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Editors' Choice New Basic Library Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
Original Concert Works | Easy
Fractus—Aaron Fryklund. Highly rhythmic,
this piece for young strings pulses
from beginning to end with an intense,
syncopated rhythm set against driving
quarter notes. "Fractus" is Latin for"broken"
- here it means the work has been broken
into small, rough pieces that your musicians
put together. After the opening section, a
seemingly quiet lull is quickly undermined
by subtle moving rhythms under the surface.
This also features a variety of articulation
styles to create excitement and intrigue.
11668580 String Orchestra . . . .E 60.00
Furioso—Todd Stalter. Sudden shifts
of energy give this easy string orchestra
work a fierce, dramatic edge, moving
quickly between accented fury and lighter
passages. Low strings receive prominent
melodic moments amid constant changes
in mood and texture. The writing highlights
clear practice in articulation contrast. A
strong middle school choice for helping
students differentiate character and
articulation within an intense, high-impact
concert closer.
11680893 String Orchestra . . . .E 65.00
Gargoyles—Doug Spata. This is one you
won't want to miss. A fiery ostinato pattern
in a minor mode sets the mood for this
dark-sounding musical adventure. Melodic
fragments pass from one section to another
as the tension builds. This is exciting music
and your students will love playing it!
2470438 String Orchestra . . . .E 50.00
Gauntlet—Doug Spata. The driving
rhythmic intensity of the music is something
rarely found at this level! Combine that
with its darker modal sound and you get a
captivating work your students will love to
learn. Like music in the climactic scene of a
movie, short repeated motives are passed
among the sections, building tension from
start to finish! Your players and audience
will be thrilled with this one!
2417863 String Orchestra . . . .E 60.00
Goblins & Ghouls—Katie O'Hara LaBrie.
In this suspenseful tune reminiscent of
a horror movie soundtrack, students will
perform extended techniques such as
harmonic glissando, playing behind the
bridge, ponticello, and more. Optional
percussion parts enhance the spooky
spirit with haunting sounds and leave you
wondering what's lurking around the corner!
11521150 String Orchestra . . . .E 55.00
Good Days—Deborah Baker Monday.
Bright optimism shapes this easy string
orchestra piece built around a catchy,
upbeat tune in G major. Tied rhythms
strengthen rhythmic accuracy and reading
skills, while brief detours to E minor
add contrast and listening awareness.
Opportunities for upper strings to choose
the fourth finger over open strings reinforce
thoughtful technique. A strong middle
school teaching piece, it balances joy with
clear skill development in rehearsal and
performance.
11680757 String Orchestra . . . .E 60.00
Gothic—Tyler Arcari. Inspired by Gothic
architecture and written for Grade 2 string
orchestra, the piece moves from a slow,
lyrical opening into a more assertive, faster
section that offers a unique contrast in style
and articulation. The scoring gives every
section engaging material, supporting
instruction in tone shaping, coordinated
articulation, and stylistic versatility. Its
variety of teaching opportunities makes it
an effective choice for concert or festival
programming.
11673094 String Orchestra . . . .E 60.00
Hang Gliding—Peter Sciaino. A thrilling
string orchestra work captures the
freedom and exhilaration of flight. Shifting
between serene, flowing lines and bursts of
rhythmic energy, the piece offers students
opportunities to explore dynamic contrast,
syncopation, and expressive phrasing.
Directors will appreciate how the engaging
melodies and accessible technical demands
create a rewarding musical experience
without being overwhelming. With soaring
themes and a triumphant finale, it is an
inspiring concert choice that will energize
both performers and audiences.
11686781 String Orchestra . . . .E 60.00
Hollow Crypt—Lucas Buterbaugh. Eerie
and imaginative, this piece builds a spooky
atmosphere through leading tones and tight
minor-second tension. The melody moves
fluidly across sections within a clear ABA
form, supported by varied articulations
and dynamic contrast. Accessible writing
keeps it playable by beginning orchestras
while offering musical substance, and
flexible scoring options ensure full
performance even in ensembles with limited
instrumentation. A fun and skill-building
departure from the ordinary that invites
curiosity and a few shivers.
11684452 String Orchestra . . . .E 40.00
Ignition Point—Brian Balmages. High-
energy, driving motion in 3/4 fuels this
easy string orchestra work, built on a
repeated eighth-note pattern that sustains
momentum throughout. Clear rhythmic
interplay and bold dynamic contrasts
strengthen confidence while keeping the
writing accessible to elementary school
students. Contemporary harmonies add
tension and create a mature sound that's
easy to learn. A reliable concert closer for
practicing rhythmic steadiness and dramatic
contrast at an early level.
11680917 String Orchestra . . . .E 60.00
Into the Night Sky—Brian Bankston.
Heroic vibes and captivating drive abound
in this easy string piece that will leave a
lasting impression on your students. It
utilizes basic skills to produce fun, playable
music that gives each section a moment to
shine, ensuring all of your young musicians
are on display during the performance.
11686783 String Orchestra . . . .E 55.00
The Journey Forward—Am're Ford.
Beauty and hope are on full display in this
gorgeous original work. A meditation on
the path one's life may take, it combines
pulsing rhythms and staccato articulations
with lyrical writing and even the cello lines
in two-part harmony to create a moving
soundscape. At times somber and joyful,
this piece in E minor will make an excellent
addition to your next concert or festival
performance.
11536020 String Orchestra . . . .E 55.00
Kingsfold—arr. Deborah Baker Monday.
The traditional English melody is presented
first in the low strings with ethereal tremolos
in the upper voices. The modal tune is then
shifted to the violins and violas with the
dark harmony carried on by the cellos and
basses.
11615220 String Orchestra . . . .E 55.00
Kongamato—William Owens. Intensity
drives this middle-school-level piece built
around strong rhythmic motion that evokes
the power and danger of the kongamato, a
flying reptile from Central African folklore.
Violins carry the melodic spotlight while
lower voices reinforce the harmony
and pulse, keeping everyone engaged.
A contrasting legato middle section
adds shape, and the wide dynamic and
articulation variety offers clear opportunities
to teach stylistic contrast and control.
11673573 String Orchestra . . . .E 60.00
Legend of the Lost Blade—Kong Meng
Moua. A thrilling musical journey into
a realm of mystery and adventure for
young string orchestra. Dynamic rhythms,
powerful unison lines, and striking contrasts
help bring the legend to life as the orchestra
embarks on a quest to find a powerful but
long-lost sword. Providing access and
challenge in equal measure, this is a potent
addition to any concert or festival program!
11690438E String Orchestra
ePrint . . . . . . . . . . . . .E 60.00
The Lighthouse—Kevin Sluder. Evoking
the quiet strength of a lighthouse on a
misty shore, this piece begins with a
deep, resonant bass line that mimics the
call of a foghorn to set a mysterious and
atmospheric tone. Gradually, the music
unfolds into flowing melodies and gentle
harmonies, offering young players an
accessible yet expressive experience. With
clear textures and supportive writing, it
provides opportunities to develop ensemble
listening, tone quality, and confidence -
making it an ideal choice for developing
string players.
11632594 String Orchestra . . . .E 55.00
Little Suite—Shirl Jae Atwell. A four-
movement suite for easy string orchestra
where each movement can be performed
separately or all together as a complete
suite. Movements feature the keys of D
major, G major, and A minor and range
in style from lyrical to joyful. Basic
note values and dynamics are used,
and melodies are shared around the
ensemble with lots of doubling. A great
way to introduce young students to
multimovement music at an early level.
11685744 String Orchestra . . . .E 60.00
Lost in London—Doug Spata. Experience
the thrill of wandering through unfamiliar
streets and discovering a city beyond its
landmarks. Inspired by a walk through
London accompanied by the sounds
of iconic 1980s British synth-pop, this
intermediate-level orchestra piece blends
jagged rhythms and minor harmonies
with sleek, modern energy. Accessible yet
stylish, it features an optional drum part
that adds rhythmic drive and color, making
it a dynamic and engaging choice for any
concert program.
11642896 String Orchestra . . . .E 60.00
Lost Puppy Comes Home—Loreta
Fin. Lost Puppy is a 2011 composition
by Loreta Fin with a melancholy mood.
Students have often commented how sad
the piece sounds. In this new work, after
many years, the lost puppy is finally found.
The piece commences in a minor mode,
based on E, like the original work. The
Lost Puppy theme is heard in the opening
bars, but instead of the original 4/4-time
signature, it is in triple time. Control and
management of bow speeds is important
here. It is also an opportunity for students
to practice their developing vibrato skills.
11634744 String Orchestra . . . .E 50.00
Lullaby for a Starry Night—Alexandre
Carlin. Delight your audience with
the tranquil beauty of this lyrical work
for Grade 1.5 string orchestra. Set in
graceful 3/4 time, it paints a serene
portrait of the night sky. An excellent
choice for early string ensembles, it offers
young musicians the chance to explore
expressive playing and musicality, making
it an enchanting addition to any concert
program.
11686785 String Orchestra . . . .E 55.00
