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Concert & Contest | Medium-Advanced
Rail Riffs—Brian Balmages. Close your
program with this nonstop energetic
barnburner that combines elements of
dance, jazz, and Latin grooves! As the title
suggests, this one feels like one massive
party on rails that is certain to bring down
the house. This is one ride you will not want
to end! (4:00)
11568590 Band Set
& Score . . . . . . . . .MA 100.00
Rhythmism—Robert Buckley. Rhythmic
exploration takes center stage in this concert
band suite built with three contrasting
movements, with the percussion section
serving as a central focus throughout.
The opening movement features call-and-
response writing with frequent shifts between
2/4 and 3/4, followed by a Latin funk second
movement highlighting the alto saxophone
over a groove-focused rhythm section. A
swinging big-band finale brings the piece to
an exciting close. An excellent programming
option for ensembles with strong percussion
sections ready to showcase stylistic
versatility, rhythmic precision, and energy
across an extended work.
11680833 Band Set
& Score . . . . . . . . .MA 110.00
Rialto Ripples—George Gershwin, William
John Donaldson/arr. Wil van der Beek. An
early ragtime work from 1917 reveals
the remarkable skills of your advanced
concert band through inventive harmonies
and lively rhythmic variation. The music is
upbeat, witty, and full of character, evoking
the bustle and sparkle of Broadway life. Its
playful energy and charm consistently bring
a smile to the listener and make a unique
addition to any concert program.
11687245 Band Set
& Score . . . . . . . . .MA 102.06
Rise Up to the Sky—Florian Moitzi. A bold,
driving concert work that blends fanfare-
like writing with subtle Latin American
influences to convey energy and forward
motion. Powerful brass fanfares, a strong
bass line, and ascending melodies create
mounting tension and a sense of striving
skyward, enhanced by colorful woodwind
gestures. Moments of brief calm contrast
with renewed rhythmic drive, culminating in
a radiant, majestic finale where the fanfare
material returns in full brilliance.
11687281 Band Set
& Score . . . . . . . . .MA 102.06
Sail!—Dan Adams. Soaring fanfares
and sweeping melodic lines animate this
concert band opener that takes players
on an ocean voyage. Woodwind flourishes
and bold brass gestures evoke motion,
wind, and open water while maintaining a
clear, forward-moving structure. A confident
concert or festival opener that establishes
energy, atmosphere, and technical poise
from the first downbeat.
11684414 Band Set & Score . .MA 70.00
Sharp Corners—Wesley Cheang. Bold
and distinctive in voice, this advanced work
blends symphonic band writing with jazz and
R&B influences to create a modern, groove-
driven sound. Colorful harmonies explore
the idea of tension without resolution,
supported by layered textures and optional
parts for synthesizer, piano, and electric
bass. Contemporary, intellectually engaging,
and sonically compelling, it offers ensembles
a fusion-inspired piece with a strong sense
of style and originality suited for concert or
festival performance.
11684736 Band Set & Score . .MA 95.00
Sisi – Empress of Austria—Otto M.
Schwarz. The life of Empress Elisabeth
of Austria unfolds musically in a portrait
of beauty, constraint, and a persistent
longing for freedom. The emotional core
of this advanced band work is shaped by
her restless spirit, extensive travels, and
complex relationships with Emperor Franz
Joseph I and Count Gyula Andrassy.
Short stylistic motifs from her era are
woven in to reflect her loves, struggles,
and enduring desire for independence. A
memorable concert closer, this is effective
for professional groups and collegiate or
advanced high school ensembles.
11683959 Band Set
& Score . . . . . . . . .MA 229.00
Slainte (for Bagpipes and Band)—arr.
Jeremy S. Martin. Designed for concert
band with bagpipe soloist, this distinctive
feature spotlights four well-known pipe tunes
that many players know from memory. The
concept allows a guest piper to lead without
extensive preparation, creating immediate
cultural impact. A memorable programming
option for featuring community musicians
and creating a concert moment audiences
will talk about long afterward.
11684424 Band Set & Score . .MA 95.00
Slow Burn—Erika Svanoe. A fun an exciting
work that uses a 12-bar blues form to explore
various sixteenth-note rhythms in a funky
groove that grows from soft to strong. Written
for a band with a variety of experience
levels, this piece has challenging first parts
while keeping second and third parts more
accessible. A fun tune for high schools with
one band and a lot of percussionists that
want to keep everyone engaged.
11630452 Band Set
& Score . . . . . . . . .MA 125.00
Steel Thunder—Susanne Zabl. Intensity
and industrial power shape this vivid sonic
landscape for band inspired by the density
of a modern construction site. Relentless
rhythmic patterns, metallic sonorities, and
striking effects convey noise, motion, and
raw energy. A vibraphone solo briefly
introduces a moment of stillness, recalling
nature before progress took hold. The calm
quickly dissolves as the machinery returns
and the driving pulse of change resumes.
An impactful selection for advanced
ensembles looking for a unique addition to
their next concert.
11683967 Band Set
& Score . . . . . . . . .MA 205.00
Tensions Are Rising—Kyle McKinzey.
Driving intensity and dramatic contrast
characterize this concert band work
pairing a simple melodic core with forceful
accented hits and moments of quiet
tension. A contrasting 3/4 middle features
calmer lyricism and a flute solo before the
energy returns for the climax. A strong
high school concert choice that highlights
contrast, pacing, and controlled intensity
without overwhelming rehearsal demands.
11680199 Band Set & Score . .MA 90.00
The Mad Hatter—John Meehan. Capturing
the energy, chaos, and joy of juggling the
many hats we wear in everyday life, this
advanced band work ranges from playful to
reflective, taking performers and audiences
on a colorful journey through shifting moods
and musical personalities. It is a vibrant and
rewarding addition to any concert program
to show off your ensemble's expressive and
technical range.
11686763 Band Set
& Score . . . . . . . . . MA 140.00
Third Prelude—George Gershwin/arr.
Ben Hawkins. A high-impact concert band
opener or closer. Also known as Gershwin's
"Spanish" prelude due to its colors and
rhythms, this faithful adaptation of a classic
piece of band literature will bring your
audience to their feet!
11686765 Band Set
& Score . . . . . . . . .MA 130.00
Three's Company (for Three Solo
Bassoons and Band)—Steven Amundson/
arr. R. Mark Rogers. Chamber-style wit and
interplay drive this adaptation for concert
band and bassoon trio. Jaunty writing and
clever quotations, including a nod to The
Rite of Spring, keep the spotlight squarely
on the trio. An effective programming
choice when showcasing bassoonists with
personality and giving an underrepresented
section a memorable moment at the front of
the ensemble.
11684419 Band Set
& Score . . . . . . . . .MA 200.00
Titan's Fury—Bonyea Killebrew. Relentless
energy propels this advanced concert band
work, driven by an intense melodic line
supported by low-reed ostinatos. Meter
changes add rhythmic interest, while a
slower, heroic middle led by upper winds
and brass provides contrast before the
opening material returns at full force. A
compelling high school closer that balances
drive and lyricism while testing ensemble
focus and stamina.
11687481 Band Set & Score. .MA 110.00
Triumphal March from Caractacus—
Edward Elgar/arr. Clarence E. Barber.
Triumphant, regal character dominates this
advanced concert band arrangement drawn
from the closing march of an Elgar opera
about a British chieftain resisting the Roman
conquest. Classical sonorities and dense
textures place high technical demands
across the ensemble. The weighty writing
emphasizes precision, articulation, and
sustained intensity. A formidable selection
for advanced high school bands.
11684413 Band Set & Score . .MA 85.00
Vertical Acceleration—Rossano Galante.
Fast, heroic energy drives this advanced
concert band work built around fanfare-like
gestures, soaring melodic lines, and frequent
meter changes that add rhythmic interest.
Moments of calm provide contrast before the
intensity returns, creating a clear dramatic
arc. The professional-sounding texture
rewards precision and ensemble cohesion.
Choose it when advanced groups need a
bold, exciting concert selection that calls for
rhythmic focus to deliver maximum impact.
11686257 Band Set
& Score . . . . . . . . .MA 128.00
Vienna Philharmonic Fanfare—Richard
Strauss/arr. Evan VanDoren. Capture
the brilliance and ceremony of Vienna's
musical legacywith a modernized scoring
of Strauss' iconic fanfare. Featuring
updated orchestration, it can be performed
by a full wind ensemble or by brass alone.
An unforgettable, dignified opener for any
concert or special event.
11686772 Band Set
& Score . . . . . . . . .MA 130.00
Visions of Parnassus—Jeff Hart. Radiant
and expressive, this lyrical tone poem
for concert band draws inspiration from
the mythical home of Apollo and the
Muses. Rich harmonies, flowing lines, and
shimmering textures create an otherworldly
atmosphere, with carefully layered scoring
adding depth and color across the
ensemble. The emphasis on tone, balance,
and blend rewards mature listening and
unified sound, offering an immersive and
rewarding musical experience well suited
for any performance.
11684746 Band Set & Score . .MA 85.00
Warrior—Rossano Galante. Heroic
cinematic energy characterizes this
advanced concert band work featuring a
solo trumpet. Triumphant themes and bold
ensemble writing create a showcase with
sweeping gestures and exciting momentum
throughout. The solo line demands
confident projection while remaining
integrated into the texture. Program it when
you want an advanced group to deliver a
thrilling, high-impact performance that
highlights a strong trumpet soloist and
leaves a powerful impression.
11686283 Band Set
& Score . . . . . . . . .MA 140.00
YEARS
OF MUSIC
S I N C E 1 8 7 6
