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Cello Squadron—Richard Meyer. Listen
closely and you'll hear them coming... it's
the Cello Squadron to the rescue! This
fun and exciting section feature has it all -
roaring airplane engines (on cello C strings
of course!), dive-bombing glissandos, and
a heroic main theme based on Wagner's
famous Ride of the Valkyries. Designed to
give everyone in the orchestra a chance to
learn and practice their triplet rhythms, this
piece is sure to spark the imagination of all
your students.
10066913 String Orchestra . . . .E 50.00
Cellos Ole!—Richard Meyer. No doubt
about who gets featured in this fun, Spanish-
flavored original by Richard Meyer! This
piece is a great motivator for your up-and-
coming young cellists and is a great change
of pace for any concert program. Features
a lyrical melody in the cellos set against
a pizzicato accompaniment in the other
strings, and includes parts for maracas
and claves that can be spread among the
sections. Your students will love this one!
2397537 String Orchestra . . . .E 46.00
The Chicken Dance—Terry Rendall &
Werner Thomas/arr. Moore. The ever-
popular song heard at parties, weddings,
and any event where a good time is had
by all! Before performing, make sure some
dance floor space is available and be sure
to invite Aunt Myrna!
10343543 String Orchestra, Perc.
Required . . . . . . . . . .E 50.00
The Dancing Master—John Playford/
arr. Andrew H. Dabczynski. This medley
of two popular 17th-century English folk
dances (Jamaica and The Goddesses) is a
perfect light selection choice for your concert
program. This piece is excellent for reinforcing
dynamics and pizzicato. All sections have
interesting and engaging parts. Easy half
position in the basses on the D string. Violin
2 and viola are doubled. Optional hand drum
part adds to the early Baroque era dance
mood. Sure to be a favorite!
11354970 String Orchestra . . . .E 50.00
Deep Sea Fandango—Deborah Baker
Monday. What's that? It sounds like
"Jaws!" Cellos will love getting the limelight
for once! This piece provides an excellent
opportunity to feature low strings, while
giving all students a fun part to play! A
perfect training piece for F naturals and
simple 2-note slurs, this will be a winner with
students and audiences alike. An optional
piano part is included.
10027064 String Orchestra . . . .E 55.00
Fiddles on Fire—Mark Williams. Rosin
up the bow, call out the Fire Department,
and let's go! This thrilling work is a modal
display of beginning virtuosity that takes full
advantage of that open fifth "fiddle sound."
You'll have parents do-si-do-ing in the
aisles, and students clamoring to play this
one again and again! Without a doubt this
is a superb piece for beginning players!
2346260 String Orchestra . . . .E 50.00
Frolicking Koalas—Diana Traietta. Offer
elementary or early middle school string
players an enjoyable break from heavier
repertoire with this light dance where each
section gets a moment to shine. The theme
reappears in varied dynamics, shifting
between legato and marcato articulation.
Its playful character fits beautifully with the
image of lively koalas awake and exploring.
The approachable writing and cheerful
motion make this an ideal light selection for
early concerts.
11673564 String Orchestra . . . .E 55.00
Haunted Treehouse Waltz—Sarah
Siegler. Ghostly dancers and moonlit
mischief set the scene in this easy string
orchestra waltz with playful flair. Tremolo,
brief col legno effects, and a mix of pizzicato
and arco create unique musical textures
while keeping technique approachable.
Melodic sharing across sections reinforces
ensemble balance and style. A fun fall or
Halloween concert pick for introducing
waltz style and colorful bow techniques in
an engaging, story-driven piece.
11680747 String Orchestra . . . .E 55.00
Hey Fiddle Fiddle—Brian Balmages.
Here's a nice opener or encore! The
upbeat nature of the tune offers a few
hints of Copland, but it remains easy and
is also very likeable. There's even some
stomps and hand claps to add to the
experience. Your students and audience
will enjoy this one. Lots of fun!
10008670 String Orchestra . . . .E 50.00
Moonlight Tango—Richard Meyer. As
the title indicates, this charming piece
beautifully reinforces dotted rhythms and
low-second patterns. Its lively dance-like
character will be a popular addition to any
concert occasion.
2301570 String Orchestra . . . .E 46.00
The One-Bow Concerto—Richard
Meyer. Your audience will laugh out
loud! A violinist, a violist and a cellist have
soloist seats in front of the orchestra, and
they share just one bow, passing it to
one another just in the nick of time. The
orchestra is all pizzicato, so there really is
only one bow. "But a cellist shouldn't use
a violin bow," you think. Right, so they stop
passing it to him and the cellist shows what
he thinks of that! By the end the bow is in
the hand of the conductor. Recommended
as a show-stopper!
2475422 String Orchestra . . . .E 62.00
Pepperoni Pizza Party Rock—Nicolas
Repetto. Rock out with this new string
orchestra work that teaches pepperoni
pizza rhythms and bow lifts all using
approachable D major scale finger
patterns. All sections of the orchestra get to
rock the melody. Add an optional drummer
for extra coolness, or use the included
drum set recording. Rock on - and enjoy a
pizza party afterward!
11573298 String Orchestra . . . .E 55.00
The Pizza Song—Loreta Fin. Inspired by a
student suggestion, this fun piece explores
hooked bows, slurs, rests, pauses, and
compound time, with spoken text adding
humor throughout. Fun for all ages!
11638489 String Orchestra . . . .E 50.00
Pumpkin Round—Cindy Hill. With its
teaching opportunities for staccatos,
accidentals, and pizzicato, this D minor
piece is just spooky enough for your fall
concert but also substantial as a contest
work.
11572926 String Orchestra . . . .E 65.00
Rock Riffs—Soon Hee Newbold. Hot rock
original from Soon Hee Newbold! Exciting,
grooving intro gives way to powerful riffs
and updated phrasing. Fun for all your
players. Drums optional.
10277841 String Orchestra opt.
Perc.. . . . . . . . . . . . . .E 50.00
The Sharks of Seville—arr. Deborah
Baker Monday. Brimming with intrigue
and suspense, this exciting marriage of
themes from "The Barber of Seville" with an
iconic "shark in the water" motive will keep
everyone on the edge of their seats. All
Seville themes have been expertly adjusted
for Grade 1 students, and all recurring shark
figures are well-fingered and easy to teach.
10520049 String Orchestra . . . .E 60.00
Spring Breezes—arr. Richard Meyer.
Try this tender folk song from Taiwan to
develop your students' sensitive and lyric
style. Accompanied by lush, modern-
sounding harmonies, the melody is passed
to each section. The solos for violin and
cello are at a medium-easy level and are
accompanied by a prominent harp or piano
part. Simply gorgeous!
2442762 String Orchestra . . . .E 48.00
Lighter Concert
Selections
Medium-Easy
Beach Party!—Sarah Siegler. Sun-soaked
fun comes to life in this Caribbean dance
for Grade 2 string orchestra built for smiles
and fun! A repeating eighth-quarter-eighth
pattern anchors the groove and introduces
players to simple syncopation reinforced
through unison writing, handclapping, and
optional claves. The joyful melody moves
through every section, keeping players
involved while internalizing rhythm. A light,
upbeat middle school concert choice for
teaching syncopation, style, and ensemble
unity in an inviting beach-themed setting.
11680750 String Orchestra . . ME 60.00
Betsy's Blues—Lorrie Baum. In this
lively and spirited piece for Grade 2 string
orchestra, students discover a variety
of musical treats including finger slides,
catchy melodies that move through every
section, and the delightful surprise of
unexpected rhythms. A brief pizzicato
section adds color and character, giving the
music a fresh, toe-tapping energy, while
the optional piano and drum set parts add
an extra touch of pizzazz. A crowd pleaser
that brings energy and excitement to any
classroom or concert stage.
11686776 String Orchestra . . ME 80.00
Birds, Bees, and Butterflies—Bud
Woodruff. With a light, quirky character,
this Grade 2 string orchestra piece gives
students a lively way to build technique.
The melody often moves in running eighth
notes, occasionally with accidentals,
while the accompanying parts trade crisp
staccato figures before switching roles. A
brief key change adds color and a teaching
moment. This is a strong introduction to cut
time that helps developing musicians feel
the broader pulse with a quick tempo.
11673567 String Orchestra . . ME 60.00
Lighter Concert Selections | Easy/Medium-Easy
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