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Locomoto—R. Scott Whittington. High-
octane energy drives this piece from the first
measure, powered by a relentless eighth-
note pulse that keeps everything in motion.
Melodies ride above the rhythmic engine
with confidence while dramatic dynamic
contrasts and strong cadences heighten the
sense of momentum. Slick, focused, and
full of propulsion, it brings a jolt of rhythmic
excitement and modern edge to any concert
program.
11684464 String Orchestra . . . M 55.00
Mad Hatter Musings—Kirt Mosier. Inspired
by Alice's Adventures in Wonderland by
Lewis Carroll, this eclectic work delves
into the mind of a character who has
been forever trapped in time and has lost
a grip on reality after living a never-ending
tea party. Infused with contemporary
harmonies, rhythms, and melodic figures,
it inspires the imagination. (3:30)
11568686 String Orchestra . . . M 70.00
Mariners Awake!—R. Scott Whittington.
A lively sea shanty for high school string
orchestra that blends crisp, buoyant
rhythms with more lyrical, folk-style lines
that give every section something engaging
to play. Optional recorder or flute doubles
the first violins for added color and stylistic
authenticity. Lower-position writing keeps
technique manageable while allowing
students to focus on articulation, blend,
and crisp rhythms. It's a fun, stylistically
rich option that lets the whole ensemble
lean into the maritime soundscape with
confidence.
11673407 String Orchestra . . . M 65.00
Masquerade Dance—Cindy Hill. Mystery
and elegance collide in this dramatically
captivating masquerade-themed work
for high school orchestra, with sweeping
slurred phrases passed from section to
section. A touch of col legno technique adds
an unexpected theatrical flair. Your students
will relish every dramatic moment of this
sophisticated and memorable concert
showpiece.
11689861 String Orchestra . . . M 65.00
Meadow Dance—Nathan Jacklin. Inspired
by springtime nature and the sounds
of bird calls, this lilting dance for string
orchestra continually passes melodic
material through the ensemble, giving
every section an active, engaging role.
Varied articulations, wide dynamic range,
and flowing motion build energy toward a
whirling finale. A refreshing choice for high
school, it showcases ensemble interplay
while offering a bright contrast of color and
style within a concert program.
11680889 String Orchestra . . . M 75.00
Metronome—Vincent Kantorski. An
engaging concert piece that can also be
used as a rhythmic accuracy etude for
string orchestra students. The primary
educational goal of this etude is for the
performers to maintain a metronomically
precise tempo without speeding up or
slowing down - a requisite skill for any
musical ensemble. Since the piece is in
duple meter, the accents on the first and
second primary beats of each measure
should give a feeling of students practicing
to a musical metronome. With alternating
passages between pizzicato and arco for
all instruments, your students will get an
engaging workout in technique as well.
11686219 String Orchestra . . . M 60.00
Moonglow—Cooper Ford. A lyrical piece
in 6/8 time invites listeners into a world of
calm and grace. Its flowing rhythms create
a soothing, rocking motion, and the use
of accidentals adds harmonic intrigue,
weaving unexpected colors into the serene
texture. Perfect for showing off your
ensemble's expression and blend, it will
leave your audience refreshed and inspired.
11632578 String Orchestra . . . M 60.00
Mysteria Abyssi—Kirt Mosier. This dark
and mysterious work evokes the mysteries
of the deep as the ethereal scoring takes
the listener into the deep, dark areas of
the ocean. The optional celesta adds the
magical sparkling quality of bioluminescent
underwater creatures. (3:30)
11568667 String Orchestra . . . M 65.00
Mysteries of Pompeii—Sarah Siegler.
Ancient drama and mystery unfold in
this work for high school orchestra that
tells the story of the lost city of Pompeii.
Expressive solo passages for every
instrument open the piece before a
sudden surge of fast, intense sixteenth-
note motion shared across the ensemble
drives the music forward. Sharp stylistic
contrasts strengthen articulation, unity,
and ensemble awareness. A compelling
high school selection for teaching a variety
of techniques while taking audiences on a
vivid musical journey.
11680762 String Orchestra . . . M 65.00
Mysterious Forces—Michael Hopkins.
Fast and rhythmically energetic, this piece
in E minor features all sections on melodic
material. Violin, viola, and cello parts are
playable in first position. Double basses
have a few shifts to half, second, and third
positions. Cellos have a few extensions to
B-flat on the A string, and violins and violas
have a few spots with low first finger and
high third finger. This is a great piece to
work on articulations and bow speed. The
melody features the slur-two-separate-two
bowing. The music features both short
staccato bow strokes and longer legato bow
strokes, plus lots of dynamic contrasts and
opportunities for learning about phrasing
and shaping musical lines. (4:10)
11619616 String Orchestra . . . M 65.00
October—Eric Whitacre/arr. Paul
Lavender. With his symphonic, choral, and
operatic works, the continuing popularity
of Eric Whitacre's dramatic and evocative
music is evident in concert programming
everywhere. October, one of his most
notable symphonic works, is now adapted
in this stunning version for strings.
10042806 String Orchestra . . . M 85.00
Ode to a Joyride—Brian Balmages. The
glorious melody of Beethoven's Ode to Joy
gets an adrenaline boost as your orchestra
rolls down the windows and turns up the
volume! Ideal as an opener or closer, this
exciting work is certain to elicit a strong
reaction from your students and audience.
This is a joyride that no one will soon forget!
(3:20)
11511836 String Orchestra . . . M 65.00
The Odyssey (Journey of Odysseus)—
Soon Hee Newbold. The Odyssey is a
timeless Greek tale that is relevant to
every generation, and Soon Hee Newbold
has created a thrilling musical depiction
for your strings to play! Odysseus' return
home from the Trojan War was filled with
obstacles and encounters with the Lotus
Eaters, the Cyclops, the Sorceress Circe,
and the enchanting Sirens, among others.
Multiple effects include col legno, mutes,
and harmonics (which are all explained
in detail in the performance notes).
The incredible symphonic nature of the
entire work gives your orchestra a huge
sound without the need for any winds or
percussion. It's a thrilling addition to any
performance.
2701827 String Orchestra . . . M 75.00
The Old Boatman—Florence Price/arr.
Dana Perna. This lyric work is a shining
presentation of Price's signature style.
The opening G major theme modulates to
A major, featuring brief solos for violin and
cello. Although short, the piece requires
mature musicality, shifting skills, and
vibrato from your ensemble, with moments
of delicate dynamics and rubato.
11206042 String Orchestra . . . M 45.00
On the Precipice—Cooper Ford. Perched
on the musical edge, this Grade 3.5
orchestra work channels urgency and
reflection through fast-paced 6/8 motion.
Eighth-note figures weave through every
section as duple and triple rhythmic figures
collide, demanding confident independence
while keeping momentum constant. Shifting
in violin 1, cello, and bass, plus a closing
key change, expands expressive depth.
Well suited to high school groups ready for
a dramatic, rhythm-driven concert challenge.
11679137 String Orchestra . . . M 65.00
Orchid—Yukiko Nishimura. This lyrical
piece has a warm and lovely chord
progression that brings delicate emotion
to the incredibly beautiful melody line. Your
string orchestra will perform expressively as
they play from the heart. (3:30)
11400578 String Orchestra . . . M 50.00
Peace for Humankind—Anthony Susi. A
musical plea to humanity to live in harmony
with one another. The composition is based
on the pitches E, A, and C from the word
"peace," with F from the tonal center D
added to form an ancient Greek Phrygian
pentatonic scale to represent the letter P
(since the Renaissance, this has been called
the Dorian mode). The phrase is spelled out
calmly from the start with the pitches in
order and gradually grows in intensity as the
motif is passed around the orchestra. The
dramatic tremolos, suspended dissonances,
and swells reflect the heartache and
suffering as a result of contentious conflicts
in our world. The motif morphs as the work
progresses but returns to its original order
at the tranquil conclusion to signify hope for
restored peace within and between nations.
11689865 String Orchestra . . . M 65.00
Procession of the Mystics—John Atteberry.
Invite your listeners and developing string
students into a shadowed world where distant
drums echo across ancient landscapes and
enigmatic figures emerge from the haze.
Chromatic harmonies, shimmering tremolos,
and eerie sul ponticello textures create a
soundscape that feels both otherworldly
and alive. With optional percussion adding
depth and tension, student orchestras can
conjure a haunting soundtrack worthy of a
magical realm.
11688746 String Orchestra . . . M 65.00
Original Concert Works | Medium
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