrasts give this
medium-level concert band march its
lively character, opening with a buoyant
6/8 feel before shifting into 2/4. Melodic
writing and inventive rhythms keep
interest high while staying firmly within
standard march style. A solid high school
concert selection that introduces simple
meter transitions while delivering a fun,
dependable march experience.
11684416 Band Set & Score . . . M 65.00
National Emblem March—Edwin Bagley/
ed. Fennell. One of the greatest marches
of all time, this rousing epitome of band
marches belongs in every good band
library! Published for the first time in concert
size and edited by Frederick Fennell, this
march is perfect for contest, concert, or any
occasion that calls for a good, solid, well
known and loved march.
2080323 Band Set & Score . . M 110.00
Shipyard Trudge (Concert March)—
Matthew Manning. Looking for an exciting
new concert march? This is it! Drawing
inspiration from shanties and seafaring
songs, this minor-mode march provides
memorable melodies, a lyrical trio, and
wonderful counterpoint. A great addition to
your next concert or festival performance!
11515769 Band Set & Score . . . M 75.00
A Slavic Farewell—Vasilij Agapkin/ed.
John R. Bourgeois. This exciting Slavic
march is one of the gems to come out
of post-Cold War Russia! Adapted for
American concert band instrumentation,
this vibrant "Sousa meets the Volga
Boatman"-style march brings to mind a
Russian military band marching through
Moscow's Red Square. A unique and
stirring addition to the march repertoire!
2329092 Band Set & Score . . . M 95.00
BEST
SELLERS
Concert Marches
Medium
Buy with confidence! These works,
listed in order of popularity, are chosen
most often by directors.
Galop Comique (Aspects:
Movement III)—Randall Standridge.
11622907 Band Set & Score . . . . . . . . 80.00
Galop Festivo—Randall Standridge.
11515729 Band Set & Score . . . . . . . . 75.00
Amparito Roca—
Jamie Texidor/arr. Aubrey Winter.
147512 Band Set & Score . . . . . . . . 90.00
Inglesina (The Little English Girl)—
Davide Delle Cese/
ed. John R. Bourgeois.
2446110 Band Set & Score . . . . . . . . 95.00
Arsenal—Jan Van der Roost.
2361665 Band Set & Score . . . . . . . 100.00
His Honor—
Henry Fillmore/ed. Frederick Fennell.
2032886 Band Set & Score . . . . . . . 100.00
Brighton Beach—William P. Latham.
4014841 Band Set & Score . . . . . . . . 77.00
Florentiner March—
Julius Fucik/ed. John R.Bourgeois.
2420719 Band Set & Score . . . . . . . . 95.00
Americans We—
Henry Fillmore/ed. Foster.
10279573 Band Set & Score . . . . . . . 100.00
Shipyard Trudge (Concert March)—
Matthew Manning.
11515769 Band Set & Score . . . . . . . . 75.00
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