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Classical Selections | Medium
Sururu na cidade—Zequinha de Abreu/
arr. Steve Olson. Celebrate the rhythms
and spirit of Latin American dance with
this vibrant arrangement thoughtfully
crafted for intermediate ensembles. The
infectious melodies, carried by violas and
cellos, create an exhilarating experience.
The middle section highlights a solo
player from each section of the orchestra.
This lively dance promises to infuse your
orchestra's repertoire with joy, excitement,
and a touch of Latin flair. Your orchestra
will find inspiration in bringing this musical
adventure to life at their next performance!
11574832 String Orchestra . . . M 60.00
Symphony No. 1 in D Major (Movement
2)—Gustav Mahler/arr. Sandra Dackow.
This scherzo-like second movement from
Mahler's First Symphony is a vigorous,
exuberant work that evokes rustic good
times. Excellent for building confidence
and teaching aggressive playing, this is
a superb selection for both rehearsal and
performance!
2215234 String Orchestra . . . M 52.00
Symphony No. 8 "Unfinished" (First
Movement)—Franz Schubert/arr. Robert
D. McCashin. This works beautifully
with strings alone! From the mysterious
opening to one of Schubert's best melodies
and on to the dramatic conclusion, this
arrangement captures the essence of the
famed "Unfinished" Symphony. A powerful
addition to the string orchestra repertoire
that your students will enjoy performing.
10027377 String Orchestra . . . M 50.00
Symphony Concertante No. 2 Op. 13
in G (Mvt. 1: Allegro)—Joseph Bologne,
Chevalier de Saint-Georges/arr. Sandra
Dackow. This vibrant classical arrangement
brings energy and graceful melodic dialogue
to the string orchestra. Clear textures,
lively rhythms, and conversational writing
between sections make it an outstanding
teaching piece for developing ensemble
balance, phrasing, and stylistic awareness
while offering students a rewarding and
polished concert experience.
11632574 String Orchestra . . . M 70.00
Symphony No. 1—Joseph Bologne/arr.
Todd Parrish. One of only two symphonies
Bologne composed during his time in
France, this work reflects the influence of
his teachers and fellow composers in the
burgeoning Classical period. This joyful
Allegro features a spirited theme that is
developed mainly in the violin section,
supported by the lower strings. Originally
scored for two oboes, two horns, and
strings, this approachable arrangement
for string orchestra retains the original key
while seamlessly blending the wind and
string parts.
11401222 String Orchestra . . . M 65.00
Symphony No. 104 ("London" Finale)—
Joseph Haydn/arr. Jim Palmer. Capture
students' attention immediately with this
charming symphony movement from the
Classical period. The catchy melody,
crisp rhythms, and varied dynamics will
bring excitement to every performance.
Precise articulations, bowings, fingerings,
and an optional timpani part make this
arrangement true to the original! A perfect
opener or closer to any concert or festival
performance.
11515948 String Orchestra . . . M 70.00
Symphony No. 12 in G, K. 110 (Mvt. 4:
Allegro (Finale))—W.A. Mozart/arr. Sandra
Dackow. Brimming with elegance and
clarity, this work captures the essence of the
classical style through sparkling melodies,
crisp articulation, and lively interplay among
voices. Its buoyant character make it
an ideal piece for developing ensemble
precision, balance, and stylistic awareness.
A joyful and sophisticated addition to any
concert program, offering students both
accessibility and a rewarding challenge.
11632590 String Orchestra . . . M 60.00
Symphony No. 20 in D Major, K. 133
(IV. Allegro)—W.A. Mozart/arr. Sandra
Dackow. Composed when Mozart was just
sixteen, this finale bursts to life with youthful
brilliance, cheerful energy, and effortless
charm. This fleetfooted Allegro, filled with
rapid eighth-note passagework, begs for
crisp, off-the-string articulation at the frog.
Nearly the entire movement can be played
in first position, with only brief shifts in first
violin and bass, making it accessible while
still offering professional sparkle. Carefully
coordinated bowings highlight Mozart's
light, dancing character, and performers
will relish the exhilarating momentum that
drives this delightful closer from beginning
to end.
11688752 String Orchestra . . . M 90.00
Symphony No. 2 (Mvt. 1: Allegro assai)—
Emilie Mayer/arr. Jennifer Meckler. Rich
harmonies and sweeping lines drive this
powerful work forward, blending lyrical
warmth with dramatic intensity. The music
offers students a chance to explore dynamic
contrast, rhythmic precision, and expressive
phrasing, all within the elegant framework
of the Romantic style. With its compelling
energy and rewarding challenges for every
section, this arrangement brings a fresh
voice to the concert stage and showcases
the depth and brilliance of this gorgeous
symphony.
11632586 String Orchestra . . . M 55.00
Symphony No. 2 (II. Scherzo)—Emilie
Mayer/arr. Jennifer Meckler. This classical
scherzo, arranged for string orchestra,
is full of contrast and character. It offers
students rich opportunities to explore
varied bow strokes, including staccato
and legato, while navigating lively shifts
in style. Conversational writing between
sections encourages active listening across
the orchestra, with low strings challenged
just as fully as the violins. Chromatic
passages supported by clearly written
fingerings develop intonation skills, while
required shifting in the cello and bass builds
technique. An optional, accessible timpani
part adds an exciting low-end boost to the
ensemble sound.
11688750 String Orchestra . . . M 70.00
Symphony No. 41: Finale—Franz
Joseph Haydn/arr. Bill Scott. Starting
with a bright flourish, the music launches
into a spirited finale brimming with playful
counterpoint, crisp articulation, and driving
momentum. Every part has something
engaging to play, making it an excellent
opportunity to develop ensemble precision
and stylistic awareness. The interlocking
lines encourage students to listen across
the sections, while the brisk tempo and
buoyant rhythms keep the energy high. This
arrangement offers a rewarding challenge
that highlights the brilliance of the classical
style - ideal for teaching clarity, balance,
and the joy of collaborative music making.
11632582 String Orchestra
Set of Parts . . . . . . . M 65.00
Symphony No. 9 (First Movement)—
Franz Schubert/arr. Aaron Fryklund.
Known as "The Great" C major symphony,
this string orchestra arrangement remains
faithful to the original yet is accessible with
minimal shifting. From the first downbeat
of the energetic Allegro ma non troppo,
brisk momentum maintains a steady gallop
that oscillates between triple and duple
rhythms, often building in ebullient rising
scales. Portions of the original development
are included before a grand return to a
restatement of the Andante theme at the
end.
11668630 String Orchestra . . . M 65.00
Themes from American Quartet
(Movement 1)—Antonín Dvořák/arr. Jamin
Hoffman. Composed shortly after his iconic
"New World" symphony, Dvořák's American
Quartet reflects the composer's fondness
for America acquired during his tenure in
New York and vacation in Iowa. Featuring
pentatonic scales and American folk-like
melodies, the quartet has emerged as
Dvořák's most popular chamber work.
10762228 String Orchestra . . . M 55.00
Themes from Carmen—Georges Bizet/
arr. Carrie Lane Gruselle. This accessible
arrangement is based on four well-known
themes from Bizet's popular opera:
Prelude; Aragonaise; Habanera and Danse
Boheme. From the foreboding introduction
to the dancing and swirling ending, this
spectacular arrangement has it all!
10752906 String Orchestra . . . M 75.00
Themes from Rhapsody in Blue—George
Gershwin/arr. Carrie Lane Gruselle.
This landmark arrangement showcases
Gershwin's beloved piece that validated
the merging of classical music and jazz
during the Roaring '20s. This setting for
strings presents a sampling of the most
memorable themes in a dynamic and well-
constructed arrangement. Ideal to work
on bow distribution, weight, and speed as
well as chromatics and some basic position
work with ample fingerings provided.
Exceptional!
11399692 String Orchestra . . . M 65.00
Themes from "Romeo and Juliet"—P.I.
Tchaikovsky/arr. Carrie Lane Gruselle. Gift
your string orchestra these expertly distilled
themes from Tchaikovsky's orchestral saga
of the most dramatic teenagers in love.
This handful of excerpts presents ample
expressive material and a grand emotional
range found in the most memorable
Shakespearian love story.
10307179 String Orchestra . . . M 55.00
Three Norwegian Dances—Halfdan
Kjerulf/arr. Katie O'Hara LaBrie. This
fantastic mini-suite features the music
of Halfdan Kjerulf, a predecessor of
and influence on Edvard Grieg. The
work includes the lively and animated
Intermezzo, the lyrical Spring Dance with
a waltz-like quality, and the fiery Brureslatt.
Incredible music that engages all sections
of the orchestra! (5:00)
11568678 String Orchestra . . . M 75.00
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