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157
Pop Hits | Medium to Advanced
From the Start—arr. Mark Taylor. Straight-
eighth bossa groove anchors this arrange-
ment for high school jazz bands with a featured
vocal solo drawn from Laufey's pop hit.
Rhythmic unison in the winds supports tight
coordination with the vocalist, while
syncopation reinforces Latin style and a
challenging key sharpens reading skills. An
effective introduction to performing with a jazz v
ocalist for ensembles new to this format.
11678468 Jazz Ensemble . . . . M 55.00
Get Lost (from "Moana 2")—Abigail
Barlow & Emily Bear/arr. Paul Murtha. The
hip and soulful tune from the hit Disney
sequel is available here in this great
arrangement for young jazz ensemble.
11608618 Jazz Ensemble . . . . M 50.00
Hey Arnold! (Main Theme)—Jim Lang/
arr. Mike Tomaro. A great authentic
arrangement of the funky theme song from
the hit '90s Nickelodeon cartoon series.
11617951 Jazz Ensemble . . .MA 55.00
Higher Ground—Stevie Wonder/arr. Mike
Tomaro. From Stevie Wonder's acclaimed
1973 album Innervisions, this infectious
funk tune has been covered by a variety
of artists over the years and found its way
into several movies. With a distinctive rock
shuffle groove and memorable riffs, Mike
Tomaro has transformed this into a sizzling
version for jazz ensemble.
10188761 Jazz Ensemble . . . . M 55.00
I Can't Stop Loving You—arr. Quincy
Jones. Every jazz fan knows it, loves it and
has wished it was in print! And now, this
quintessential big-band arrangement is
finally available! As recorded by the Count
Basie Orchestra on their album This Time
by Basie: Hits of the 50s & 60s, Quincy
Jones' arrangement of I Can't Stop Loving
You will bring your audiences to their
feet. Beginning with the Count's rubato
piano tremolo, this laid-back shuffle chart
features in-your-face ensemble writing at
its finest. There is short, written-out solo
space for trombone and piano, but mostly
this chart simply swings its tail off with the
entire ensemble from beginning to end!
Never has a sad song sounded so happy!
Very highly recommended!
10368505 Jazz Ensemble . . .MA 55.00
I Wanna Be Like You—Robert & Richard
Sherman/arr. John Wasson. What happens
when one of the hottest swing bands in
the land cuts loose on a Disney classic?
Cranked up excitement! Big Bad Voodoo
Daddy takes a mambo spin on I Wan'na Be
Like You from "The Jungle Book," and with
lots of tutti writing, your band will get a real
powerhouse sound!
2433704 Jazz Ensemble . . . . M 55.00
I Wish—Stevie Wonder/arr. Mike Tomaro.
This tune makes tons of sense for jazz
ensemble! With its invigorating style, the
arrangement is true to the classic sound of
Stevie Wonder's original. The solo section
is flexible, so you can tailor it to your band's
strengths. The medium slow groove on this
one is pure magic!
2470798 Jazz Ensemble . . . . M 55.00
In the Stone—arr. Paul Murtha. With no
solos required and only a driving rhythmic
groove, here's an authentic-sounding
version of this Earth, Wind & Fire classic.
The trombones are featured on the melody
and all the signature riffs from the original
are beautifully captured. Guaranteed fun!
10033677 Jazz Ensemble . . . . M 55.00
The Incredibles (Medley)—Michael
Giacchino/arr. Stephen Bulla. Mix the
stylish spy music from the 1960s with a
dose of cool jazz and you have a winning
combination for jazz ensemble. From the
Pixar hit animated movie, here's a high-
energy and entertaining chart that captures
the essence of the soundtrack perfectly,
with three themes from the movie that
offer a ton of variety and entertainment! A
middle section in a jazz waltz style is framed
by exciting rock styles that will be appealing
to both audiences and developing
players. Highly recommended!
2480196 Jazz Ensemble . . . . M 55.00
Land of Make Believe—arr. Mark Taylor.
The brilliance of Chuck Mangione's
iconic sound is captured in this vibrant
arrangement enriched with expressive
rubato sections, infectious samba grooves,
and a lively sense of swing.
11640151 Jazz Ensemble . . . . M 55.00
MacArthur Park—Jimmy Webb/arr.
Paul Murtha. Bring the house down with
this incredible arrangement of the classic
hit song that has spanned decades and
genres. Opening as a rock ballad, the lead
tenor takes the melody which then passes
to the saxes and trumpets, building to a
driving, double-time rock feel that features
a powerful shout. This sets up the solo
section before transitioning back to a ballad
feel that will peel paint as it brings it home.
Open solos for tenor sax, trumpet, and
trombone. Lead trumpet plays high C and
lead bone plays high G.
11597052 Jazz Ensemble . . . . M 55.00
My Favorite Things—Richard Rodgers/
arr. Michele Fernandez. Here's a wonderful
new take on a timeless melody. Michele
Fernandez shares her Afro-Latin expertise
in this sizzling high-energy arrangement for
jazz ensemble. Sure to be a favorite with all
audiences – and an impressive choice for
contest or festival.
11539345 Jazz Ensemble . . . . M 55.00
Over the Rainbow—Harold Arlen/arr. Alan
Baylock. Do you have two trumpet players
to showcase? Here is a ballad everybody
knows, scored as a trumpet duet feature.
Everything is written, no improvised solos,
the lead trumpet range is to C above the
staff and the second part is to written A.
Lyrical and melodic, this chart is a sure-fire
crowd pleaser impeccably arranged by Alan
Baylock! Optional expanded instrumentation.
10093177 Jazz Ensemble . . . . M 54.00
Pick Up the Pieces—arr. Victor Lopez.
It's funk-rock... you know it, you love it! The
tune is infectious, the arrangement is right
on target with no individual solos but plenty
of section and ensemble work. The sax soli
is crazy hot and the lead trumpet range is
to written A above the staff. Lots of unison
lines, some fun bari sax licks and a very
hip stop-time interlude that really cooks.
This arrangement really works for this
tune! Consider this chart a winner! Optional
expanded instrumentation.
10068806 Jazz Ensemble . . . . M 55.00
Pure Imagination (from "Wille Wonka
and the Chocolate Factory")—Bricusse &
Newley/arr. Craig Skeffington. If you haven't
heard this gorgeous ballad from "Willie
Wonka and the Chocolate Factory," now is
the time. A sensational and easy-to-play alto
sax solo feature, this arrangement is scored
with lush harmonies and backgrounds. The
lead trumpet range is to written A above the
staff, the alto sax solo is entirely written out
and optional parts are included for expanded
instrumentation. Newsflash: this will be your
new favorite tune!
10068800 Jazz Ensemble . . . . M 52.00
September—arr. Mark Taylor. Here's the
classic funk tune from Earth, Wind & Fire in
a terrific arrangement for big band by Mark
Taylor. This one includes all your favorite
signature horn riffs as well as a solo for
tenor sax.
10016127 Jazz Ensemble . . . . M 55.00
Sir Duke—Stevie Wonder/arr. Michael
Mossman. In 1977 Stevie Wonder was in
his prime and Sir Duke was on top of the
charts. Michael Philip Mossman takes this
familiar hit and adds his own unique touch.
The opening features the brass with sax
section fills. The middle section goes into
a double-time swing and includes a solo for
tenor sax, a soli for the saxes, and a drum
break. All the familiar lines from the original
are there too! Suggested solos are included
along with scale/chord sheets in all keys.
Highly recommended!
10297508 Jazz Ensemble . . . . M 55.00
What a Wonderful World—Douglas &
Weiss/arr. Alan Baylock. Alan Baylock sets
this wonderful tune in a sultry 12/8 groove
played at about 72 bpm, making it feel lazy
and relaxed. There are no solos, just sweet
ensemble writing all the way. The lead
trumpet range is to A above the staff and
optional parts are included for expanded
instrumentations. This outstanding chart is an
ideal contrasting piece for any performance!
10997206 Jazz Ensemble . . . . M 54.00
When I Fall in Love—Victor Young/arr.
Craig Skeffington. Show off the sensitive
side of your band with this ensemble ballad
with no featured soloist. There is a brief
four-bar written trumpet melody; otherwise,
it's all ensemble blend with a lush texture
and a double-time section. Lead trumpet
range is to written G on top of the staff. The
drummer plays with brushes and sticks, the
band emotes, and everybody sounds great!
Optional parts for flute, horn in F, baritone
horn, and tuba are included. You'll fall in love
with this excellent chart!
10049716 Jazz Ensemble . . . . M 52.00
Wonderful Tonight—Eric Clapton/arr. Rick
Hirsch. This lush, heartfelt arrangement
leans into the warmth of the classic rock
ballad, placing the piano in a featured
role. Rich harmonic writing and smooth
wind textures support the melody without
overpowering it, creating an intimate,
sophisticated atmosphere. A lyric sheet
is included for an optional vocal feature.
Modest brass ranges with fully notated
rhythm parts keep the chart accessible
while remaining polished for mature concert
or festival performance.
11685073 Jazz Ensemble . . . . M 64.00
BEST
SELLERS
Pop Hits
Medium to Advanced
Best-Selling Charts! These selections,
listed in order of popularity, are chosen
most often by directors like you.
I Wanna Be Like You—
Robert & Richard Sherman/
arr. John Wasson.
2433704 Jazz Ensemble. . . . . . . . . . . 55.00
Sir Duke—
Stevie Wonder/arr. Michael Mossman.
10297508 Jazz Ensemble. . . . . . . . . . . 55.00
MacArthur Park—
Jimmy Webb/arr. Paul Murtha.
11597052 Jazz Ensemble. . . . . . . . . . . 55.00
The Incredibles (Medley)—
Michael Giacchino/arr. Stephen Bulla.
2480196 Jazz Ensemble. . . . . . . . . . . 55.00
Hot Chocolate (from "The Polar
Express")—Glen Ballard &
Alan Silvestri/arr. John Berry.
2481655 Jazz Ensemble. . . . . . . . . . . 55.00
My Favorite Things—Richard Rodgers/
arr. Michele Fernandez.
11539345 Jazz Ensemble. . . . . . . . . . . 55.00
Hey Arnold! (Main Theme)—
Jim Lang/arr. Mike Tomaro.
11617951 Jazz Ensemble. . . . . . . . . . . 55.00
In the Stone—arr. Paul Murtha.
10033677 Jazz Ensemble. . . . . . . . . . . 55.00
Pure Imagination
(from "Wille Wonka and the Chocolate
Factory")—Bricusse & Newley/
arr. Craig Skeffington.
10068800 Jazz Ensemble. . . . . . . . . . . 52.00
25 or 6 to 4—
Robert Lamm/arr. Mike Tomaro.
11518954 Jazz Ensemble. . . . . . . . . . . 50.00
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